Villaggio dei dannati

Sure, it's not the best horror film ever made, but it was fun. I'm sure that people who grew up with the original would like it better, that's to be expected. But I thought the movie was a good B-level movie with some creepy scenes and a few shocks, and let's not forget the cheese. Most of John Carpenter's movies fall into this category. Halloween was a bit different, but come on, even In The Mouth Of Madness had some cheesy parts, and it was plenty creepy. Most of his movies are just fun to watch, and when they're over, you forget them. A horror movie that truly disturbs people only comes once every few years. Most of them shouldn't be taken so seriously. Pop some popcorn, grab a beverage, put your feet up and have some fun with this one.

Although this remake of the 1960 British horror classic doesn't quite look and feel its $22 million budget and also is somewhat bumpily edited, John Carpenter catches the essence of the story and transfers the eerie premise effectively to the screen thanks to fine casting and some well executed decisive segments. Christopher Reeve and Kirstie Alley play respectively the town doctor and the government researcher who realize a little too well what really happened to the small coastal town of Midwich, California when a strange "blackout" left the entire population temporarily unconscious and then ten random women pregnant with what turns out to be overly polite, bright and self-sufficient children. For a 1990s horror film, Village of the Damned is not particularly graphic; instead Carpenter creates real, timeless chills by putting the fascinating thematic concept from John Wyndham's novel to good use. The film's sociological and psychological aspects transcend the largely formulaic horror universe they are born out of. And the delightful performances by the children, particularly little Thomas Dekker as David, coupled with Carpenter's evocative music make this an effective chiller. It was Reeve's last performance before his accident.

My mother turned on Village of the Damned one evening because Christopher Reeve was in it. I knew absolutely nothing about it beyond the fact that there was a movie by that title. After ten minutes I was completely hooked. After it was over I thought about it and realized there were some flaws, but still, while it lasted I was fascinated. I recommend it.

John Carpenter's ambitious remake of the 1960s horror thriller/chiller about demonic children with extra-sensory perception powers who raise Hell in their home town. As with "The Thing", this remake of a horror classic is very creepy and atmospheric. Nothing less is to be expected of John Carpenter.

The late Christopher Reeve (1952-2004) gives a solid performance as the local doctor and all around nice guy protagonist Dr. Alan Chaffee, who unfortunately is the father of the ringleader of the evil hell-spawn children. Sadly, this was his last theatrical film before he was paralyzed below the neck in the notorious horse riding accident. Not to be overly sentimental with my praise, but he really was an underrated actor.

Interestingly, in addition to featuring Superman/Reeve, Mark Hamill, AKA: Voice of the Joker and also everyone's favorite Jedi Knight Luke Skywalker, also appears as an ill-fated priest along with former Vulcan vixen Kirstie Alley as an FBI agent keeping an eye on the evil little bastards.

Carpenter seems incapable of actually making something not worth watching... I have certainly yet to see something of his that qualifies. Even the ones of his films that I didn't expect to love, I've always at least liked. This isn't his very best, no, but it certainly delivers. It pulls you in and doesn't let go until the credits start rolling. I haven't seen the original, of which this is a remake, nor have I read the novel. Thus, I can make no comparisons, although I certainly have no problem with the prospect of pursuing them. The mood is expertly built up. Most of the acting performances are great, including those of the children. The majority of the effects are excellent, and they're never downright bad. Cinematography and editing are marvelous. The plot is well-told and develops nicely, with surprises along the way(I can, of course, not verify if they are expected by those already familiar with the story from earlier sources). This is terrifying, and there are no cheap "jump scares" that don't pay off. The dialog is well-written and quotable. All of the music is the relatively simple(if it ain't broke don't fix it), well-composed pieces that John usually gives us. I recommend this to any fans of him, and to a lesser extent, anyone else who helped create this. 7/10