Circostanze pericolose

There are some films out there that are so obscure, so lost and forgotten that I sometimes feel like I'm the only person who's ever seen them. One Good Turn is such a film. It's lower budget for sure, but the three stars make it a worthwhile thriller. Lenny Von Dohlenplays Matt Forrest, a good natured arcade programmer who has done well in life, with a great career and a beautiful wife (Suzy Amis ). One day he runs into an old acquaintance of his, Simon Jury (James Remar), a man who saved his life by pulling him from a burning vehicle in years ago in a South American country. Simon has fallen on hard times, living down and out. Matt feels an obligation to help him, and invites him to live with him, also giving him a job at his programming firm. Simon is a little rough around the edges, but seems amiable enough, and grateful for the help. Soon, though, it becomes apparent that he has quite sinister ulterior motives, and that his seemingly serendipitous reunion with Matt was no coincidence at all. Little by little his behaviour gets threatening and nasty, and Matt realizes he has a long unsettled grudge with him that is playing out, bringing his wife and business in as collateral damage. Remar is perfect for these unsettling tough guy wackos, and he pulls the ripcord here, letting Simon burn with unchecked rage and dangerous violence. Dohlen is known for softer, laid back roles, and it's interesting here to see him start off his work like that, and be pushed to the absolute limits by Remar's opposing force. There's also a nice supporting turn from John Savage as a private investigator. This one is buried in time and obscurity, but if you're a fan of the cast and thrillers such as these, it's worth seeking out.

It might not have the style of say, Cape Fear but it's as entertaining. As a 90s thriller fan especially but also a directing student and filmmaker myself, this film thoroughly impressed me. The script is very well written and it is extremely well directed - there is not a false note in the thing. The leads are all excellent, the score is great, the camera choices and sets are great and the script is just the right mix of unpredictable yet satisfying - you know you're watching a sociopath thriller and you get that but it unfolds in ways you don't see coming. It's depressing this movie isn't better known but what can you do?

I liked the directing style, the tension and suspense and the lighting and soundtrack.

Though the actual characters could be replaced with other actors...the essence of a no name actor is what propels this movie.

This could and should never be a Brad Pitt/Tom Cruise/Mel Gibson movie as it would never work.

James Remar holds this together as far as lead performances and it tends to drag in some areas and then confuse in others...but the tension...especially at the bedroom scene and the train scene is what builds this entire film into a flick that is capable of holding an audience.

A short rewrite may have made this into an exceptional movie, because the theme and dark elements that construct this movie are built to a nice flow.

You probably would not have any idea what I'm stating here...but watch it from the view as a director, writer and camera man as well as sound technician and you will see that the sound, lighting, camera movement and underlying theme is just blow away material.

That's the truth and I'm sticking to it.

I look forward to working with this director and producer.

The script of "One Good Turn" gives the actors little to work with. It features standard characters, plot holes the size of craters and pacing inconsistent enough to make it tough to buy the sense of peril.

Despite this, James Remar manages to make his role multi-layered and worthy of bit of sympathy. In the moments where his character is doing something evil, he has a concentrated focus that is neither evil nor sane. Instead, he slowly draws his madness and revenge towards the conclusion that is inevitable but somehow unexpected. The script lets him down by relying on a hackneyed flashback technique. But his final moment is infused with a resignation and sensitivity that this type of film usually can't achieve.

Wath One Good Turn for Remar and ignore the script.

This is one of those drama/thrillers that gradually reveal the true essence of the characters through a well developed storyline. The acting and dialogue is highly credible, its certainly not 'off the cuff', relaxed acting, it's more thoughtful and diplomatic, which may give some viewers the imression of 'wooden' acting. If you're the type of person who thinks before you speak you'll find this dialogue VERY believable. I found the whole story really intriguing, especially the ending. You might compare the antagonist to something like Fatal Attraction in terms of general psychosis,, although it's more a tale of revenge. If you liked Misery then you may like this-it's not flashy, its not big budget but it's clever and it's real. I had a much better time watching this then some of those billion-dollar blockbusters I had to painfully sit through!