Un bambino perso per sempre

I remember watching this movie when I was about 14 years old on Lifetime. Beverly D'Angelo plays a young mother who is forced to give up her newborn son for adoption. Her son gets adopted by this older Christian couple. They already have a 4 year old son(Miko Hughes). The wife and husband seem normal, kind, etc. Then one day the adopted son(Cortland Mead)who's about 4 now acts up one day at the dinner table. The mother(Dana Ivey) gives her adoptive son a beat down while the father and brother sit at the table and act like nothing is happening. Then that night, the mother makes the boy kneel on a broomstick and makes him say prayers repeatedly. It isn't until about 20 years or so later that D'Angelo tries to see what her adopted son is up to when she recevies the tragic news of her life. Very good movie!!

Beverly Deangelo was very good in this movie about a mother's fight for the memory of Her Baby.

Ivey was really scary as the adoptive mother Who beat and Killed the little boy. I used to like Max Gail on Barney Miller, But I couldn't understand why His Charictor didn't put a stop to the Abuse of His adopted son. But all in all it was a good TV Drama. I'd rate it a Seven out of Ten.

I am not the audience for Lifetime Channel movies but just happened to see Beverly D'Angelo (always beautiful and here looking gorgeously plump) in this, so stayed to watch. When I saw Dana Ivey appear, I was sure I was in for something wonderful - but I wasn't.

I am not that familiar with Lifetime Channel sorts of movies - and as a conservative middle aged man, don't think I'm the intended audience. This is a social issue, soapy victim succeeds against the odds movie. I'm not a fan of such movies.

The movie is very strange. I kept awaiting a twist or series of twists because: a) the direct evidence against the stepmother is very slight (she's presented as a nightmare mother but there's no eyewitness at the time of death, no instrument of death, etc.), b) an actress of the caliber and eminence of Dana Ivey had thus far been given hardly any lines (and allowed only a sort of Hammer Films wicked stepmother look), and c) the "victim" (biological mom) repeatedly asked about how much punishment the wicked stepmother would receive - and how soon it could be inflicted.

Amazingly, there's no twist at all! The victim was simply eager! The disappointment is strong! The dialogue is truly terrible - the judge actually says "why if I could, I would throw away the key" when passing sentence! (Yes, this was first heard in a drama in 1908 - B.C.).

So, except for the (quite real) pleasure in seeing the over-ripe curves of Beverly D'Angelo in skirts and dresses made with more slender women in mind, this movie's a bust.

I first saw this film when it originally aired and it affected me so deeply that decades later, when I myself became a parent, I found myself with a real need to rewatch it. After more than a year of searching, I finally found it. All these years later it still breaks my heart, still touches me, still terrifies me. Excellent story, it's too bad it's largely true - no one deserves this!

This story of yet another small child, abused and battered to the point of death, is heartbreaking and poignant. Unfortunately, the actors and the movie itself just aren't up to the task. Almost everyone seemed like an amateur acting in a high school production, reading their lines in strangely stilted tones. Beverly D'Angelo's portrayal of the birth mother was so shockingly off-balance that I began to wonder why I never noticed what a poor actress she is. When trying to enlist the help of a reporter to investigate the possible murder of her son many years earlier, she reverts to flirting and teasing. When he asks her who the murder victim was, she answers with a big smile, bright eyes (still flirting) and a strangely triumphant grin on her face, "My son!" It was grotesque and repulsive. Initially the assistant D.A. who is going to prosecute the case is hostile and unsympathetic to the birth mother - the next thing you know, the A.D.A is trying to convince the victim's surviving brother to be a witness for the prosecution because she (the A.D.A) was "adopted too" blah, blah. We are never told or shown how this turn of heart came about. Eh...why go on, it's a heartbreaker but the acting was so bizarre and annoying it's almost unbearable to watch.