VALUTAZIONE IMDb
3,3/10
1454
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAn ex-CIA agent sets out for cold, hard revenge against the ruthless villain and his group of trained assassins who murdered her husband.An ex-CIA agent sets out for cold, hard revenge against the ruthless villain and his group of trained assassins who murdered her husband.An ex-CIA agent sets out for cold, hard revenge against the ruthless villain and his group of trained assassins who murdered her husband.
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Recensioni in evidenza
OK, Playmate Rebecca Ferrati keeps her clothes on, but at least a dozen pair of "no-Playmate" tits are shown as compensation. Isn't that a must for a good, twisty plot???
And the greatest Playmate of them all (at least in one way) is excellent casted as the super agent suffering from "dirtyfobic" - she has to bath ones and take a shower ones. (And make love (er?) twice...)
Of course this movie is a turkey, I would have been disappointed (and very, very surprised) if it wasn't. And you'll get everything you can expect: bad acting, strained twists in a strained plot in a strained script, a lot of action scenes (a few of them are quiet good (!)), a lot of titties, and Anna Nicole Smith. If that's what you want, you won't be disappointed. But if you are the kind of person who's gonna analyze this movie, and complain about the bad directing or the lack of logic in the story, I'll call you pathetic. Because it is like complaining about the lack of car chases in "The Lord of The Rings".
And the greatest Playmate of them all (at least in one way) is excellent casted as the super agent suffering from "dirtyfobic" - she has to bath ones and take a shower ones. (And make love (er?) twice...)
Of course this movie is a turkey, I would have been disappointed (and very, very surprised) if it wasn't. And you'll get everything you can expect: bad acting, strained twists in a strained plot in a strained script, a lot of action scenes (a few of them are quiet good (!)), a lot of titties, and Anna Nicole Smith. If that's what you want, you won't be disappointed. But if you are the kind of person who's gonna analyze this movie, and complain about the bad directing or the lack of logic in the story, I'll call you pathetic. Because it is like complaining about the lack of car chases in "The Lord of The Rings".
This wasn't too bad at all really, no it ain't a blockbuster, neither was it meant to be, but it is enjoyable some of the acting is lame and the action scenes are not too bad really.
If you like Anna Nicole Smith, definitely Buy this, Because the amount of sex scenes of her, is awesome. You wont be disappointed. That was the main reason i bought this movie for the Nudity, don't pay no more than £3.00 for it. Because you will be disappointed. It's a cheap thrill of a DVD to buy. The Film basically starts off with sex scenes and ends with sex, lol. It's 1 for the guyz don't buy it to watch with your mates or your girlfriend, like a said buy it for Anna Nicole Smith getting her big jugs out they are absolutely Gorgeous breasts.
If you like Anna Nicole Smith, definitely Buy this, Because the amount of sex scenes of her, is awesome. You wont be disappointed. That was the main reason i bought this movie for the Nudity, don't pay no more than £3.00 for it. Because you will be disappointed. It's a cheap thrill of a DVD to buy. The Film basically starts off with sex scenes and ends with sex, lol. It's 1 for the guyz don't buy it to watch with your mates or your girlfriend, like a said buy it for Anna Nicole Smith getting her big jugs out they are absolutely Gorgeous breasts.
'To The Limit' is one of two action flicks Anna Nicole Smith did for PM in the 90's. Unlike 'Skyscraper' it's not an awful 'Die Hard' clone nor does she get the most screentime despite top billing. Whenever or not this is false advertising or a blessing is up to you. However she still gets naked a bunch in a plot that wasn't nearly as bad as I expected.
Mob boss Frank DaVinci (Joey Travolta) is targeted for death by a hit squad on his wedding day, but survives. At the same time, CIA agents Colette (ANS) & China (Michael Nouri) are supposed to be taken out by a car bomb that only kills the latter. Rogue CIA chief Jameson (Jack Bannon) wants both of them dead and the retrieval of a computer disc that could see his exploits finally exposed.
The story is a little disjointed and obviously carried out cheaply, but I can't pretend to be upset about it's quality or lack thereof. Anna was no actress yet comes off decent (better than 'Skyscraper') and looks great here. Nouri has a few scenes, b-movie fans will recognize Branscombe Richmond and David Proval (UHF, Sopranos). What you might not know (I didn't until afterwards) is this was a sequel to b-movie 'Da Vinci's War' involving a lot of the same cast.
First fifteen mins of 'To The Limit' supply three gratuitous bits of female nudity (two by ANS) and okay gunplay. More nudity including a shower for Smith and quite a few explosions. I had to pause the movie when Anna has sex with Travolta because I was laughing so hard. Wait until a CD-ROM gets put to killer use too. Laughs, boobs make this a fun trip.
Mob boss Frank DaVinci (Joey Travolta) is targeted for death by a hit squad on his wedding day, but survives. At the same time, CIA agents Colette (ANS) & China (Michael Nouri) are supposed to be taken out by a car bomb that only kills the latter. Rogue CIA chief Jameson (Jack Bannon) wants both of them dead and the retrieval of a computer disc that could see his exploits finally exposed.
The story is a little disjointed and obviously carried out cheaply, but I can't pretend to be upset about it's quality or lack thereof. Anna was no actress yet comes off decent (better than 'Skyscraper') and looks great here. Nouri has a few scenes, b-movie fans will recognize Branscombe Richmond and David Proval (UHF, Sopranos). What you might not know (I didn't until afterwards) is this was a sequel to b-movie 'Da Vinci's War' involving a lot of the same cast.
First fifteen mins of 'To The Limit' supply three gratuitous bits of female nudity (two by ANS) and okay gunplay. More nudity including a shower for Smith and quite a few explosions. I had to pause the movie when Anna has sex with Travolta because I was laughing so hard. Wait until a CD-ROM gets put to killer use too. Laughs, boobs make this a fun trip.
I saw this movie for rent at my local video store and couldn't believe my good luck. Here was a low-budget potboiler (I'm a sucker for those) with the most gorgeous girl to ever have been born (I refer, of course, to Anna Nicole Smith) on the box cover and a title that practically screamed RENT ME! I thought for sure it was too good to be true.
Guess what? My disillusionment kicked in just a few minutes into the movie. I guess I should have realized that B-level and direct-to-video movies, while generally benefiting from more originality and freedom from censorship than the big-studio films, necessarily face a trade-off in production values and (sometimes, as in this case) performances by the actors.
What was this film shot with - a camcorder? The picture quality is very faded and fuzzy; if I didn't know better, I'd have sworn this was made in the 1970s. I tried to grin and bear it, telling myself it would get better. It did - but not by much.
The music was terrible and the plot left me cold. Just WHAT was this film about? All I managed to catch on to was some gobbledygook about a gangland hit, a stolen computer disk, and some atrocity in Vietnam - that's about it. The rest is just mindless exposition set mostly in Los Angeles and Las Vegas, with random characters showing up and leaving without rhyme or reason.
For having her name above the title, Anna Nicole was not even on the screen that much. She is supposed to be Colette DuBois, a worldly-wise government agent - but she plays the role with her lazy Texas accent intact. And while it's true that she can hold her own in fights with the villains, Colette seems far less concerned with kicking butt than with showing off her own. There are points where the narrative actually grinds to a dead stop so director Raymond Martino can offer voyeuristic shots of a naked Colette showering or doing other supposedly private things. (To be fair, Anna Nicole was not at all bad-looking naked in the mid-1990s.) It is nearly impossible to take Colette seriously as a hard-bitten hero; she seems to realize this, and makes a vain attempt to butch up by spouting obnoxious profanities throughout the picture.
TO THE LIMIT also starred Joey Travolta and a whole bunch of other people you probably wouldn't know from folks you'd run into on the street. Travolta is likable - assuming that's worth something - but he seems more befuddled than anything else. Many of the performers, in fact, seem to have been inserted just to make Anna look good.
The movie abounds in unintentional comedy, from the stereotyped accents of the mobsters to the sight of deadly assassins in black cat suits and ninja masks. (Does anyone ever wear such a getup in real life?) I stopped trying to take anything seriously after a skinny female assassin decks a man three times larger than she with a single punch. (For people who are offended by explicit content, I must also warn that there is some truly grisly violence - including a tragic wedding massacre - along with the exposure of Anna's voluptuousness.) Worst of all was the plot, which seemed cobbled together at the last second from various genres and tropes of movies past. Martino even offers us a flashback to the Vietnam War; he apparently saw one too many Oliver Stone films and was under the impression that Vietnam equals cool.
I really wanted to like TO THE LIMIT, if only for Anna's tremendous beauty and its air of B-movie innocence. I did enjoy watching it, but it was hard for me to stomach without a sense of irony. You can imagine my embarrassment when, after telling a roommate I was watching an action movie and being asked whether it starred Steven Seagal or Jean-Claude Van Damme or someone like that, I had to confess that it starred Anna Nicole Smith.
Guess what? My disillusionment kicked in just a few minutes into the movie. I guess I should have realized that B-level and direct-to-video movies, while generally benefiting from more originality and freedom from censorship than the big-studio films, necessarily face a trade-off in production values and (sometimes, as in this case) performances by the actors.
What was this film shot with - a camcorder? The picture quality is very faded and fuzzy; if I didn't know better, I'd have sworn this was made in the 1970s. I tried to grin and bear it, telling myself it would get better. It did - but not by much.
The music was terrible and the plot left me cold. Just WHAT was this film about? All I managed to catch on to was some gobbledygook about a gangland hit, a stolen computer disk, and some atrocity in Vietnam - that's about it. The rest is just mindless exposition set mostly in Los Angeles and Las Vegas, with random characters showing up and leaving without rhyme or reason.
For having her name above the title, Anna Nicole was not even on the screen that much. She is supposed to be Colette DuBois, a worldly-wise government agent - but she plays the role with her lazy Texas accent intact. And while it's true that she can hold her own in fights with the villains, Colette seems far less concerned with kicking butt than with showing off her own. There are points where the narrative actually grinds to a dead stop so director Raymond Martino can offer voyeuristic shots of a naked Colette showering or doing other supposedly private things. (To be fair, Anna Nicole was not at all bad-looking naked in the mid-1990s.) It is nearly impossible to take Colette seriously as a hard-bitten hero; she seems to realize this, and makes a vain attempt to butch up by spouting obnoxious profanities throughout the picture.
TO THE LIMIT also starred Joey Travolta and a whole bunch of other people you probably wouldn't know from folks you'd run into on the street. Travolta is likable - assuming that's worth something - but he seems more befuddled than anything else. Many of the performers, in fact, seem to have been inserted just to make Anna look good.
The movie abounds in unintentional comedy, from the stereotyped accents of the mobsters to the sight of deadly assassins in black cat suits and ninja masks. (Does anyone ever wear such a getup in real life?) I stopped trying to take anything seriously after a skinny female assassin decks a man three times larger than she with a single punch. (For people who are offended by explicit content, I must also warn that there is some truly grisly violence - including a tragic wedding massacre - along with the exposure of Anna's voluptuousness.) Worst of all was the plot, which seemed cobbled together at the last second from various genres and tropes of movies past. Martino even offers us a flashback to the Vietnam War; he apparently saw one too many Oliver Stone films and was under the impression that Vietnam equals cool.
I really wanted to like TO THE LIMIT, if only for Anna's tremendous beauty and its air of B-movie innocence. I did enjoy watching it, but it was hard for me to stomach without a sense of irony. You can imagine my embarrassment when, after telling a roommate I was watching an action movie and being asked whether it starred Steven Seagal or Jean-Claude Van Damme or someone like that, I had to confess that it starred Anna Nicole Smith.
There's some good stuff in To the Limit and not all of them are to do with the lovely lead. Jim Halfpenny's score is a real highlight, his Kamen-esc style adding much suspense to the flick. I also think the direction is pretty standard for PM Entertainment. It certainly feels like a PM movie with its neon lighting and contrast.
I really dig Anna Nicole Smith in this. She's so beautiful it hurts and I think she kicks butt in several of the shootout scenes. Only downside is that, like everyone else her acting isn't so good. Even the great Joey Travolta looks utterly bored except in the love making scene with Anna.
I didn't find the plot that interesting to be honest. I would expect a PM Entertainment film to have at least a mildly engaging storyline but this doesn't.
It isn't great but as a heterosexual teenage boy it does the job. Good shootouts, cool music and a lead with looks that will take your breath away. 6/10
I really dig Anna Nicole Smith in this. She's so beautiful it hurts and I think she kicks butt in several of the shootout scenes. Only downside is that, like everyone else her acting isn't so good. Even the great Joey Travolta looks utterly bored except in the love making scene with Anna.
I didn't find the plot that interesting to be honest. I would expect a PM Entertainment film to have at least a mildly engaging storyline but this doesn't.
It isn't great but as a heterosexual teenage boy it does the job. Good shootouts, cool music and a lead with looks that will take your breath away. 6/10
Lo sapevi?
- QuizJoey Travolta's role of Frank DaVinci was originally offered to Robert Z'dar, but before shooting began Travolta decided to recast himself in the role due to his on-screen chemistry with Anna Nicole Smith.
- BlooperA compact disc (CD) cannot lodge into someone's skull, particularly when being thrown at point-blank.
- Citazioni
Colette Dubois: Look, I don't have to justify myself to you!
- Versioni alternativeThe UK video version was cut by 24 secs by the BBFC to remove shots of topless nudity during the strangling of a woman. The cuts were retained for the ILC DVD release although most copies feature the uncut print.
- ConnessioniFeatured in Anna Nicole Smith: Exposed (1998)
- Colonne sonorePeelers Bluies
Written by Jim Halfpenny
Performed by Vince Doberman & Theo Krawtch
Published by Strong Domino Music (BMI)
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