Prime Suspect: The Scent of Darkness

These series were popular, and still admired and remembered. Helen Mirren is wonderful as always, playing Jane Tennison - a great detective, proving that women can be both strong and emotional (In real life as much as on the screen), which is a quality men rarely have...in my not at all humble opinion. It's suitable for everyone not just fans of crime stories- it's not violent, it's emotional and filled with suspense and mystery.

Like as was said for 'Inner Circles', this is going to be fairly similarly worded to my review for the previous case 'The Lost Child', mainly because their strengths are exactly the same to each and to the previous three series.

None of the three cases making up 'Prime Suspect IV' ('The Lost Child', 'Inner Circles' and 'Scent of Darkness) are as good as the three previous series (though it would have been a Herculean task to do so, considering their sheer brilliance), but high expectations were met if not quite surpassed. All three are very good, often terrific with a lot of spot-on elements if falling short of perfection. Once again, 'Scent of Darkness' continues with the changes in format introduced in 'The Lost Child', including Lynda La Plante not being involved and the lengths of the episodes being shorter, for the fourth series it was three cases clocking in around just over five hours overall for 'Prime Suspect IV' rather than one case split into two halves like in the first three 'Prime Suspect' series.

'Inner Circles' and 'Scent of Darkness' feel more settled in the changes generally than 'The Lost Child', though to me they are about equal quality-wise. 'Scent of Darkness', again from personal opinion, is let down only by the meeting between Tennison and Marlow which, despite it being tense, missing the ambiguous nature that was most striking in the first 'Prime Suspect' series, and an ending that didn't satisfy as much as ought.

However, 'Scent of Darkness' is stylishly and cleverly filmed, with slick editing and atmospheric lighting, and there is a consistently wonderful atmosphere throughout. It is very gritty, if not quite as dark as 'Prime Suspect III', and effectively claustrophobic. It is very hard to forget the music score too. The scripting, like its predecessor, is some of the best there is of any mystery/detective drama, being superbly constructed and intelligent, plus it is hard to not be impressed by the cunning subtlety of the conflicts.

Story-telling is very compelling and twisty, with an atmosphere that is gritty and harrowing but also intricate and honest. It is a complex story that keeps one guessing right up to the end while also being easy to follow. Tennison's personal life is balanced very well.

Jane Tennison continues to be an interesting character, the character and the depiction of the police force was very ahead of the time back in the 90s and holds much fascination now even if not so novel.

Helen Mirren gives a typically magnificent performance in the lead, and perfectly matched by Stuart Wilson. Tim Woodward gives a very good, often excellent, account of himself, though John Bowe in the first series gave the character more chills and complexity.

In conclusion, 'Prime Suspect IV' ends on a strong note. 9/10 Bethany Cox

Nicely filmed and well acted, it has a lot of tension and suspense and is gripping. But Tennison is such a dragon that it's hard to sympathise with her, as she insults everyone around her and never apologises for her mistakes. Despite her detestable nature, Tennison never seems to get her comeuppance nor does she get put in her place.

Another let down is the story which, though gripping, is rather predictable in some respects and very difficult to believe in others. One never feels that one is getting anywhere by watching the story and feels that instead one is at the whim of the author, who himself probably hadn't thought up the ending till writing it. The attempt at introducing suspense by introducing some time pressure fails rather.

There is some comical garbled shouting exchanged by some officers, which is quite amusing. It's also worth noting that there's a large amount of smoking, especially by today's standards.

Overall not bad, but not good either. The main character is too hard to like and the story (especially the conclusion) too ridiculous.

Women are being murdered and Supt. Jane Tennison (Helen Mirren) leads the investigation. They are similar to the first major case of the original episode. George Marlow is still in prison for those murders but evidences mount that Tennison had made a mistake. She refuses to accept the suggestion and searches for the copycat killer. Each victim is sprayed with gardenia perfume. Tennison is thrown off the case and later even suspended. Through it all, she never stops investigating.

The return to the original case is good. Tim Woodward is the new actor playing George Marlow and he does a great job. In this one, Mirren is given juicier work. It allows her to stretch and fight the old boys' club once again. In many ways, this is going back to the beginning and it is good. I would let Tennison do the actual rescue in the final climax but that's a minor change that I would make.

It seemed like the absence of Lynda LaPlante was a major loss to the series and you can really feel it in this episode. Characters who never showed much emotion in previous episodes were suddenly screaming for no reason. I understand the theme of sexism but the chip on Mitchell's shoulder and the commander screaming at Jane was very unusual and seemed unprovoked.

The actor playing Mitchell was too overdramatic. The scene where he yelled at Richard was unexpected and seemed very unusual behavior for a guy who is angling for a promotion. Perhaps this character had issues. Since the show never bothered to let us in on them, it made for a confusing and ridiculous character arc. Why would a man who is trying to build a team to help him start screaming and slamming doors? Why was he so unwilling to properly investigate the case if he's trying to distinguish himself to the brass?

When the commander kept cutting Jane off when she tried to speak and then yelled over her, it was very out of character for him. In the past, he's been a stereotypical, uptight, British repressed type who wouldn't dream of raising his voice. Suddenly he's screaming at Jane because he's angry she didn't follow orders? Is this still about her being a woman? She's always gone her way and he's never reacted like this. She gets results and solves cases. Also it's the mid 90s so there are plenty of female officers in the police department in Britain. All the young rookies were laughing and making jokes openly against a superior officer? They don't even know her so what's their issue her? Just seems strange that they seem to be going backwards with women's rights in the police department when the rest of the country isn't fighting gender battles anymore. There have been female PMs and MPs so I'm not sure why they are still harping on the woman angle.

Sure, Jane has no bedside manner but only because she's had to fight for everything she's accomplished due to entrenched biases against her. Also, DCI Mitchell was an even bigger jerk than she was and a far less thorough detective so why are they still so hateful towards her? If there's a reason they don't like her, that's great. But they didn't let us in on it, so this made for a tough watch. It almost felt like they were trying to force drama in places it wasn't needed.

The actor playing Marlowe was grossly miscast. He looked like a criminal completely capable of taking lives. The great thing about the original Marlowe was he maintained his cavalier attitude throughout which made him scarier. The wide-eyed smiles were absent here because the actor playing him couldn't pull it off with his beady eyes.

For the first time I found myself wishing they would just let Tennison do her job and stop with all the department drama as it's getting very tired. If I wanted all that forced drama, I would watch Chicago PD. I'm still trying to figure out why they keep bouncing Tennison from station to station. When she became superintendent, didn't that mean she is in charge of one department like Kernan is? Why do they keep shifting her around? Everytime she's put on a case she's got to prove herself all over again and it's beyond annoying since the other officers would have heard of her track record and that would have earned her some respect.

On an unrelated note, this episode marks the end of Richard in the series which makes me sad because he's always been my favorite character.