VALUTAZIONE IMDb
5,5/10
33.986
LA TUA VALUTAZIONE
Quando la simulazione di realtà virtuale creata utilizzando le personalità di più serial killer riesce a fuggire nel mondo reale, un ex poliziotto ha il compito di fermare il suo regno del t... Leggi tuttoQuando la simulazione di realtà virtuale creata utilizzando le personalità di più serial killer riesce a fuggire nel mondo reale, un ex poliziotto ha il compito di fermare il suo regno del terrore.Quando la simulazione di realtà virtuale creata utilizzando le personalità di più serial killer riesce a fuggire nel mondo reale, un ex poliziotto ha il compito di fermare il suo regno del terrore.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Gordon Jennison Noice
- Big Red
- (as J. Gordon Noice)
Miracle Vincent
- Christine Barnes
- (as Miracle Unique Vincent)
Recensioni in evidenza
In the near future, Parker Barnes (Denzel Washington) is an ex-cop who has been sent to prison for murder. The circumstances surrounding his crime are disheartening and elicit empathy. Now, he is offered a chance at freedom from prison. Parker must hunt down and destroy a murderous cyborg, SID 6.7 (Russell Crowe), who is menacing the general public after jumping out of a virtual reality program. The chase takes on many twists and turns as SID terrorizes, shoots and kidnaps victims in his path. Can SID be stopped?
It may not be a science fiction masterpiece, but this film is worthwhile and intriguing. A second viewing may be required to truly understand and appreciate its complex plot. Then, too, the marvelous special effects enhance the look and feel of the film. It is not Denzel Washington's finest hour (he is adequate); however, Russell Crowe is positively gleeful in his portrayal of the ultimately designed killing machine. There are some humorous moments, somewhat lessening the overall dark and somber tone. On the down side, the ending may be a little too pat and leave a few loose ends untied. Recommended for science fiction and action movie fans who are on the lookout for lesser known films that may satisfy them for an evening.
It may not be a science fiction masterpiece, but this film is worthwhile and intriguing. A second viewing may be required to truly understand and appreciate its complex plot. Then, too, the marvelous special effects enhance the look and feel of the film. It is not Denzel Washington's finest hour (he is adequate); however, Russell Crowe is positively gleeful in his portrayal of the ultimately designed killing machine. There are some humorous moments, somewhat lessening the overall dark and somber tone. On the down side, the ending may be a little too pat and leave a few loose ends untied. Recommended for science fiction and action movie fans who are on the lookout for lesser known films that may satisfy them for an evening.
The first great film for Russell Crowe, and a very interesting film to say the least. Cyber culture is rarely ever depicted in movies, but this was one of those films which brought some of these underground tendencies to light. What was even more interesting was how evil Sid 6.7 was. Crowe did an excellent job of portraying the demented cyber villain. I especially liked Denzel Washington, who always manages to be believable in his role when he doesn't try to be a soul brotha.' Granted, the cinematography was pretty average as well as the music, but then again, the performance of the two main stars really made this film a winner.
For the most part, "Virtuosity" is basically another virtual reality-themed movie so full of action that it almost hurts. But interestingly enough, there is a little bit of a plot here. Denzel Washington plays Lt. Parker Barnes, who has to help find SID 6.7 (Russell Crowe), a virtual serial killer who has escaped into the real world in 1999 LA.
Yes, that certainly sounds like it could degenerate into the kind of garbage that Hollywood usually turns out. Much of the movie is in fact vaguely reminiscent of movies like "Demolition Man". But maybe we can interpret the movie as looking at the dangers of letting technology get too powerful, like what "2001: A Space Odyssey" looked at. Obviously, this isn't even remotely in the same league as that one, but given that it was released in 1995, it almost seems like a prediction of how computer-centric the world would become.
Not a masterpiece by any stretch - both Washington and Crowe have done much better work (and now they're both Oscar winners) - but worth seeing, if only once.
Yes, that certainly sounds like it could degenerate into the kind of garbage that Hollywood usually turns out. Much of the movie is in fact vaguely reminiscent of movies like "Demolition Man". But maybe we can interpret the movie as looking at the dangers of letting technology get too powerful, like what "2001: A Space Odyssey" looked at. Obviously, this isn't even remotely in the same league as that one, but given that it was released in 1995, it almost seems like a prediction of how computer-centric the world would become.
Not a masterpiece by any stretch - both Washington and Crowe have done much better work (and now they're both Oscar winners) - but worth seeing, if only once.
You can't help but like Crowe's gleeful portrayal of a schizophrenic nano-bot serial killer in this ridiculous film, and with futuristic fascists, pervey programmers and a bucket loads of virtual reality cyber nonsense, this should really be a winner in the style of The Demolition Man or the Robocop series. But where other films in the genre have used such tools as wit and plot to keep the more intelligent of the viewers amused, this film, um, hasn't.
The script is terrible. The acting (excluding Crowe, who only gets away with it thanks to a camp smile and some fortunate direction) is wooden. And the plot is illogical and frustrating.
The script is terrible. The acting (excluding Crowe, who only gets away with it thanks to a camp smile and some fortunate direction) is wooden. And the plot is illogical and frustrating.
So finally, after decades of futuristic scientists proclaiming that virtual reality will someday be here, it's here - sort of. Hollywood's always been a midwife for technology between the science industry and the common man, and in the area of virtual reality it's given us "Johhny Mnemonic" and this actioner, starring Denzel Washington.
Basic plot is this: The police have been using virtual reality as a training method, to test recruits. Before they use it on real cops, though, they draft crooks out of prison to act as guinea pigs. This is where Washington comes in. A former cop (how convenient), Washington's been rotting in jail for years. So the cops ask him to volunteer to be a part of the experiment, and of course he agrees - but the computer he's going to be downloaded into has other plans. The 'virtual' cops are supposed to face this tough criminal in the system, you see, but the computer's decided to combine all of the nasty characteristics of famous real-life killers - and then download itself into a real, sentient being (Russell Crowe). And of course it's up to our man Washington to save the day.
So there you have it, folks. It's a standard cops n robbers plot moved ahead a few centuries to take advantage of modern technology. Of course, it's set in the future, which here is portrayed as busy, grimy, a bit crime-riddled.. Hmm, a lot like the present, come to think of it, and not very inventive. And the effects are nothing special, either; you'd think with virtual reality being the centerpiece you'd see some dazzling special effects. Not really.
The cast is good, and Crowe turns in a solid (if a bit hammy, but most bad guys are, aren't they?) performance. Washington is no better or worse than usual, which means the real culprit is the script here. Do yourself a favor and wait for a two-for-one night at your video store to see this one.
Basic plot is this: The police have been using virtual reality as a training method, to test recruits. Before they use it on real cops, though, they draft crooks out of prison to act as guinea pigs. This is where Washington comes in. A former cop (how convenient), Washington's been rotting in jail for years. So the cops ask him to volunteer to be a part of the experiment, and of course he agrees - but the computer he's going to be downloaded into has other plans. The 'virtual' cops are supposed to face this tough criminal in the system, you see, but the computer's decided to combine all of the nasty characteristics of famous real-life killers - and then download itself into a real, sentient being (Russell Crowe). And of course it's up to our man Washington to save the day.
So there you have it, folks. It's a standard cops n robbers plot moved ahead a few centuries to take advantage of modern technology. Of course, it's set in the future, which here is portrayed as busy, grimy, a bit crime-riddled.. Hmm, a lot like the present, come to think of it, and not very inventive. And the effects are nothing special, either; you'd think with virtual reality being the centerpiece you'd see some dazzling special effects. Not really.
The cast is good, and Crowe turns in a solid (if a bit hammy, but most bad guys are, aren't they?) performance. Washington is no better or worse than usual, which means the real culprit is the script here. Do yourself a favor and wait for a two-for-one night at your video store to see this one.
Lo sapevi?
- QuizAccording to Kelly Lynch, she and Denzel Washington were supposed to kiss. However, Washington had the scene dropped because he felt an interracial love scene would hurt the film's box-office chances.
- BlooperParker Barnes is arrested for allegedly shooting and killing SID's hostage at the train station, and later he is accused of killing the policemen who were taking him back to the station after SID murders them and "frees" Barnes (because he wants to see Barnes die a painful death when the satellite-linked chips explode in his brain). The problem is that both of Parker's alleged crimes are not plausible at all; if he shot the woman it would be obvious from the pattern of her wounds (since he was firing at SID from the front and SID fired at him, and shot and killed the hostage, from behind her) and he had his gun taken away and was handcuffed by the police before SID arrived for the murder/set-up.
- Curiosità sui creditiAt the end of the credits when the producers thanks technology companies for providing tools, one tools is listed as HSC Kal's Power Tools. This is a typo, since the product is Kai's Power Tools. They typo is even archived in TCM's movie information database (http://www.tcm.com/tcmdb/person/7915492%7C0/Hsc-Kal-S-Power-Tools-Bryce/)
- Versioni alternativeThe original 1996 German video release was heavily edited to reduce the intensity of violence, in order to receive a "Not under 18" rating from the FSK. The uncut version was finally passed in 2013 with a "Not under 16" rating.
- ConnessioniEdited into Twizzlers: The Movie (2015)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Sid 6.7, la máquina asesina
- Luoghi delle riprese
- Gas Co. Tower - 555 W. 5th Street, Downtown, Los Angeles, California, Stati Uniti(fight scene near the ending)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 30.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 24.047.675 USD
- Fine settimana di apertura Stati Uniti e Canada
- 8.309.869 USD
- 6 ago 1995
- Lordo in tutto il mondo
- 24.047.675 USD
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