VALUTAZIONE IMDb
6,3/10
46.190
LA TUA VALUTAZIONE
Un brutto anatroccolo che ha subito un cambiamento notevole, nutre ancora i sentimenti per un playboy spensierato, ma non prima che suo fratello concentrato sugli affari abbia qualcosa da di... Leggi tuttoUn brutto anatroccolo che ha subito un cambiamento notevole, nutre ancora i sentimenti per un playboy spensierato, ma non prima che suo fratello concentrato sugli affari abbia qualcosa da dire al riguardo.Un brutto anatroccolo che ha subito un cambiamento notevole, nutre ancora i sentimenti per un playboy spensierato, ma non prima che suo fratello concentrato sugli affari abbia qualcosa da dire al riguardo.
- Regia
- Sceneggiatura
- Star
- Candidato a 2 Oscar
- 2 vittorie e 6 candidature totali
Recensioni in evidenza
Julia Ormond is sensational as the young Sabrina Fairchild, daughter of the chauffeur (John Wood) of a wealthy family. Sabrina has been in love with playboy brother (of wealthy family) David (Greg Kinnear) all her life, and is dismayed when her father sends her off to Paris to get a new view of the world. However, years later, when she returns as an older woman, David then realizes how 'right' she is for him, even if he's finally setting a date with one of his two-week lovers. Behind this interaction, older brother and businessman Linus (Harrison Ford), whose pleased about David's engagement, seeing that he's marrying the daughter of wealthy business competitor Mr. Tyson, knows that Sabrina just might end the marriage and the merger. To make things work out, Linus pretends to start being interested in her. This is a delightful tale about love with beautiful music and visual shots that will make you very pleased. The movie is unique enough to be considered a film of individuality, not another version of the same film. Both Sabrina (1954) and Sabrina (1995) are well done, just different. Rating: 4 1/2 out of 5 Stars.
Although terribly predictable and a bit too long, this film is kind of sweet. Ford shines as in his typical role of comically aloof and Ormand plays her lead well. Good chemistry and cinematography.
The temptation to compare it with the 1954 version is not small. And it is a good thing because the film has the force to use its voice. Julia Ormond is realy Sabrina. And Harrison Ford is a revelation as Linus. But, for me, the authetic good points are Miriam Colon as lovely Rosa and Nancy Marchand as wise,fascinating Maude Larrabee. Short, a seductive film.
Passable but overlong remake of the classic Audrey Hepburn vehicle will play best for those not familiar with the original. The cast(Harrison Ford, Julia Ormond, Greg Kinnear) performs well and its production values are high but director Sydney Pollack's pacing tends to flag. By contrast, Billy Wilder's direction of the 1954 version is much tighter and quicker. Interestingly this "Sabrina" is 15 minutes longer than its predecessor but thanks to Pollack those extra 15 minutes feel like 30. Also, Barbara Benedek's and David Rayfiel's script lacks the wittiness that scenarists Billy Wilder, Samuel Taylor("Vertigo") and Ernest Lehman("The Prize," "North by Northwest") provided the first time around.
Bottom line: 6 out 10.
Bottom line: 6 out 10.
I really liked this film. The acting, the music, the dialogue, the gorgeous scenes of Paris and New England, and the glamourous parties. Julia Ormond is no Audrey Hepburn, but who is? I think she hit all the right notes as the shy, clumsy girl who goes away, blossoms, and comes home confident and glamourous. Ormond's Sabrina never loses her innocence or her good heart. Greg Kinnear was hilarious as the lovable ladies' man (and looks a lot like William Holden in the original). Nancy Marchand was hysterically funny as the crabby Mrs. Larabee, and John Wood turned in a good performance as Sabrina's father.
But I did have a harder time with Harrison Ford's Linus. He seemed too dark and too greedy to buy as loving Sabrina, even when he called off the merger. It always seemed to ring false in a way. He seemed a lot like the character of Richard in "Caroline in the City".
But I regress. This is a very good movie!
But I did have a harder time with Harrison Ford's Linus. He seemed too dark and too greedy to buy as loving Sabrina, even when he called off the merger. It always seemed to ring false in a way. He seemed a lot like the character of Richard in "Caroline in the City".
But I regress. This is a very good movie!
Lo sapevi?
- QuizSydney Pollack initially turned down the chance to direct the remake, thinking the material too dated to work effectively in 1995. Once he agreed to take it on, Pollack made sure he had the approval of the original's director, Billy Wilder.
- BlooperLinus leaves the first party early because he needs to check on the Tokyo markets before they close. But Tokyo financial markets would close at 4:00 AM or 5:00 AM New York time. It is clearly not that late in the evening.
- ConnessioniEdited into Sting: Moonlight (1995)
- Colonne sonoreMoonlight
Music by John Williams
Lyrics by Alan Bergman and Marilyn Bergman
Performed by Michael Dees
Produced by John Williams
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Сабріна
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 58.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 53.672.080 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5.563.259 USD
- 17 dic 1995
- Lordo in tutto il mondo
- 53.696.959 USD
- Tempo di esecuzione2 ore 7 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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