I viaggi di Gulliver

Swift's writing really has more in common with Kafka and Orwell than with fantasy-adventure writers, so it's curious that Gulliver's Travels has been deemed a children's novel. Lucky kiddies!

The same applies to this movie. There have been some really awful versions of this story, which must be why people are reluctant to look at this version. I mean, it's a TV-movie and it comes from muppetteer Jim Henson, so how should we expect anything but cuteness?

Look again - beauty turns up in the oddest places. Children love this movie enough to sit through all three hours of it, but it also takes the time to get Swift's dark vision right. I hate special effects, but here they are used to carry the story forward instead of just dazzling us. Please note that the producers took the trouble to recruit classical actors like John Gielgud and Peter O'Toole who perform their eccentric roles with perfection.

Dramatically, the romance between Gulliver and Glumdalclitch is rendered touching and poignant, as well as funny (she's a little girl, but twenty times his size). The frame-story has a theme about absent fathers that many children will relate to. And the part about Gulliver in the asylum introduces an element of horror dealing with the abuse of authority (apparently deriving from Val Lewton's "Bedlam" [1946], another forgotten masterpiece).

The VHS is always turning up in the bargain-bin for a few cents, which is an insult to the many great artists who put this thing together. I encourage audiences to recognize a good thing by getting this movie and inspiring others to watch it. Although it has a lot to offer children, grown-ups will find that it stands up nicely to such classics as Aguirre, Brazil, 1984 and other serious fantastic works.

Much of it was filmed in Portugal, I was looking up the various palaces involved-

Sintra-

-Monserrate(Laputa) -Queluz(Brobdingnag) -Ribafria Palace (Sorcerer's Palace, I think) -Castle of the Moors(Struldbrugs)

Lisbon-

-Ajuda(Burning Palace, Lilliput)

Mafra-

-Royal Palace and streetscapes (Lilliput) -Sea Cliffs (Brobdingnag and Lilliput)

The Doctor's Mansion is obviously in the Cotswold limestone district... anyone recognize it?

The final shot is modelled after the Paul Nash painting "Landscape from a Dream", surrealism seems right for a movie like this.

www.tate.org.uk/art/artworks/nash-landscape-from- a-dream-n05667

This is an exceptional adaptadation of the book. An all-star cast which gives merit and worthwhile to the tv-film and Danson in his best performance yet as a sailor who becomes lost at sea, only to return some years later a different man - a man who has learnt alot of humanity in his journey's and a man casted as insane.

Throughout the movie you don't know whether Danson's character is sane or not. The amazing effects and direction make it a marvel to watch. The all-star cast enjoy their roles to the hilt.

The sequences within the asylum are disturbing, as are Danson's twisted hatred on humans, and what they have become. And in some aspects the thought-provoking stories that Gulliver went through can still be adapted today.

For example the "we drink when we are not thirsty and eat when we are not hungry" is a typically haunting line. The social commentary which underlines the novel and indeed this film can still be used and adapted today.

This is a thought-provoking, well made TV-film that is very enjoyable, and I recommend you watch it.

My Rating: 8/10

GULLIVER'S TRAVELS (1996/MTV/NBC) ***1/2 Ted Danson, Mary Steenburgen, James Fox, Peter O' Toole, Alfre Woodard, Ned Beatty, Thomas Sturridge, Sir John Gielgud. Excellent mini-series adaptation of Jonathan Swift's classic satirical novel about Lemuel Gulliver (Danson in a fine performance) and his near descent into madness after his journey and many adventures amongst many different people including the legendary Lilliputians (the wee folk) and the the Brobdingnagians (giants) with splendid supporting cast and grandiose production design. Hats off to the special effects thanks to Jim Henson's effects shop and able direction by Charles Sturridge.

I first saw this when I was a teen in my last year of Junior High. I was riveted to it! I loved the special effects, the fantastic places and the trial-aspect and flashback method of telling the story.

Several years later I read the book and while it was interesting and I could definitely see what Swift was trying to say, I think that while it's not as perfect as the book for social commentary, as a story the movie is better. It makes more sense to have it be one long adventure than having Gulliver return after each voyage and making a profit by selling the tiny Lilliput sheep or whatever.

It's much more arresting when everyone thinks he's crazy and the sheep DO make a cameo anyway. As a side note, when I saw Laputa I was stunned. It looks very much like the Kingdom of Zeal from the Chrono Trigger video game (1995) that also made me like this mini-series even more.

I saw it again about 4 years ago, and realized that I still enjoyed it just as much. Really high quality stuff and began an excellent run of Sweeps mini-series for NBC who followed it up with the solid Merlin and interesting Alice in Wonderland.

This film is wonderful example of the quality dramas that Channel 4 and the BBC have produced over the years. Ted Danson delivers a powerful performance of a man tormented by memories noone will accept, and a society that believes he is insane. It is a remarkable performance by a man most known for his role in Cheers, a TV comedy sitcom. The supporting cast are all very well chosen, not least Mary Steenbergen, Danson's wife, who acts the part of Gulliver's wife in the film. But above all it is the seamless and very delicate shifts between our world and Gulliver's world that make this film. The difference in perspective between giants and midgets, all acted by real actors is beautifully captured. A rare treat of cinematography and direction.