L'eroe del cielo

"Pie in the Sky", an ill-focused, occasionally clumsy, and always good natured little romantic comedy, tells of a dauntless young man, Charlie (Charles), who is consumed with two things: Working as the "eye in the sky" for L.A.'s Metro Traffic (a traffic reporting bureau) and working on his relationship with his girl friend (Heche). There is as little to fault in this film as there is to praise making it recommendable by default but also keeping it from scoring high marks. An okay diversion for sofa spuds but not worth a trip to the video store. (C-)

Having worked for Metro Traffic (the organization whose LA office is featured in the film) for 20 years, I got I big chuckle out of Josh Charles' line, "After all, who wouldn't want to work for Metro Traffic."

If I remember correctly, producers of this film contacted our then-CEO David Saperstein about using the company in the film and he was glad to oblige. David and his wife, Suzanne, had recently been featured on "Lifestyles of the Rich and Famous." The scenes at the Metro Traffic Control office in LA were actually filmed on location there and not a movie set. I've had fun over the past few years loaning my copy of this flick to fellow employees and noting their varied reactions.

I actually have encountered employees in this company who have the same obsession with traffic as Charles' character. And, thank goodness I'm not one of them. I have a real life.

Is love like a traffic flow, sometimes running smoothly, sometimes stalled and going nowhere? That's what Charlie (Josh Charles) thinks. Charlie has two great loves: traffic/traffic reporting and Amy (Anne Heche). Having met as children, the boy and the dance-loving girl meet again as teenagers and explore the wonders of first love. Yet, they are headed in two different directions, for college and otherwise. A break-up is inevitable. Years later, Charlie has traveled to Los Angeles to work at a television station and meets Amy again at a local coffee shop. She is a waitress, involved with a modern dance group in her spare time. Unfortunately, Amy is cold to the idea of rekindling the relationship and tries to discourage Charlie. Will he win her over or concentrate more on his career?

This is an offbeat romantic comedy. The swirl of characters surrounding the two leads are all a bit unusual but provide some laughs. John Goodman is wonderful as a famous traffic reporter. Heche gives a petulant performance which is very attractive at times and a bit offputting at others. Fans of movies a little less ordinary should be pleased with this effort. Others may find it pleasant but not particularly memorable.

Okey! Get ready for a really good movie, this one is one of the best I've seen, and I'm quite tricky about choosing god from bad movies. Trust me on this, the story, actors, setting, it's all so complete.. Be sure to get this movie and spend a night wathing it with someone you care about. Humor and Romance..

Some have described this as a sort of "When Harry Met Sally" for the West Coast, mainly because the two lovers meet repeatedly over the course of years. In this respect the two are similar but not in any other way.

The director's first feature is a reasonable romantic comedy about two "kooks" that fall in love whilst trying to find their respective dreams in live. Josh Charles dreams of being a traffic reporter like his idol John Goodman. Anne Heche dreams of a career in dance. The film follows their love affair from childhood to adulthood in LA.

The film tries to make the characters interesting by giving them quirks. Charles' interest in traffic is quite well explained but still seems strangely unlikely. The other characters don't fit their actions at all and aren't developed well - from Heche to Goodman they all seem to be written as "quirky" to be interesting, while their actions are written to move the story along.

The story tries to draw the traffic element into some sort of metaphor for life & love but again it doesn't really fit. Even the soundtrack, despite containing good songs, is the usual fare for this type of romantic film.

Overall a poorly developed film that never really convinces - from the quirks, the performances and the ending. Only the scenery and the idea of traffic as a metaphor for love is there to hold the interest.