Scanner Cop II

SCANNER COP II (1995) is the last (for now) and least of the SCANNER franchise and a direct sequel to the last one with Brad Dourif lookalike Daniel Quinn reprising his role of scanning detective Staziak. This time around, he's on the trail of a murdering psychopath who's given up taking his ephemerol to instead go on a city-wide killing spree, murdering other scanners to ingest their powers.

Where to start with this one? It's a real cheapie for sure, a straight-to-video enterprise that looks static and small scale. The plot is extremely limited and basically has the baddie killing people until he faces off with the cop at the end. That's it. Quinn's okay but the film really belongs to B-movie veteran heavy Patrick Kilpatrick who's having a ball as the orgasmic, demented villain. Robert Forster has a small role too. To make things a bit easier there are plenty of gooey and very slimy SFX courtesy of John Carl Buechler, always creative, and at least one crowd-pleasing head explosion.

I enjoyed SCANNERS 2 and SCANNERS 3, which I thought had effective spins on the original SCANNERS movie. Recently I saw SCANNER COP, and I enjoyed that movie as well, so I eagerly rented SCANNER COP II when I found it at my local video store. Unfortunately, this entry in the series, while not really awful, is disappointing all the same. I will admit that the movie never has a boring moment, and it boasts some good make-up effects and other gory moments. Despite this, the movie comes across as quite cheap at times, with shabby sets or locations that look like they were shot in abandoned warehouses. There is also a subplot involving the hero's long- lost mother that seems awkwardly tacked on, and is hardly worked on for the most part. The biggest problem is that much of the movie seems to be repeating itself, with the villain doing the same things over and over. If you've seen the other entries in the series, you might as well watch this, but definitely keep your expectations low.

While the loss of an interesting story is a shame, Scanner Cop II more than delivers plenty of genre highlights, offering an unpretentious, exhilarating and straightforward cat-and-mouse chase between a likeable hero and a loathsome villain. Director Steve Barnett brings us a grislier take on the Scanners universe, one with copious amounts of visceral violence that works wonders in the production's limited budget and unrefined style. It's not an escalation of Sam's cop story, but the film enjoys creating a mess, finding its happy place in blood and guts. Daniel Quinn once again turns in a good performance as our hero but like the previous film, it's stolen by the villain, this time played with excruciating sadism by Patrick Kilpatrick. Backed by another funky synth score, this time by Richard Bowers, Scanner Cop II introduces a bit of levity amidst the grim nature of its story, it isn't exactly groundbreaking but it does put on a major show of force when it comes to scanners and their destructive ways.

After pitting psychic policeman Sam Staziak (Daniel Quinn) against a non-scanner in Scanner Cop, it's back to the old 'good scanner vs bad scanner' formula for this follow up. The villain of the piece is Karl Volkin (Patrick Kilpatrick), who uses his psychic powers to suck the essence from other scanners, making himself more powerful with each victim, his final target being Staziak, with whom he has a score to settle.

Despite a rather predictable plot and so-so performances, Scanner Cop II is a reasonably fun piece of straight-to-video silliness, director Steve Barnett keeping things moving along at a decent pace, delivering several effectively gruesome set-pieces along the way. Volkin's attacks are the highlights of the film, the evil scanner causing his victims to rupture and melt into unrecognisable gooey piles of flesh, the impressive special effects by makeup man John Carl Buechler. There's also a fun scene in a warehouse where the bad guy almost gets the better of Staziak, using his brain power to control forklift trucks. Of course, Staziak ultimately wins the day, tricking the villain into using up all of his ill-gotten power before giving him a taste of his own medicine, with explosive results (it's a scanners film... there had to be an exploding head somewhere, and it's a messy one!).

5.5/10, rounded up to 6 for IMDb.

I've never seen David Cronenberg's 1981 "Scanners", nor its sequels which the "Scanner Cop" films are supposedly a spin-off from. The sequel to "Scanner Cop" is workably unfashionable b-grade stamina, but presentably quick moving with plenty of icky make-up and blood that doesn't let up for one second. Anyhow it's a fun entry consisting of numerous skin-splitting action and carved out tension, but it does lose shape towards the latter end with repetitive actions making their way in. Forget the silly plot, as even though it's an atypical concept, what progresses is predictable (cop after bad guy scenarios) with there being little in the way of a story. What it becomes is nothing more than a slide show for the head-jigs, strained facials (which goes full-ball for the film's climax) and of course the exhilarating make-up effects, which are commendably achieved. Patrick Kilpatrick in the bad guy role is great as the viciously stringent scanner going about scanning the power out of other scanners to become even more powerful, so he can take on scanner detective Samuel Staziak (who's perfectly played Daniel Quinn). Kilpatrick was the only one in the cast that didn't seem to be taking all that seriously with the constant grimaces when notoriously scanning his victims (but he's meant to be playing a nut-case), which was the opposite for a determined, stone-cold Quinn. Khrystyne Haje, Stephen Mendel and Robert Forster provide fine support.