Hubie all'inseguimento della pietra verde

Symbol of the creative -and financial- problems of Don Bluth's team between "All Dogs Go To Heaven" until "Anastasia", this animated movie benefits impeccable score and songs and good animation, for a very weak plot.

Let's face it, a lot of the reviews that 'The Pebble and the Penguin' has gotten here at IMDB are right that this movie's pretty bad, but trust me, there's worse ones than this. 'Rock-A-Doodle' without question is the worst of Don Bluth's movies (though I haven't seen it in years, I remember it being hideous), and although I haven't seen 'Thumbelina' all the way through, I know that it's worse than 'Pebble and the Penguin' too (the few minutes I saw of 'Thumbelina' were just too painful).

Anyhow, 'The Pebble and the Penguin' is a bit of a mess. As you may know, a shy penguin named Hubie is hell-bent on getting this strange green pebble to his lovebird, Marina. This could have been pretty good, but you can tell that they really rushed it. Then there's Drake, the most annoying villain... ever. In order to have a really good villain, he/she has to be somewhat likeable as well as sinister. But Drake's not likeable by a longshot. Tim Curry did voice him beautifully, though, so I've got to give that fact some credit.

The only great character is Rocko. Now HE has some personality going on. Hubie and Marina are okay, but Rocko's the one who steals the show.

One of the most glaring things about this movie is the animation. But I wouldn't entirely blame Don Bluth for this. I think he left this movie before it was finished, and who could blame him? There's a lot of odd coloring here, and the animation can vary from good to unbearable. And somehow the penguins in this movie just didn't look 'penguiny'. They just looked... wrong. Chilly Willy is more accurate to looking like a real penguin than any penguins here.

Don't expect much for great songs either. The only nice one is "Now and Forever" at the very beginning. The rest will give you a chance to go to the bathroom.

And I'm fed up with writers thinking the only way to defeat the antagonist is to beat the tar out of him. What kind of message is that?

I think if they spent some more time on this movie it wouldn't have been too bad. In fact, it could have been good. Still, it's better than some other late movies of Don Bluth's.

Now I'm a huge Don Bluth fan, so it's no wonder I love all of his films to death, with the exception of Rock-A-Doodle-Doo, which had potential but dived like a nailed duck than sang like a rooster.

Back on topic, I felt that "Penguin" is a vastly underrated film. The basic story is that Hubie, our shy, lovestruck hero, must make his way back to his love Marina after being left for dead by the jealous Drake, whose also got his eye on Marina. Accompanied by the strong and hyper-active Rocko, Hubie braves the waters to make the 3000 mile journey and give her his unique "engagement pebble" before his love is banished forever.

The adventure itself is everything I want in this type of movie: Action. Hubie and Rocko's flights from the numerous seals and whales who see our fair duo as an appetizer are always enough to hold my attention, because it was fast. And the faster and livelier the animation, the better for me.

But of course, the slower moments made me like this movie also. In these scenes, we see the birds' true personality emerge. Hubie is this shy and timid thing in the beginning...Quite lame actually (Who calls anyone a "big bully" anymore?) And in the end, he's brave and not afraid to speak his mind. In fact, he learns to fight and defend himself, taught by the tough-guy Rocko, who begins showing compassion and friendship for Hubie as the movie goes on. He also shares his dream with the penguin: To be the first penguin to fly, a cute little personality quirk to this diamond in the rough.

It has your typical Bluth animation: Fluid, bright, lively, and Disney-like, and that's the main thing I've come to love from animation produced during the bygone era. Just plain beautiful in all aspects.

The songs are pretty charming... once they wear on you. After all, this is a movie intended more so for 7,8,9,10 year olds, so these songs aren't "Lion King" material. But I've come to find something I like about each. For instance, Hubie's jokes in "Looks Like I Got Me a Friend" are lame... but I've come to love that about the cute lil' penguin!! All songs are acceptable, excluding "Misery." Waaaay too childish. But the score was absolutely breathtaking.

To me, this movie only had one setback: Drake, the aforementioned villain. He's not the most likable villain at all and only held my attention with one or two threats, and a few lines from his song "Don't Make Me Laugh." He's more annoying than anything else, and made me all the more happier Hubie kicked his white-and-black behind.

In conclusion, "Penguin" has been adored by me since the first time I laid eyes on these quirky birds. Given this is a children's movie really makes me appreciate it even more. The music, main characters, action scenes and character development of Rocko and Hubie were perfect. The villain and a few songs were the only drawback to a wonderful movie. Don Bluth is one of the best, independent animators of the 80s-90s and he has kept his rep very well.

From what I read, Don Bluth was kicked off this movie before it was completed, and it was shipped out and finished by animators in Hungary. (This explains why on the movie itself, there is no director listed.)

This is probably true, because the animation keeps making subtle changes in style, color, and quality - sometimes in the SAME SCENE! Also, the pacing is very choppy, with frequently the characters all of a sudden shown in a new situation with no explanation as to how they got where they were all of a sudden.

Truly awful songs by Barry Manilow, and strident characters who have no depth to them. Not much of a story, either. It's no wonder this movie bombed big time, though I am shocked that Amazon indicates that the movie is out of print!

Hubie (Martin Short) a good hearted but clumsy Adélie penguin with a stutter has a crush on Marina (Annie Golden), a kind soft spoken Penguin. While Hubie does find a perfect pebble to propose with, the cruel alpha male, Drake (Tim Curry), also has his eyes on Marina throws Hubie off a cliff and Hubie becomes lost at sea. When Hubie is captured by humans he teams up with a brash abrasive Northern rockhopper penguin named Rocko (Jim Belushi) who dreams of flying in an effort to return home before Marina is forced to marry Drake.

The final film of Don Bluth Irish based studios that had been the creator's home from 1985 until 1995. The final film in a three picture financing deal with Hong Kong based Media Assets, the movie had a tumultuous development cycle with Warner Bros. Delaying production to focus on Thumbelina and distribution changing hands to MGM who demanded late in production changes to the film. Director's Don Bluth and Gary Goldman jumped ship from the floundering studio in favor of a lucrative deal with 20th Century Fox to set up an Animation Studio, disowning the film which has no credited director, though MGM claimed this was totally Bluth and Goldman's film. With a troubled production history it's no wonder why the movie feels like a disjointed mess, albeit one with fleeting moments of beauty.

The impetus of The Pebble and the Penguin was spurred very much by the success of Disney's Beauty and the Beast, in Bluth's words something for children and "the date movie crowd", that really doesn't come through all that well. While the movie is technically a love story, Hubie and Marina are basically a done deal within the first 10 minutes. Not only are they together, but there's really no defining character to Marina other than she isn't a superficial airhead like her friends are. We know she's nice....and that's it. Marina spends the rest of the movie doing two things: Rejecting Drake and pining for Hubie. Drake is clearly modeled after Gaston with his bodybuilder physique and the ability to make women swoon and faint by entering a room and he's perfectly serviceable as a villain, only elevated by the fact that Tim Curry voices the character and brings energy to what's essentially a very underwritten role. Rocko was probably my favorite character, if only because I found Jim Belushi's abrasive way in which he portrays the character to be a nice break from the alternating bounciness and blandness of the other characters, but even Rocko seems inconsistently written with him changing moods or motivations on a dime for no other reason than the plot needs him to. There's a major revelation wherein Rocko finds out he was lied to by Hubie and his anger lasts all of maybe 30 seconds at most and then it continues the same way with no further mention. And then there's Hubie, on the surface he seems like a decent enough underdog lead, but Martin Short's portrayal of him I found more grating than anything else. Martin Short has a recurring problem in films be it Clifford, Pure Luck and this one in that his delivery just doesn't translate all that well to the movies he's in despite him being a proven funny comedian. Hubie comes off throughout the movie as whiny, obsessive, or emotionally needy and I just didn't find him all that charming.

The animation is at least nice, in parts anyway. The characters are expressive and there's energy to the animation, but there's also some sloppiness that's rather noticeable no doubt due to the production troubles. There are many sequences with odd color coding, static characters in either the foreground or background that give blank stares into space, and even cases of recycling of animation. The movie feels like a hatchet job with a lack of flow and connective tissue between scenes as we jump and skip between sections like a needle hitting record skips. It has the feeling of something where parts were removed while others were being inserted. There's a framework for a serviceable story in place, but the parts used to build it are so haphazardly assembled it lacks emotional impact.

The Pebble and the Penguin is the kind of movie that was made for "too many cooks". It has the feeling of something that was hampered by executive mandate and was put together with the mentality of "just finish it already". Maybe if Warner Bros. Had allowed it to be finished first instead of prioritizing Thumbelina maybe it would've been a better product, but as is: It's a mess of a movie that doesn't know how to assemble all the elements it has into a cohesive whole.