Dracula di Bram Stoker

"Bram Stoker's Dracula" is one of those films that reeled people in by making its audience believe that it would be an intense horror film on par with productions like "Rosemary's Baby" or "The Exorcist". Instead, director Francis Ford Coppola stayed more true to Stoker's novel and put a focus on an intense love story that transcends time, the elements and even life and death. This naturally turned off many horror enthusiasts who would rather see a film that thrives on shock value rather than a movie that thrives on heart, brains and emotion. The film is naturally about the titled character, an immortal man (played superbly by the nearly always exceptional Gary Oldman) who has turned against God and now lives through the powers of darkness. By the late-19th Century, the titled character is trying to lure back a reincarnation of his one true love (Winona Ryder) and of course attempting to eliminate all those that might stand in his way (Ryder's fiance Keanu Reeves and professor Anthony Hopkins most notably). Overall "Dracula" is an amazingly good looking film that benefits from high production values and guaranteed performances (mainly from Oldman and Hopkins). Coppola's direction is strong, but a bit overbearing at times and sometimes it is unclear what the tone of the production truly is. Watch for Italian beauty Monica Bellucci as one of Oldman's beautiful, but deadly wives. 4 stars out of 5.

Opening with his vow to rise from his grave and take revenge on a God who allowed his beloved to die while he defended Him on the battlefield, we see Count Dracula in the 1890's, conducting business with a London firm. When his first consultant goes mad, Jonathon Harker is sent to Dracula in his place, only to find himself trapped in the castle. Meanwhile, Dracula travels to London where he feeds on the lovely Lucy Westenra. Her various suitors try to help her and call for Professor Van Helsing to come and help – they realise that this is not a simple battle against a disease of the blood.

Although a little too long for my liking, this film is a very rich gothic telling of a story that has become watered down slightly with the many different versions of stories with the characters. Here the basic plot follows the tale from the creation of Dracula, his love and his confrontation with Van Helsing and the various suitors of the lovely Lucy. The story is told with a real respect for the source, perhaps a little too much as it can be a little to heavy and lacking in spark at times. However, for the most part the gothic telling works very well and feels very lavish and rich.

Visually the film is great – rich colours in the scenery and costumes really bring the goth out of the film. Meanwhile Coppola works well with shadows and images in the backgrounds to make the film have the feel of an old silent movie version (eyes in the storm) but with modern standards. It's not really scary, but I didn't need it to be, I was more interested in the overall story, and that worked well.

The cast suffer from a bit too much respect for the material, some of their performances are a little too hammy and heavy. Oldman is good when compared to the better known image of the `Bela Lagosi' Dracula, but I did still find him a little too hammy at times. Likewise Rider is not totally convincing. Hopkins is quite fun to watch and the three suitors (including Ewles and Grant) very much play stiff upper lipped straight men! Of course of their performances tower with majesty above the sheer miscast ineptitude of Reeves. From the start his accent is horrid, but his inability to bring out emotions and character basically kills his character off before the film has even got going.

Despite this the film is actually very enjoyable even if it is a bit too respectful and long – occasionally making it feel a little heavy going. The rich presentation and loyalty to the source material makes for a very enjoyable story even if it isn't really what we'd see now as a horror.

Incessantly gothic & unabashedly erotic, Dracula brings Bram Stoker's literary classic to the film canvas in all its Victorian glory & required faithfulness and is a visual splendour overflowing with bold vision & audacious choices. But the technical mastery on display is also severely hampered by the film's inconsistent tone, overdone theatrics, casting choices & passionless performances.

Directed by Francis Ford Coppola (The Godfather & Apocalypse Now), the story unfolds like an eerie & sensual reverie and is substantially elevated by its operatic set pieces, lavish costumes, vivid photography, old-school effects & uncanny score. The film gets the atmosphere right with its inspired use of colours, shadows, lighting & subliminal imagery that works in tandem with its sexually charged narrative.

However, the impressionistic touches, cinematic flourishes & technical ingenuity still don't prove to be enough to mask its shortcomings, for its bloated length & over-the-top drama are further exacerbated by the casting decisions that nearly destroys the whole picture. Neither Keanu Reeves nor Winona Ryder are right choices for their roles and as for the remaining cast, their inputs are serviceable at best & forgettable at worst.

Overall, Dracula is a visual feast that delivers on mood, setting & filmmaking creativity but the commitment evident in the technical aspects are sorely lacking in the acting department. And that in effect hurts its ability to fully immerse viewers into its dreamlike escapade. Its romantic gestures are sincere even if the tonal shifts are all over the place but for a premise that has so much promise, the film as a whole leaves much to be desired.

I have seen multiple versions of Dracula, but none compare to 1992's version starring Gary Oldman, the definitive Count Dracula in my opinion. This film is lavish, decadent and wonderfully vivid. It captured the gothic spirit of the novel, it's deep, romantic, and mixed with tender and violent moments. The visuals to this day are exquisite, the costumes, sets and scenes of Victorian England are superb.

Oldman is incredible, but the supporting cast of Reeves, Hopkins and Ryder are terrific, Winona Ryder's delicate character is superb. The accompanying soundtrack was also fantastic, great songs from Annie Lennox.

A true classic. 9/10

There were several reasons why I wanted to see Bram Stoker's Dracula, and after seeing the film finally I was really impressed. No seriously I was. It is not perfect, but on the whole it is very well done.

I have read Bram Stoker's book several times and love it to death, it is rich in detail, it is haunting and it is shocking. This film is not the truest film version of the book, and that's putting it mildly, but it is one of the more visually beautiful and intriguing ones. That is no way a flaw, I am not the sort of person who says if this adaptation is untrue to the book I pan it, or at least I try not to. Speaking of flaws there are two significant flaws, one is more significant than the other, that stop the film from perfection. At over two hours the film is probably a little too long. But the biggest problem is Keanu Reeves as Jonathan Harker. I know it is not old news to rag on Reeves's performance, and I will say I am not a fan of his, sure he has been in some very good films but he is nearly always one of the weaker assets which is exactly the case here. Jonathan Harker is an estate agent who is threatened by Dracula, but I found Reeves's acting far too too inept, flat and emotionless, complete with a very unimpressive accent. For instance, when he says "Oh, I'm very sorry"- Keanu I know there aren't many ways to say that phrase strictly speaking, but do actually try to sound as though you're sorry.

Flaws aside, Francis Ford Coppola's film is very, very good. It is eerie, it is romantic and it is even operatic. For one thing, it is exquisitely mounted, very grandiose in its visual approach. From the sumptuous costumes, the lovingly crafted settings, the superb make up and the basic yet atmospheric lighting complete with more sophisticated techniques it is a feast for the eyes. Another strength is the score, it was very like an opera, rich, soulful, haunting and melancholic. I also liked the script, it was poetic, it was intelligent and it was sophisticated, and the plot is coherent with some effective scenes such as Mina following Lucy into the garden when Lucy is later attacked by Dracula. And the direction is wonderful, a lot of fashioned touches are made to make this film very watchable at least once.

With the exception of Reeves, the acting is very good. Winona Ryder is an improvement certainly, she is beautiful and intense thus she becomes the object of Dracula's devastating desire. Her chemistry with Reeves wasn't quite there, but with Gary Oldman it was pretty much smouldering. Anthony Hopkins was one of the main reasons why I wanted to see this film in the first place, he is a brilliant actor, one of the best there is actually. See him in The Elephant Man, Shadowlands, Howards' End and the Remains of the Day, all wonderful films, and he is impeccable in all of them. I enjoyed him here, here he plays Dr Van Helsing, a famed doctor who dares to believe in Dracula and in the end even dares to confront him, and gives a delicious performance making the most of some inventive one-liners. Richard E.Grant, Cary Elwes and Bill Campbell all give great support, but it is Gary Oldman's towering performance as Dracula that dominates the film. An excellent, underrated actor(Immortal Beloved is just living proof of his talent), Oldman is menacing, suave, handsome, charismatic, tragic and just amazing here, his transitions from old to young and from man to beast are completely believable, in short it was one of the more interesting interpretations of Dracula. Also look out for Monica Belluci as one of Dracula's wives, she is breathtakingly beautiful, even Sadie Frost was surprisingly good as Lucy.

Overall, if you want a faithful adaptation of the book, you may be disappointed. However, if you want a visually stunning, richly scored and compelling movie this is perfect for you. Regardless of how it deviates from the book, I liked it a lot, and would definitely see it again. 8/10 Bethany Cox