I viaggi di Gulliver

I first saw this when I was a teen in my last year of Junior High. I was riveted to it! I loved the special effects, the fantastic places and the trial-aspect and flashback method of telling the story.

Several years later I read the book and while it was interesting and I could definitely see what Swift was trying to say, I think that while it's not as perfect as the book for social commentary, as a story the movie is better. It makes more sense to have it be one long adventure than having Gulliver return after each voyage and making a profit by selling the tiny Lilliput sheep or whatever.

It's much more arresting when everyone thinks he's crazy and the sheep DO make a cameo anyway. As a side note, when I saw Laputa I was stunned. It looks very much like the Kingdom of Zeal from the Chrono Trigger video game (1995) that also made me like this mini-series even more.

I saw it again about 4 years ago, and realized that I still enjoyed it just as much. Really high quality stuff and began an excellent run of Sweeps mini-series for NBC who followed it up with the solid Merlin and interesting Alice in Wonderland.

Swift's writing really has more in common with Kafka and Orwell than with fantasy-adventure writers, so it's curious that Gulliver's Travels has been deemed a children's novel. Lucky kiddies!

The same applies to this movie. There have been some really awful versions of this story, which must be why people are reluctant to look at this version. I mean, it's a TV-movie and it comes from muppetteer Jim Henson, so how should we expect anything but cuteness?

Look again - beauty turns up in the oddest places. Children love this movie enough to sit through all three hours of it, but it also takes the time to get Swift's dark vision right. I hate special effects, but here they are used to carry the story forward instead of just dazzling us. Please note that the producers took the trouble to recruit classical actors like John Gielgud and Peter O'Toole who perform their eccentric roles with perfection.

Dramatically, the romance between Gulliver and Glumdalclitch is rendered touching and poignant, as well as funny (she's a little girl, but twenty times his size). The frame-story has a theme about absent fathers that many children will relate to. And the part about Gulliver in the asylum introduces an element of horror dealing with the abuse of authority (apparently deriving from Val Lewton's "Bedlam" [1946], another forgotten masterpiece).

The VHS is always turning up in the bargain-bin for a few cents, which is an insult to the many great artists who put this thing together. I encourage audiences to recognize a good thing by getting this movie and inspiring others to watch it. Although it has a lot to offer children, grown-ups will find that it stands up nicely to such classics as Aguirre, Brazil, 1984 and other serious fantastic works.

Much of it was filmed in Portugal, I was looking up the various palaces involved-

Sintra-

-Monserrate(Laputa) -Queluz(Brobdingnag) -Ribafria Palace (Sorcerer's Palace, I think) -Castle of the Moors(Struldbrugs)

Lisbon-

-Ajuda(Burning Palace, Lilliput)

Mafra-

-Royal Palace and streetscapes (Lilliput) -Sea Cliffs (Brobdingnag and Lilliput)

The Doctor's Mansion is obviously in the Cotswold limestone district... anyone recognize it?

The final shot is modelled after the Paul Nash painting "Landscape from a Dream", surrealism seems right for a movie like this.

www.tate.org.uk/art/artworks/nash-landscape-from- a-dream-n05667

This was a truly epic production that had all the elements that one would want in a fantasy film. The costuming, the music, the cinematography - all artistic elements of this film were absolutely beautiful and provided a rich experience.

Ted Danson, best know for his TV roles in "Cheers" and "becker," was excellent in the role of Gulliver. Mary Steenburgen (Time After Time, Cross Creek) performed equally well in her limited role as his wife.

Other performances I really enjoyed were James Fox as Dr. Bates, Alfre Woodard as the Queen of Brobdingnag, and Peter O'Toole as the Emperor of Lilliput.

This would make an enjoyable children's film, but it also would definitely appeal to adults for it's deep social commentary.

This has got to be without a doubt, the best adaption of Gullivers Travels that I have ever seen. It is visually stunning, with wonderful special effects (you really can't tell whats real and what's not now!) and a stunning cast. Ted Danson is perfect in his role of Lemual Gulliver, and he plays it with the right amount of emotion and anger. It enthralled me from the very beginning, from his first day back home, to the land of the Whinnims and Yahoos. And who can forget the frighting scene as the ill and blind but immortal women cry out 'You'll never die!' Although I have many favourite scenes I think my favourite is the court scene where Gulliver gets the upper hand. That scene is very exciting and tense and your rooting for him all the way. All in all wonderful stuff. Something that should be shown in school across the world, for there is a powerful message is it: Are we humans not simply just a race of Yahoos?..........

I guess I have to write something here, although I think my one summary says it all. I'm not a huge Ted Danson fan... nothing against the man, just hasn't "done it" for me. This covers the sides of Swift's novel that were never covered before. You can tell the cast was having a wonderful time filming this.