Persuasion

Jane Austen's novels lend themselves to cinematic adaptations. This production, directed by Roger Michell, and with a screen treatment by Nick Dear, comes close to be what Ms. Austen wanted us to see, if she had any saying in the matter. The film is blessed with great talented English actors who feel quite at home interpreting for us the rich text of the novel.

Amanda Root, is perfect as Anne Elliot, the down to earth woman at the center of the story. Ciaran Hands is a virile presence that plays well in the story. Their romance is seen coming all through the proceedings and their love seems to be real.

Corin Redgrave is perfect as Sri Walter Elliot, the fatuous man who was impressed with money and power. Susan Fleetwood has some excellent moments as the kind Lady Russell. Fiona Shaw is perfect as Mrs. Croft and Samuel West excels at his portrayal of the impoverished Elliot cousin.

Ultimately, the production has a great view because it was filmed in the area that is described in the book. The beautiful city of Bath is seen in glorious exteriors.

Recommended to all Jane Austen's fans because the beautiful job Roger Michell did in bringing the novel to the screen.

For some reason, people seem to leave "Persuasion" out when they are naming Jane Austen adaptations. I find that lamentable, since it is such a wonderful film. It is exceedingly British, which means that Americans might find it a little hard to understand, but personally I think it is superb.

All the acting is stellar; I can't really identify a bad performance. Ciaran Hines especially shines as the warm but reserved Captain Wentworth.

Of all the Jane Austen adaptations (except "Pride and Prejudice") I believe "Persuasion" is the truest to the time period. The characters act within the conventions of regency England and seem to be comfortable doing so.

I would recommend this movie to any Jane Austen lover or a person who enjoys period films or classic literature. A person who does not fall into those categories might enjoy it as well, but is likely to find it slow and difficult to understand.

And the celebration of the ordinary and the idea that true love will out itself whatever the obstacles put in its way.

The casting was inspired and utterly believable in this wondrous adaptation. I never tire of Ciaran Hinds, there seems to be so many layers in what he brings to his far too infrequent roles in films. I believe he is mainly a stage actor.

The story bears truth to Jane Austen's original work, and I am a long time fan of Austen.

Amanda is not glamorous in her role of Anne Elliot. But her truth and honour stand steady in the ebb and flow of the values, minor complaints and minutiae of her family life. It is clear from the beginning that she is the one with all the missing qualities in the others.

Fiona Shaw also captivates in the role of Mrs. Croft who strikes out in a completely different kind of lifestyle for the era, sailing the seven seas with her husband and sharing his adventures.

8 out 10. Well done to all concerned.

This has got to be the most watchable Jane Austen adaptation since the recent influx. Amanda Root and Ciaran Hinds are simply the best at conveying unrequited love. One is not blindsided by the big names and distracting beauty of those that have filled the roles of more recent Austen films, and that's how it should be. The performances by Sophie Thompson (Emma's sister), Phoebe Nicholls (remember "Brideshead Revisited"?), and Corin Redgrave is enough to make this movie recommendable, but the 2 main characters are absolutely superb and sympathetic without being sappy or gratuitous. The other supporting cast is phenomenal; what one expects from a nice little English film. Cinematography and soundtrack are fitting as well. Highly recommended!

This is a very well put together, and yet very fragile movie that shows its budget constraints all too well. Beautifully acted and written, the direction unfortunately reveals the boxy nature of a TV screen. But despite the lack of impressive cinematography, the scenes are set up extremely well. The use of staging and visual metaphor are jaw-droppingly fantastic. Austen's relatively simple potboiler has been turned into a work of visual art that reveals the director's love for the material.

The music is done perfectly - it doesn't overpower or ever impose interpretation, instead it is just enough to maintain focus on the story. And I love the understated nature of the characters. It is easy to spot the hypocrites, but you can see why they are the way they are. It would be very easy to make Mr. Eliot into a simpering, unctious idiot - instead, he is played as a gentleman. It makes Anne a better character, and it makes the movie a better experience.