A Rachel Marron, superstar della canzone e attrice non manca nulla, ma è anche vittima di un ossessivo ammiratore che la minaccia con lettere intimidatorie. Così Frank si trova al servizio d... Leggi tuttoA Rachel Marron, superstar della canzone e attrice non manca nulla, ma è anche vittima di un ossessivo ammiratore che la minaccia con lettere intimidatorie. Così Frank si trova al servizio di Rachel, come guardia del corpo, e si innamora della cantante.A Rachel Marron, superstar della canzone e attrice non manca nulla, ma è anche vittima di un ossessivo ammiratore che la minaccia con lettere intimidatorie. Così Frank si trova al servizio di Rachel, come guardia del corpo, e si innamora della cantante.
- Regia
- Sceneggiatura
- Star
- Candidato a 2 Oscar
- 14 vittorie e 21 candidature totali
- Thuringer
- (as Daniel Tucker Kamin)
Recensioni in evidenza
The unrelenting criticism by couch 'drama experts' of her acting seems a tad over the top. She never claimed to be an actress and despite this being her film debut, she did not disgrace herself. She did the best she could with what she was given: a patchy character with very little to say. What else could she do to play this role? Well, just what she did, sing her heart out.
The best thing that Kevin Costner did was to insist that Whitney was the only one he wanted for this part. He knew he had a winner, but he also tried to do too much with the story: a romantic thriller with patches of 'comedy', a study in professional-personal conflict and 'who done it' thrown in. That's the reason for the plot's erratic turns and the non existent character development. The glue that holds the whole mess together is Whitney, the singer, looking stunning and sounding like an angel.
This could have been a gigantic flop and instead it was a massive hit. It will remain a phenomenon in popular culture because it delivered what the vast majority of its audience wanted: escapism, a couple of hours away from their own reality and a look inside the glamorous life of a superstar. They were entertained by a great pop singer, who had made a huge video clip for her songs and they did not mind paying for the privilege. Those who hate The Bodyguard, went to see it with some unrealistic expectations of 'serious cinema and acting'?! Hey, go to see foreign movies with subtitles for that and come down from your pretentious cloud.
Both Whitney Hustoun and Kevin Costner stay true to their types, yet sharing a common purpose giving a spiritual dimension to the movie as observed by a commentator.
This is not a conventional romantic movie and that is why many are disappointed. It is a throwback to old concepts of chivalry and knighthood. The remarkable point to observe is that it is a modern story about an independent woman and her child.
This is a movie which feels good and genuine in the end.
Trust me this is better than you think it is.
The only problem is that the film is a bit too long to do what it has to do. I think the problem is in the early part of the film where all of th e pieces are being set in motion, however once its all going its great.
Get some popcorn your honey and enjoy.
So that ended up being my Sunday afternoon.
I am pleased to say that this is actually pretty good.
In some ways not an awful lot happens in this (like a lot of 90's movies) but the characters are engaging and the story is lean and holds it all together without getting too complicated.
I was surprised that there was some action, Kevin does a few roly-poly's through windows and there are some fisty-cuffs but this is mostly romance with a dash of suspense.
It is strange seeing something for the first time that is firmly ingrained into pop-culture.
After seeing poor old Whitney dragged out for public appearances in the last stages of her life it was startling to see her in her full, magnificent glory.
The "I will always love you" moment was ever-present in my mind like a shark circling a life raft.
But when it came it was still pretty impactful.
This has three special effects in it and two of them are really bad by todays standard - but mostly I was really surprised at how much I enjoyed this and I think it stands up.
Lo sapevi?
- QuizDolly Parton wrote and sang the song "I Will Always Love You". In an interview on the Graham Norton show, she said that when they asked to use the song for the movie, she sent it in and forgot about it. Then one day she was driving from her office to her house in Nashville when she heard Whitney Houston's version on the radio. She had to pull over to the side of the road in order to finish listening to it, because she was blown away by how beautifully the song was done, and by how beautifully Whitney Houston sang it.
- BlooperNominees for Best Actor & Best Actress Oscars traditionally sit in the first few rows for the ceremony. When Rachel is announced as Best Actress & stands, she is seated in about the 20th row. Following the camera in slow motion, Rachel proceeds to walk down the aisle, shaking hands with many rows of people congratulating her. This was obviously done for dramatic effect, as it gives the camera time to zero in on who is trying to shoot her.
- Citazioni
Sy Spector: Bill said you used to be with the Secret Service.
Frank: That's right.
Sy Spector: Ever guard the main man?
Frank: I was two years with Carter, four with Reagan.
Sy Spector: Reagan got shot!
Frank: Not on my shift.
- Versioni alternativeThe BBFC insisted upon a 1 second cut to the UK version, to remove a double earclap, which they view as being easily imitated and very damaging...
- ConnessioniFeatured in Whitney Houston: I Will Always Love You (1992)
- Colonne sonoreI Have Nothing
Written by David Foster and Linda Thompson
Produced by David Foster
Performed by Whitney Houston
Whitney Houston Appears Courtesy of Arista Records, Inc.
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- El guardaespaldas
- Luoghi delle riprese
- Beverly Estate, 1011 North Beverly Drive, Beverly Hills, California, Stati Uniti(Rachel's estate - exteriors)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 25.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 122.046.449 USD
- Fine settimana di apertura Stati Uniti e Canada
- 16.611.793 USD
- 29 nov 1992
- Lordo in tutto il mondo
- 411.046.449 USD