American Heart

An ex-convict (Jeff Bridges) is tracked down by his estranged teenage son (Edward Furlong), and the pair try to build a relationship and life together in Seattle.

Elements of the screenplay for "American Heart" were based on material originally covered in the director's prior documentary film "Streetwise" (1984), such as the relationship between Dewayne and his father. Having not seen the earlier film, I cannot comment on the connection any more than that.

Not surprisingly, Edward Furlong won an award for this, and Jeff Bridges is as great as ever (he is quite the natural). It is a shame that Furlong went on to a more questionable future. One cannot help but wonder if the early success tainted his later life.

I had seen this movie years ago, but recently I bought it and viewed it again. I knew I had liked the movie when I first saw it, but this time around I loved it. It is a great drama movie with a great Father/Son relationship story. Edward Furlong is really great in this film. He plays the role the way a role like this should be played. I would recommend this movie to others who enjoy a good story and a good drama. I thought the ending was sad and personally would have enjoyed a happier ending. Great movie! Kristin

This is a dramatic, narrative film by Martin Bell, the director of the excellent documentary "Streetwise". And while it is obvious Bell was a little uncomfortable with the narrative format, it is one of the few independent films of the 1990's that doesn't suffer from the Quentin Tarantino syndrome--i.e. it is not just a pastiche of other movies the director has seen. It's clear Bell based a lot of this movie on real life. In fact, many of the characters here were obviously based on real people in "Streetwise"--the kid and his ex-con father, the tomboy lesbian, the 14-year-old amateur hooker. The movies suffers a little in comparison to early Gus Van Sant films ("Mala Noche","Drugstore Cowboy", "My Own Private Idaho")which had similar down-and-out characters and were also set in the American Northwest. But many will find this film refreshingly honest and less pretentious, at least, than some of Van Sant's films.

What really makes this film is the acting. It marked Jeff Bridges return to independent film (five or six years before "The Big Lebowski"), and his performance here makes one forgive him for the Hollywood crap he made in the 80's like "Against All Odds". Edward Furlong is also very good. I remember reading some alarmist claptrap about him in Premiere magazine around the time of this movie, about how he was dating a 30-year-old woman (oh, the horror! the horror!) and about to become another young Hollywood casualty. Well, starting with this film he ended up carving a nice little niche for himself in independent film (i.e. "Pecker", "Animal Factory"). Turns out that just because you're not starring in "Terminator 3" it doesn't necessarily mean you're sharing needles in a crack house with guys named Corey and girls named Shannen. And as a little icing on the cake this movie has a great Tom Waits theme song which you can't find any of his albums. Definitely a recommended movie.

I first heard about this movie when it was filming in Seattle, my home. Being a fan of Jeff Bridges, I had to see it when it was released. I now own it on video, and it is one of my favorites.

The Seattle locations are used well, but the basic story could happen anywhere. Ex-con Bridges tries to build a life for himself and his estranged son after his release from prison. There are subplots dealing with a pen-pal romance and Jack's ex-partner, but the focus is on the father-son relationship. What makes the film fascinating is the texture and depth of Bridges' performance. Jack is not too smart, a drunk, and flat broke. He is thrown into a harsh, uncompromising world at the very bottom rung, and somehow must find a way to survive AND stay straight. As he gradually takes responsibility for his son, Nick, he regains his self-esteem and humanity. Bridges shows us all this with humor, honesty, and zero sentimentality. He never shies away from exposing Jack's flaws, but also imbues him with a raw sort of nobility. Flashback sequences drawing a parallel between young Jack and Nick add a layer of poignancy.

There is level of verisimilitude and frankness in "American Heart" that contemporary, mainstream American movies rarely exhibit. In form it greatly resembles Dustin Hoffman's remarkable "Straight Time", but this film is about relationships, not crime. If all you want from a movie is escapism, stay away. Those who like to wander near the Edge will be rewarded.

"you keep me straight, I'll keep you straight"

Man, was Jeff Bridges excellent in this! Talk about being pitch perfect in a character who is trying to change and just having the hardest time. Subtle touches, like when he takes away the joint from his son, only to slip it into his own pocket. This is a good film, small gem. Rent it!