Una giocattolo cowboy è profondamente minacciato e geloso quando un nuovo giocattolo astronauta lo soppianta come un giocattolo preferito nella camera di un ragazzino.Una giocattolo cowboy è profondamente minacciato e geloso quando un nuovo giocattolo astronauta lo soppianta come un giocattolo preferito nella camera di un ragazzino.Una giocattolo cowboy è profondamente minacciato e geloso quando un nuovo giocattolo astronauta lo soppianta come un giocattolo preferito nella camera di un ragazzino.
- Regia
- Sceneggiatura
- Star
- Candidato a 3 Oscar
- 29 vittorie e 24 candidature totali
Tim Allen
- Buzz Lightyear
- (voce)
Jim Varney
- Slinky Dog
- (voce)
Wallace Shawn
- Rex
- (voce)
John Ratzenberger
- Hamm
- (voce)
Annie Potts
- Bo Peep
- (voce)
John Morris
- Andy
- (voce)
Erik von Detten
- Sid
- (voce)
Laurie Metcalf
- Mrs. Davis
- (voce)
R. Lee Ermey
- Sergeant
- (voce)
Sarah Rayne
- Hannah
- (voce)
- (as Sarah Freeman)
Jack Angel
- Shark
- (voce)
- …
Greg Berg
- Local Announcer
- (voce)
Lisa Bradley
- Kid
- (voce)
Kendall Cunningham
- Kid
- (voce)
Riepilogo
Reviewers say 'Toy Story' is acclaimed for its pioneering animation, compelling narrative, and universal themes of friendship. Tom Hanks and Tim Allen's performances elevate Woody and Buzz Lightyear, blending humor with emotional depth. Randy Newman's soundtrack, especially "You've Got a Friend in Me," enhances the film's emotional resonance. Its innovative technology and storytelling have made it a cultural milestone and timeless classic in animation history.
Recensioni in evidenza
Just in case you were also wondering what happened to all the toys that went missing when you were a kid, the answer is clear: They escaped.
"Toy Story" is the kind of children's movie adults can enjoy just as much, because it very cleverly mines deep deposits of nostalgia from the memory banks. That may be the reason the 1990s bedroom of young Andy is populated by playthings of the 1960s, 1970s, and 1980s. If Andy was a real boy of his time, there would be a computer and a TV/Nintendo, and not much else.
The voicings of the various toys add to the enjoyability. Tom Hanks was the biggest star of the moment when "Toy Story" came out, and he works with that likeability by creating a stable center as Woody the cowboy doll. Don Rickles has the screen role of his career (not that "Kelly's Heroes" was Oscar material) as a prickly Mr. Potato Head, while Jim Varney and R. Lee Ermey are standouts in the supporting cast.
Tim Allen gives the movie's best performance, as a newfangled toy that takes Woody's place in Andy's heart but can't bring himself to accept that he's just a plastic plaything. It's the role of the story that gives him the best lines ("I don't believe that man has ever been to medical school"), but Allen delivers them with real panache. He more than holds his own, and you kind of see where he took off with that note-perfect William Shatner parody he perfected on screen in the underrated "Galaxy Quest."
While this movie's use of computer animation makes it a milestone, it neither represents the most innovative use of the technology or the cleverest Pixar-ated treatment of a story. "A Bug's Life" seems a more worthy apex; that story was funnier, worked better on its own merits, and used the animation to better effect. But given how novel all of this was in 1995, "Toy Story" could have been a lot less thought-through than it was, and still made gobs of money. The fact it is instead invested with real heart, and can be watched and enjoyed today just as easily as when it debuted nearly 10 years ago, is a tribute to the people behind it.
I like Randy Newman's music, just not here, and while the animation textures are surprisingly lifelike, there are places, especially with Scud the dog but also with the baby's drool, where it falls short. The story itself gets kind of rote with repeat viewings, though the transition to Sid's bedroom and its sad mutilated toys is a genius moment. So too are the vending machine aliens, who gape in rapt wonder at the judgment of "the claw." If it reached for pathos a little less often, "Toy Story" would be an undeniable classic.
As it is, it is very, very good, the kind of film that's only good for children, even (especially?) the inner ones.
"Toy Story" is the kind of children's movie adults can enjoy just as much, because it very cleverly mines deep deposits of nostalgia from the memory banks. That may be the reason the 1990s bedroom of young Andy is populated by playthings of the 1960s, 1970s, and 1980s. If Andy was a real boy of his time, there would be a computer and a TV/Nintendo, and not much else.
The voicings of the various toys add to the enjoyability. Tom Hanks was the biggest star of the moment when "Toy Story" came out, and he works with that likeability by creating a stable center as Woody the cowboy doll. Don Rickles has the screen role of his career (not that "Kelly's Heroes" was Oscar material) as a prickly Mr. Potato Head, while Jim Varney and R. Lee Ermey are standouts in the supporting cast.
Tim Allen gives the movie's best performance, as a newfangled toy that takes Woody's place in Andy's heart but can't bring himself to accept that he's just a plastic plaything. It's the role of the story that gives him the best lines ("I don't believe that man has ever been to medical school"), but Allen delivers them with real panache. He more than holds his own, and you kind of see where he took off with that note-perfect William Shatner parody he perfected on screen in the underrated "Galaxy Quest."
While this movie's use of computer animation makes it a milestone, it neither represents the most innovative use of the technology or the cleverest Pixar-ated treatment of a story. "A Bug's Life" seems a more worthy apex; that story was funnier, worked better on its own merits, and used the animation to better effect. But given how novel all of this was in 1995, "Toy Story" could have been a lot less thought-through than it was, and still made gobs of money. The fact it is instead invested with real heart, and can be watched and enjoyed today just as easily as when it debuted nearly 10 years ago, is a tribute to the people behind it.
I like Randy Newman's music, just not here, and while the animation textures are surprisingly lifelike, there are places, especially with Scud the dog but also with the baby's drool, where it falls short. The story itself gets kind of rote with repeat viewings, though the transition to Sid's bedroom and its sad mutilated toys is a genius moment. So too are the vending machine aliens, who gape in rapt wonder at the judgment of "the claw." If it reached for pathos a little less often, "Toy Story" would be an undeniable classic.
As it is, it is very, very good, the kind of film that's only good for children, even (especially?) the inner ones.
Andy's toys live a reasonable life of fun and peace, their only worries are birthdays and Christmases, when new toys could easily replace those already there. One such birthday Andy's top toy, Woody the cowboy, finds himself in direct competition with Andy's new Buzz Lightyear doll. When rivalries boil over Woody tries to hide Buzz down the side of the bed but accidentally pushes him out the window, the other tops expel Woody, and he leaves with no choice but to find Buzz and return him to the house. But with only two days before Andy moves house, time is of the essence.
Given how often the same mix of animation, wit, jokes and kids humour has been used since Toy Story (Ice Age, Monsters Inc, Bugs Life) it is easy to forget how refreshing it was when it first came out. I have just watched it again and it is dating a little in comparison to more recent twists on the formula. It seems each one has to be sharper and have more references etc in the background. However it is still very funny and deserves praise for being the first of a successful formula.
The plot is simple but effective and actually has genuine drama and excitement to it. The main story is fun but the degree of character development is what really shores it up. The conflict between Buzz and Woody is taken deeper than this and, when confronted by the truth of his status as a toy, Buzz's turmoil is very real as opposed to him being a cartoon character and nothing more. Despite the two strong leads there is a real depth in the support cast. They may not actually have that many lines, but they have all the funniest lines. Most of the `adult' wit comes from the Potato Head, dinosaur, the pig and slinky dog. They are funny and are very well used. In fact the majority of this humour and plot will go right over kids heads.
Looking back on it, I do feel a cynical edge on it in so much as this film must really have helped sales of the toy companies in the film. It's hard not to see the marketing department standing behind this film rubbing their hands. However the actual product is so wonderfully fun that I forgot this quickly. The voice work is excellent and the characters match the actors. Hanks is good as Woody and Allen has a good B-movie type voice for Buzz. Varney, Ratzenberger, Ermey (doing his usual), Rickles and others are all really good in the support roles and, probably, come out as the favourite characters for adults.
Overall this is a classic film that will appeal to adults as much as to kids (if not more). A good plot and a really sharp script make the already short running time fly by. The only downside is that your kids will want you to go out and buy the damn things!
Given how often the same mix of animation, wit, jokes and kids humour has been used since Toy Story (Ice Age, Monsters Inc, Bugs Life) it is easy to forget how refreshing it was when it first came out. I have just watched it again and it is dating a little in comparison to more recent twists on the formula. It seems each one has to be sharper and have more references etc in the background. However it is still very funny and deserves praise for being the first of a successful formula.
The plot is simple but effective and actually has genuine drama and excitement to it. The main story is fun but the degree of character development is what really shores it up. The conflict between Buzz and Woody is taken deeper than this and, when confronted by the truth of his status as a toy, Buzz's turmoil is very real as opposed to him being a cartoon character and nothing more. Despite the two strong leads there is a real depth in the support cast. They may not actually have that many lines, but they have all the funniest lines. Most of the `adult' wit comes from the Potato Head, dinosaur, the pig and slinky dog. They are funny and are very well used. In fact the majority of this humour and plot will go right over kids heads.
Looking back on it, I do feel a cynical edge on it in so much as this film must really have helped sales of the toy companies in the film. It's hard not to see the marketing department standing behind this film rubbing their hands. However the actual product is so wonderfully fun that I forgot this quickly. The voice work is excellent and the characters match the actors. Hanks is good as Woody and Allen has a good B-movie type voice for Buzz. Varney, Ratzenberger, Ermey (doing his usual), Rickles and others are all really good in the support roles and, probably, come out as the favourite characters for adults.
Overall this is a classic film that will appeal to adults as much as to kids (if not more). A good plot and a really sharp script make the already short running time fly by. The only downside is that your kids will want you to go out and buy the damn things!
This is as close to perfection as any animated film has come, entertained parents on a equal plane with their children, and set the bar to the top of the animation film industry. No film has yet come close to Toy Story in legitimizing animation as a film art on the level of movies with live actors. Great comedies are hard to come by - Toy Story strikes gold on that basis alone, but is so much more. One of the Top 100 Greatest Films of All Time, and currently resides on my "Top 10 Greatest Comedy Films (1960-Present)" list.
Though I am not a big fan of computer animation,I have to give the folks at Pixar credit.This brand of animation is nothing short of brilliant.The attention to detail,such as eye and body movement is quite remarkable.Computers allow them to make their characters as close to human like as possible,something we have never seen in traditional hand drawn animation,though the latter will always be the closest to my heart.Combine this excellence with a genuinely good story idea and a top notch voice cast and the result is good family entertainment.It's obvious that the people at Pixar are not only caring perfectionists when it comes to film making,but they care about our kids,something rarely seen today.Highly recommended for any home library.
Toy Story is not only the best Disney film because it has the best story and the best animation, but also because of the excellent actors chosen to provide the voices of the animals. The casting was perfect from top to bottom, and the movie provides an excellent adventure story about friendship and loyalty that keeps you engrossed until the nail-biting climax.
Tom Hanks and Tim Allen provided excellent voices for Woody and Buzz Lightyear -their performances alone are one of the biggest things that made this such a spectacular movie. Besides that, though, you have the excellent story that is not only noteworthy because it has never really been told from this perspective before, but also because it was just told so well. All of the characters in the film are very well developed and all have appropriate and effective actors chosen to provide their voices.
And of course, who could forget the revolutionary animation! The computer animation used for this movie not only made it startlingly realistic but also opened up tons of possibilities, and thankfully the filmmakers chose to explore these possibilities. There are dozens of things that are hidden in the woodwork throughout the film, as well as in the songs note, for example, the subtle playing of the Indiana Jones theme song in the scene where Woody knocks Buzz out the window with the desk lamp.
Toy Story is by far the best Disney film ever made, it's pretty much perfect. It's adventurous, it's exciting, it's entertaining, it's good for the whole family, it's got great characters, story, and plot, and above all, it's fun.
Tom Hanks and Tim Allen provided excellent voices for Woody and Buzz Lightyear -their performances alone are one of the biggest things that made this such a spectacular movie. Besides that, though, you have the excellent story that is not only noteworthy because it has never really been told from this perspective before, but also because it was just told so well. All of the characters in the film are very well developed and all have appropriate and effective actors chosen to provide their voices.
And of course, who could forget the revolutionary animation! The computer animation used for this movie not only made it startlingly realistic but also opened up tons of possibilities, and thankfully the filmmakers chose to explore these possibilities. There are dozens of things that are hidden in the woodwork throughout the film, as well as in the songs note, for example, the subtle playing of the Indiana Jones theme song in the scene where Woody knocks Buzz out the window with the desk lamp.
Toy Story is by far the best Disney film ever made, it's pretty much perfect. It's adventurous, it's exciting, it's entertaining, it's good for the whole family, it's got great characters, story, and plot, and above all, it's fun.
Lo sapevi?
- QuizSid Phillips is said to be inspired by a former Pixar Animation Studios employee of the same last name who was known to disassemble toys and use the parts to build bizarre creations.
- BlooperEven though Buzz believes he is a real space ranger and not a toy, he still freezes when people are around like the other toys do. Every time he freezes it is because Woody says "Freeze" and being a space ranger with years of training in covert missions, freeze means to be still.
- Curiosità sui creditiThis is the first Pixar film to feature the "Production Babies" section, which lists babies born to the crew members during production. This would become a trademark in the following years, in films like A Bug's Life: Megaminimondo (1998), Toy Story 2 - Woody e Buzz alla riscossa (1999), Monsters & Co. (2001) and Alla ricerca di Nemo (2003).
- Versioni alternativeIn the post-2015 releases, the Pixar variant of the original 1990 Walt Disney Pictures logo was replaced with the 2011 variant of the current 2006 Walt Disney Pictures logo.
- ConnessioniFeatured in Gamesmaster: Episodio #5.9 (1995)
- Colonne sonoreYou've Got a Friend in Me
Written, Performed, and Produced by Randy Newman
Randy Newman appears courtesy of Reprise Records
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Dettagli
Botteghino
- Budget
- 30.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 223.225.679 USD
- Fine settimana di apertura Stati Uniti e Canada
- 29.140.617 USD
- 26 nov 1995
- Lordo in tutto il mondo
- 394.436.586 USD
- Tempo di esecuzione
- 1h 21min(81 min)
- Mix di suoni
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