Brother's Keeper

In a simple way this is just an "us and them" story, with the hardworking small town folk being treated like buffoons by the big, mean, well-groomed city justice people. But Berlinger and Sinofsky are far more talented than that, and their film ends up being one of the most human films I've ever seen in terms of their generosity to their subjects. It's generous because they don't put their views into the film, they don't decide how we should view the allegations, but at the same time don't restrict themselves from becoming somewhat involved in these brothers' lives.

At first we're inclined to look down on these brothers -- they rarely bathe, they're not educated, they can hardly hear what the documentarians say to them. They're completely unselfconscious. Our natural reaction is to place ourselves above them. But the filmmakers' greatness is in how within about half an hour we find ourselves connected to them as equals. In fact, we notice how philosophical they can be, maybe without realizing it -- without being treated like simpleminded saints. The directors give us a view of the townspeople, too, the Ward brother supporters, many of which are quite articulate themselves. (One elderly gentleman, a hard man from the outside, is surprisingly forward-thinking, when it's speculated that the brothers may have had an incestuous relationship, and he uses the word "gay" rather than the expected offensive term, and refers to the justice people as "narrow minded," and how whatever kind of relationship the bothers had, sexual or not, it should not have any bearing on the case.) There's one startling description of the brothers' love for one another, that if indeed one of the brothers did kill the other, it was in the same way he would have killed a sick and dying cow, paralyzed after giving birth. (There's one horrifying scene where a pig is killed that isn't quite as lovely.)

The communal, familial way in which the filmmakers interact with the brothers is exactly the same way these townspeople interact with one another. The construction of the film is just perfect for the entire film. It's uncomfortable without being cruel, it's friendly without being cloying, it's dark and disturbing without seeming phony. When joyful fiddle music plays after a scene, it's never mocking the way it would be in another film. (And one of the greatest scenes in the film is an image of a ragged man with his cows, and some very, very haunting violin music by Jay Ungar and Molly Mason, whose entire score is outstanding, and anticipates "Fargo.") When the trial takes place, we're implicated because we don't know the truth. By this point we're so invested in these brothers that when one of them is on the bench, shaking and terrified from nervousness -- these brothers just don't have this kind of human contact -- the filmmakers have completely earned our tears. It's not a sentimental moment, it's as horrifying as the scene of the pig being killed. You feel as if the judicial system is raping this man of his dignity. This is a masterpiece. 10/10

From the opening quote from the Book of Genesis about Cain rising up and smiting Abel to the very end sequence, this is not an easy film to watch.

The story of the Ward Brothers in rural New York received national media attention.

Adelbert (Delbert) Ward was accused of murdering his brother William. Questions of euthanasia, incest and just being tired of William's needs are brought up.

But the question arises: Was he railroaded by a legal system looking for an easy answer and a prosecuting attorney up for re-election?

The abject terror of Lymon Ward when he was on the stand is sickening and horrifying to watch.

The townspeople that rally around Delbert and raise the money for his bail in about 20 minutes, even though they have little to spare themselves and don't really know the reclusive Ward brothers is more than just heartwarming -- it is astounding.

The "Boys" (as the townspeople call the Ward brothers)are not really particularly liked by the townspeople who see them as strange, dirty and retarded.

But, whatever they may be they are THEIR strange, dirty and retarded fellow townspeople.

It is not fair to tell you how this movie ends -- you will simply have to see it for yourself.

i saw this on PBS a few years ago and it haunted me for days. this is a totally unique film experience unlike any you have had or can imagine. it is a documentary, but just as hoop dreams smashed all preconceptions of what a documentary can be, so does this. it is riveting, gut wrenching, and incredibly suspenseful. it shows you characters and a world that are totally new and captivating. it is heartbreaking and uplifting. it moved me in every way i have every been moved by a movie, but without being manipulative or maudlin. it is yet another brilliant documentary snubbed by those ingorami at the academy. i guarantee that you will not come out of this unchanged. it is one of the greatest films i have ever seen (and i have seen a great many...)

This well made documentary involving the murder trial of an illiterate farmer in upstate New York is about as well made as they come. Delbert Ward, a simple farmer who could hardly read, is accused of killing his brother, Bill, in his sleep. Motives for the crime ranged from 'mercy killing' (his brother was sick at the time) to even the suggestion of a sex crime (the brothers shared the same bed all their lives and never had girlfriends). Delbert signed a confession but claims the police made him sign and agree to certain things that weren't true just so he can go home. When the charges were made the whole town of Munnsville, NY, came to Delberts side to defend him and even got money together to release him on bail. This film is an interesting look into the lives of simple people being confronted with 'big city' police and attorney tactics. Even after winning some awards from big film festivals no one bought the film so the filmmakers self-distributed the movie themselves, taking it from theater to theater. It is now one of the most successful self-distributed films of all time. It now has distribution and is well praised. Good Stuff!

This incursion into the private lives of rural people that turn public by exposition in the media had an eerie effect on me. It was a subjective reaction to a real story that has nothing sinister about it, but I was deeply distressed and somehow frightened by the realization of how some people still live isolated from the world, and in unhealthy conditions, while at the same time being in touch with a community that finds them eccentric but is ignorant of their dysfunctionality. The disturbing story of the four Ward brothers, farmers who lived like hermits in a shack until old age, is material for a Gothic novel or a psychological thriller. When one brother dies in 1990, and his younger brother Delbert is arrested for murder, the "Munnsville horror" begins, manipulated by the media while the community defends the accused. For their opera prima, directors Berlinger and Sinofsky spent more than a year with the case. The result was highly rewarding.