Un ex poliziotto diventato delinquente scopre per sbaglio un complotto a Los Angeles nel 1999.Un ex poliziotto diventato delinquente scopre per sbaglio un complotto a Los Angeles nel 1999.Un ex poliziotto diventato delinquente scopre per sbaglio un complotto a Los Angeles nel 1999.
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- Sceneggiatura
- Star
- Premi
- 2 vittorie e 4 candidature totali
Recensioni in evidenza
"Strange Days" is a unique science fiction and mystery film. Set in Los Angeles during the last two or so days prior to the new millennium, the cast is helmed by Ralph Fiennes as the charming, brave, but shady Lenny Nero. Lenny is a former LAPD officer who loses his job for mostly unknown reasons. He then becomes a black market hustler who sells people's recorded memories for profit. For the most part, these recorded memories are either violent or sexual in nature.
Angela Bassett does a great job complementing Fiennes' "Lenny" character in her role as Macy, Lenny's close friend who makes a more legitimate living as a limo driver and security specialist. Lenny and Macy soon become embroiled in a murder mystery involving corruption within both the LAPD and the music industry. This seemingly ever-deepening mystery also involves Lenny's other close friend, Tom Sizemore's character "Max". Max is a private eye who, despite seeming to be very well-intentioned, is just as shady as Lenny. Juliette Lewis rounds out the cast as "Faith", Lenny's troubled and devious rock singer ex-girlfriend.
Besides the awesome and well-acted performances, what made this movie stand out to me is just how on the nose some of the background references are in it. References to an economic collapse, increasing gas prices, and strained relations between the police and minorities make this a very odd foreshadowing of the actual real-life future.
In conclusion, great acting, a very deep and interesting storyline, and great cultural references make this a very highly recommended film.
Angela Bassett does a great job complementing Fiennes' "Lenny" character in her role as Macy, Lenny's close friend who makes a more legitimate living as a limo driver and security specialist. Lenny and Macy soon become embroiled in a murder mystery involving corruption within both the LAPD and the music industry. This seemingly ever-deepening mystery also involves Lenny's other close friend, Tom Sizemore's character "Max". Max is a private eye who, despite seeming to be very well-intentioned, is just as shady as Lenny. Juliette Lewis rounds out the cast as "Faith", Lenny's troubled and devious rock singer ex-girlfriend.
Besides the awesome and well-acted performances, what made this movie stand out to me is just how on the nose some of the background references are in it. References to an economic collapse, increasing gas prices, and strained relations between the police and minorities make this a very odd foreshadowing of the actual real-life future.
In conclusion, great acting, a very deep and interesting storyline, and great cultural references make this a very highly recommended film.
Probably one of the best big-budget sci-fi films to never reach a big audience. Written and produced by James Cameron and expertly directed by Kathryn Bigelow, this film is more noir than actual sci-fi - although the sci-fi elements are important. With a great cast and an amazing atmosphere throughout, this is one not to miss for fans of thrillers, film noir, sci-fi and especially the subgenre knwon as cyberbunk. 8 stars out of 10.
In case you're interested in more underrated masterpieces, here's a list with some of my favorites:
imdb.com/list/ls070242495
In case you're interested in more underrated masterpieces, here's a list with some of my favorites:
imdb.com/list/ls070242495
Strange Days is a truly astonishing science fiction offering, part scripted by James Cameron and directed with relentless panache by maverick lady-director Kathryn Bigelow. It presents a depressing and bleak, yet worryingly probable, view of the near future, and hooks its story threads upon the impending millennium eve celebrations. Although December 31st, 1999, has been and gone since the making of this movie, it is a credit to the makers that this film still offers a plausible viewpoint about where the world might be at in the next decade or so.
Ralph Fiennes seems initially miscast, but soon wins over the audience as Lenny Nero, a sleazy racketeer who sells "memories" captured on some form of disk, similar to virtual reality but recorded from real experiences rather than computerised ones. He is desperately trying to get back with his ex-girlfriend Faith (Juliette Lewis), but she doesn't want him as she has hooked up with a music producer named Philo (Michael Wincott). Lenny acquires two disturbing tapes, one showing the rape and murder of a woman, the other showing a racially motivated slaying, and before he knows it he is on the run from the culprits who want to kill him before he exposes their crimes. The only person he can trust is his best friend, lady bodyguard Mace (Angela Bassett). To complicate matters further, his ex-girlfriend Faith seems to know something about the disks, and may either be involved in the crimes or at great risk from those responsible.
Bassett is the real star here, in the role of a lifetime as a morally strong and physically stronger heroine. Lewis plays the same old white trash girl she has played many times, but at least she has the experience to bring total conviction to the role. The production values are incredibly high, especially the party at the end which seems to realistically convey an entire city celebrating in the streets. The plot unfolds slowly, but this is a strength rather than a criticism. Each new development slots into place beautifully, and the audience is given time to get into the characters and the situations (which, in too many movies, we are not allowed to do since the pace is often too frenetic).
Strange Days is challenging and aggressive and frequently disturbing. It is also inventive and exciting and ingeniously staged. It is simply a terrific science film which any devotee of the genre absolutely must see.
Ralph Fiennes seems initially miscast, but soon wins over the audience as Lenny Nero, a sleazy racketeer who sells "memories" captured on some form of disk, similar to virtual reality but recorded from real experiences rather than computerised ones. He is desperately trying to get back with his ex-girlfriend Faith (Juliette Lewis), but she doesn't want him as she has hooked up with a music producer named Philo (Michael Wincott). Lenny acquires two disturbing tapes, one showing the rape and murder of a woman, the other showing a racially motivated slaying, and before he knows it he is on the run from the culprits who want to kill him before he exposes their crimes. The only person he can trust is his best friend, lady bodyguard Mace (Angela Bassett). To complicate matters further, his ex-girlfriend Faith seems to know something about the disks, and may either be involved in the crimes or at great risk from those responsible.
Bassett is the real star here, in the role of a lifetime as a morally strong and physically stronger heroine. Lewis plays the same old white trash girl she has played many times, but at least she has the experience to bring total conviction to the role. The production values are incredibly high, especially the party at the end which seems to realistically convey an entire city celebrating in the streets. The plot unfolds slowly, but this is a strength rather than a criticism. Each new development slots into place beautifully, and the audience is given time to get into the characters and the situations (which, in too many movies, we are not allowed to do since the pace is often too frenetic).
Strange Days is challenging and aggressive and frequently disturbing. It is also inventive and exciting and ingeniously staged. It is simply a terrific science film which any devotee of the genre absolutely must see.
Strange Days is an interesting film, with a great premise. It also happens to be well-executed, for the most part. The LA of the future (well, future back when it was released in 1995) is quite dystopian in nature, and Strange Days manages to present all facets of that using Taxi Driver-influenced car rides through the city while observing the chaos on the streets. In many ways, Strange Days manages to create a real-life and convincing future, and it feels like a true place, with things going on independently of the events in the movie, rather than feeling like a movie set.
Atmosphere aside, though, the movie has many strengths. The plot is intriguing, and it flows quite smoothly. A lot of the dialogue is really quite interesting and gives the movie a nice feel (not to mention the actors do a pretty good job with the material). The characters are three-dimension and interesting. While the beginning parts were somewhat disjointed (at least in terms of plot), they did serve as an excellent setup. When the movie was its best (during the middle parts) there is a frantic sense of urgency that really drives the picture along. It's a very entertaining movie, and it managed to form an emotional link with me - always a good sign.
Unfortunately, it kind of goes downhill after that. Strange Days ends up resorting to awfully cliche ideas, complete with plot elements seen a million times in movies before. All of this mars what could have been a real classic film. It's too bad that Cameron and Cocks had to resort back to this, since the movie has so many strengths and so many great things that it could have built on. While the movie is still above average, it just isn't as superb as it could have been. Nonetheless, Strange Days succeeds on many levels and is well worth watching.
Atmosphere aside, though, the movie has many strengths. The plot is intriguing, and it flows quite smoothly. A lot of the dialogue is really quite interesting and gives the movie a nice feel (not to mention the actors do a pretty good job with the material). The characters are three-dimension and interesting. While the beginning parts were somewhat disjointed (at least in terms of plot), they did serve as an excellent setup. When the movie was its best (during the middle parts) there is a frantic sense of urgency that really drives the picture along. It's a very entertaining movie, and it managed to form an emotional link with me - always a good sign.
Unfortunately, it kind of goes downhill after that. Strange Days ends up resorting to awfully cliche ideas, complete with plot elements seen a million times in movies before. All of this mars what could have been a real classic film. It's too bad that Cameron and Cocks had to resort back to this, since the movie has so many strengths and so many great things that it could have built on. While the movie is still above average, it just isn't as superb as it could have been. Nonetheless, Strange Days succeeds on many levels and is well worth watching.
Reading all these glowing reviews, one might get the impression that Strange Days really blew people away in the 90's, but what about now? Is it actually a "good" movie that holds up outside of nostalgia for new viewers? I don't think so.
I'll admit, the first-person memory sequences were cutting-edge at the time and I can see how the original premise, over-the-top story, fun soundtrack, and cyberpunk aesthetics have helped Strange Days amass a cult following over the years. It also clearly influenced better sci-fi movies like The Matrix, so there are definitely some great ideas here. However, once you get past the initial shock value this film offers, you may start to realize why James Cameron let his wife direct it instead.
While I did enjoy the first half-hour of Strange Days, the story ran out of steam fast and I quickly realized there was no engine to keep it going. The script is poorly paced and bloated with unnecessary scenes carried out by flat, forgettable characters. Additionally, the bad writing was made worse by a general lack of chemistry among the cast, making relationships feel unnatural and forced. By this I mean with the exception of Angela Bassett, every other actor looked like they were only there for the paycheck. A result was that whenever the action kicked in or a major plot twist happened, I didn't care. The scenes had zero emotional impact for me because the stakes never felt high enough to matter, even to the point that the big "conspiracy" reveals fell flat.
Do I regret watching Strange Days? Not completely. I may not have enjoyed it as much as I hoped, but it's still such a 90's movie at its core that I appreciated how it works as a time capsule, capable of transporting you back to a simpler time where movies could just be movies. What you see in Strange Days is what you get and nothing more, which isn't so bad when you consider there's literally a scene where Angela Bassett kicks a crooked cop in the balls. Can you imagine such a scene being made today without a political uproar? Impossible!
Overall, Strange Days is far from the worst movie I've ever seen, but I can't recommend it to anyone besides nostalgic cyberpunk fans. That is why Strange Days gets a 5/10 from me.
I'll admit, the first-person memory sequences were cutting-edge at the time and I can see how the original premise, over-the-top story, fun soundtrack, and cyberpunk aesthetics have helped Strange Days amass a cult following over the years. It also clearly influenced better sci-fi movies like The Matrix, so there are definitely some great ideas here. However, once you get past the initial shock value this film offers, you may start to realize why James Cameron let his wife direct it instead.
While I did enjoy the first half-hour of Strange Days, the story ran out of steam fast and I quickly realized there was no engine to keep it going. The script is poorly paced and bloated with unnecessary scenes carried out by flat, forgettable characters. Additionally, the bad writing was made worse by a general lack of chemistry among the cast, making relationships feel unnatural and forced. By this I mean with the exception of Angela Bassett, every other actor looked like they were only there for the paycheck. A result was that whenever the action kicked in or a major plot twist happened, I didn't care. The scenes had zero emotional impact for me because the stakes never felt high enough to matter, even to the point that the big "conspiracy" reveals fell flat.
Do I regret watching Strange Days? Not completely. I may not have enjoyed it as much as I hoped, but it's still such a 90's movie at its core that I appreciated how it works as a time capsule, capable of transporting you back to a simpler time where movies could just be movies. What you see in Strange Days is what you get and nothing more, which isn't so bad when you consider there's literally a scene where Angela Bassett kicks a crooked cop in the balls. Can you imagine such a scene being made today without a political uproar? Impossible!
Overall, Strange Days is far from the worst movie I've ever seen, but I can't recommend it to anyone besides nostalgic cyberpunk fans. That is why Strange Days gets a 5/10 from me.
Lo sapevi?
- QuizDirector Kathryn Bigelow found that no existing camera system could accomplish the shots necessary for the point-of-view sequences, so the research division of Lightstorm Entertainment (the company of writer/producer James Cameron, who was Bigelow's husband at the time) spent a full year designing and fabricating a special camera for the production. Weighing only 8 pounds, the 35mm camera literally fit in the palm of the hand and featured interchangeable lenses, remote follow focus, and video assist (necessary since the camera had no viewfinder). The camera was then mounted on a SteadiCam-style portable rig, which gave the camera stability and mobility similar to the human eye.
- BlooperThe safety cable is visible during the final 10 or 20 feet of Max's fall.
- Versioni alternativeThe older special edition laserdisc and DVD are the same. Both formats feature two deleted scenes and other extras. The solitary difference is that the laserdisc contains the Skunk Anansie music video for "Selling Jesus", which was not included on the US DVD release. The only DVD to feature the music video is the German special edition.
- ConnessioniEdited into Strange Days: Deleted Scenes (2002)
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Días extraños
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 42.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 7.959.291 USD
- Fine settimana di apertura Stati Uniti e Canada
- 31.062 USD
- 8 ott 1995
- Lordo in tutto il mondo
- 7.960.304 USD
- Tempo di esecuzione2 ore 25 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.78 : 1(original/open matte)
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By what name was Strange Days (1995) officially released in Canada in French?
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