L'uomo delle stelle

I love reading the comments by the I assume female writers who took time to critique this film. All universally saying the same thing, that the sex is either superfluous or if relevant demeaning to women. Of course its demeaning to women, it was intended to be. The guy is a rat bastard, thats what the film is all about. This film takes place a long time ago in a place that still would be considered backwards. I don't understand what people expect to see, but i assume its because they are fed a steady diet of Hollywood nonsense and have been for so long, that anything that isn't the false matriarchal utopia Hollywood longs for as a reality in life, upsets them greatly. Get over it already please. This film isn't any sort of great achievement, but it is sucessful in portraying rather accuratly conditions in post war Italy. Womens attitudes in Europe differ greatly than that of their American counterparts, and probably always will. They are as equally mystified by the total desexualization of our modern American society, as we are by their willingness to openly confront issues we deem taboo.

Joe Morelli is a scam artist that loves to prey on innocent people in the poorer regions of Italy. As we meet him, he is trying to swindle whoever he can from the impoverished Sicilians that happen to live in those forgotten towns. The movie is set after WWII in a ruined Italy that hasn't come out of its defeat and most of the population is having a hard time eking a life, mainly from the land.

Morelli, pretending to be a scout for a big Rome studio is seen traveling the back ways of Sicily with his small van that opens up to a mini studio where the unsuspecting people of those towns flock for a screen test that no one will ever see. For the price of 1,500 lire they get a chance to act for the con man and his camera, hoping they will be the next discovery, once the film is seen by the big casting directors in Rome.

Giuseppe Tornatore has a love for the cinema, as he showed with "Nuovo cinema Paradiso", which chronicled, perhaps, his own childhood in a small town in Sicily. Mr. Tornatore is a director that hasn't forgotten his roots, as he demonstrates with this tale about innocent common people being duped because their love and the allure of the cinema, that dream making medium.

Sergio Castellitto, one of the best actors working today in the Italian cinema, does a wonderful job interpreting Morelli for the director. His Morelli is never mean, or nasty; in fact, one of his best qualities is the way how he bonds with his subjects. Mr. Castellitto does wonders as the man without scruples, who eventually is found by one person who he made a fool of. Also, Morelli finds in Beata, the sweet and innocent girl from a convent a love he never knew he was capable of having.

Beata, is played by Tiziana Lodato, a beautiful young actress who is the one that makes Morelli understand his guilt after he is beaten and young Beata is interned in an institution. Leopoldo Trieste is seen as the mysterious figure who comes to recite a Spanish text for his screen test. Franco Scaldatto has some good moments in the film.

This is a film that will not disappoint fans of Giuseppe Tornatore because of his vision about people love for the cinema.

This attractive Italian film featured an interesting story and some pretty women. It's a story about a man who dupes the natives (Sicilians, in this case) into thinking they could become movies stars after paying money to him to get a personal screen test. This turns out to be a pathetic comment about the unrealistic lure of fame and fortune.

This film really looks good on widescreen DVD. It is gorgeous, just beautifully filmed, and I'm not just referring to the figures on the women.

The dialog is a bit strange, at least to us over here in the States. I suppose this is considered a comedy but I saw it more as a drama. Yes, there are laughs, but it's pitiful how easily people are duped and what their values are.

I found this an entertaining movie all the way through. With the nudity, it's not for kids (hence, the "R" rating.)

A seemingly heartless con-man (Sergio Castellito) goes around post-World War II Sicily filming most everyone, for a price, and leads villagers to believe that he is a talent scout for a film studio. Naturally many flock to the apparently kind stranger and do what they can to escape lives of poverty and unhappiness. Castellito meets up with many vivid characters, but none more so than the beautiful Tiziana Lodato (in her first screen role). Soon the young lady is begging Castellito to take her to the land of movie-making and in the process he falls in love with her and acquires a conscience. Apparently he may change his ways and then again maybe not, but it becomes very clear that the local authorities may catch up to Castellito before the film runs its course. "The Star Maker" was a Best Foreign Language Film nominee at the Academy Awards in 1995. Co-written and directed by horribly under-rated Italian film-maker Giuseppe Tornatore (who struck Foreign Language Oscar gold in 1989 with "Cinema Paradiso", one of my all-time favorite pictures), "The Star Maker" is a flawed work because of a strange tone that makes it an uneven experience at times. Humorous situations early point the way to a free-wheeling comedy, but soon drama sneaks in and by the end the drama has literally chased the early comedic routines away. The performers come and go, but Lodato's appearance about half-way through was enough to put the movie over the top. She just shines in a film of illuminated darkness and ultimately steals the show from Castellito by the heart-breaking finale. Tornatore was able to grab everyone with "Cinema Paradiso". Regardless of whether you liked that film or not, you should have cared for the primary characters. "The Star Maker" is a little more difficult in that regard. It holds its audience at arm's length most of the time and almost never hugs as tight as it should have. The final haunting scenes are reminiscent of the emotionally-charged montage to the magic of motion pictures in "Cinema Paradiso" and thankfully by that point most everything was presented well enough to make "The Star Maker" an important and worthy addition to the Italian world of films. 4.5 out of 5 stars.

Tornatore did to me with this movie what he failed to do with "Cinema Paradiso". I used to blame myself for being insensitive comparing to people's reactions after "Cinema Paradiso" but now after this movie I know that it's not me, but the "virgin" audience in good movies that overreacted.

The Starmaker is simply Perfect. The Mute's scene deserved an Oscar by itself. As a mater of fact every scene in the movie was so cinematographic that could have been easily a short movie by itself. As for the New York Times comments on the movie...... what do you expect by critiques who hailed "Shakespeare In Love". People have to understand that the old critiques of NYT that actually knew more than we do about movies are not around anymore! 11out of 10