I racconti del cuscino

This is a beautiful movie visually, but you need to keep concentrating on what is happening. Don't ask why too much with this - the effect of actions is reason enough to take them. Vivan Wu is very good, as is Ewan McGregor, in a different role for him. It reminds you also of what are some of the best things about Japan, and what are some of the worst things about men. Well worth buying the DVD and watching over and over.

Like many of Peter Greenaway's movies, Pillow Book features extensive nudity. However, while the plot development is well worked out, the cast is competent, and Greenaway shows off a dazzling array of cinematic techniques, he always seems to approach his material too intellectually to really engage the viewer's emotions. I cannot know his intentions, but my impression is that he regards his scripts as more akin to a complex mathematical puzzle to be worked out than a story about real people with human feelings, leaving the movie worth watching but curiously cool and clinical rather than passionately erotic.

"The Pillow Book" is an erotic masterpiece. A story that unravels like a Japanese scroll. It teases and excites us with floating images. It's Greenaway's masterful technique, the same that he used so successfully in "Prospero's Books". He captures our attention and plays with our emotions. I don't understand one character in Japanese calligraphy but the idea of writing a poem or a prayer or a story on human skin is certainly an original one. Calligraphy is always charming to look at as the camera wanders about the human anatomy. Even the Lord's prayer in English takes on a very personal meaning when it scrawls across the chest and arms and ends up somewhere below the navel. The story itself is simple enough. Its about two people -a Japanese girl and a Westerner - falling in love. There's nothing new in that. But it's the progression of their romance through their calligraphic foreplay that binds our attention. It's beautifully and delicately portrayed - somewhat dream-like in its presentation. There's a suicide scene which one might expect would draw this romantic drama to a close, but no! the story gathers pace and races on to unexpected heights. Based on observations made by Sei Shonagon in the 10th century, the Pillow Book is a collection of 13 essays entitled "Book of Youth", "Book of the Seducer". "Book of Secrets", "Book of the Dead" etc. But essentially this is about "The Book of the Lover". Some audience will cringe with horror when they see how this book is prepared. Ewan McGregor and Vivian Wu are to be congratulated on their exceptional performances( and backed by a competent cast} in a most original and memorable production.

A difficult but beautiful film that treats of love, sex, betrayal, revenge, and a young woman's attempt to control her own creative process. Best understood as a visual diary (the "pillow book" of the title), but it does have a plot, if one pays close attention. Nagiko, the protagonist, struggles to become a writer through her relationships with three men who, in different ways, personify her muse: her late father, a writer; her father's publisher, who coerced her father into sex as the price of publication; and Jerome, the attractive young English translator who is the publisher's current lover and her own. This film will repay multiple viewings, however fractured its treatment of Japanese language and culture.

The Pillow Book is a rare film that transcends limitations of film and text in a unique handling by auteur Peter Greenaway. Based loosely on the tenth century writings of the imperial court observer, Sei Shonagon, Greenaway brings to the screen a rich visual amalgam that relies on stunning settings, the physical beauty of actors Vivian Wu and Ewan McGregor, and the joy of ancient and modern systems of writing that are the calligraphic arts.

Greenaway's penchant for incorporating art, numbers, books, and architecture in a filmic medium ensure those who enjoy his style will not be disappointed. As a young child, Wu's character has celebrated her birthday's by having her father write the story of creation on her face in a family ritual celebration. However, with adulthood and marriage, her spouse is neither interested nor willing to continue her tradition. Frustrated at her inability to find a lover who is a good calligrapher, or a calligrapher who is a good lover, Wu finally meets a bi-sexual translator, Jerome (McGregor) who offers himself to Wu as a living surface for her erotic creativity. Inspired by the opportunity to obtain revenge on the publisher who blackmailed her father and is Jerome's lover, Wu's character, Nagiko creates the ultimate love poem illuminated in red, gold and black characters and delivered to the publisher on the naked body of Jerome.

The Pillow Book is adult eroticism at it's most sensuous and visual best. It is a story that revels in the binaries of the profane and grotesque, yet delights the eye with Greenaway's ability to translate a vision of love and horror into a singular statement of lush physical beauty and passionate sexuality.