Once Upon a Time in China

Watched this again as an antidote to "The One". Jet Li's done some good films, some TERRIBLE films, and then again he's done a few genuine epics, like the Once upon a time in China series. These films are also among the best work of Tsui Hark.

The modern Wong Fei-Hung series contains elements of humour without being just broad slapstick (if you want kung fu comedy, rent a Jackie Chan film), but are mostly films about a troubled China where traditional values are being overwhelmed by Western style and influence. Iron-Robe Yim's line "you can't fight bullets with kung fu" resonates achingly with the failed boxer rebellion, during which chi-gung practitioners mistakenly believed they were protected from foreign guns.

Wong Fei-Hung's struggle to find an honourable, peaceful path through the collision between cultures should strike a chord with anyone who has moved on from chop-socky and realises that a kung fu movie can feature a great story as well as great cinematography.

Two of my favorite films are "One Upon a Time in America" and Once Upon a Time in the West." So naturally, I would be attracted to this film just to see if it matches the others. It does.

Jet Li stars as the legendary Chinese hero Wong Fei-Hong. He is fighting against intruders from the West. Yep, invading armies like us. The people of China are not going to give in. He is asked to train the locals in kung fu.

Things get complicated with the arrival of Wong's "Aunt" Yee (Rosamund Kwan), just back from a two-year stay in the West. She is not really his Aunt, so romance simmers between the two.

There are plenty of evildoers in this film. Gangs looking for protection money, corrupt government officials (no surprise there!), and those nasty foreigners.

You will want to watch this film more than once. Jet Li's performance, coupled with his kung fu wizardry, carries the viewer through any shaky patches. The fight scenes are the main attraction, of course, and the film delivers the goods again and again.

When most people thinks of martial arts movies, the immediate thought will be either a Bruce Lee film, or one of his countless imitations that filled the screen through the 70s and part of the 80s. And while it's true that some great films were made in those years, it's also sadly true that most were of average quality, due not only to their low-budget, but also to the fact that most were cut and awfully dubbed when shipped overseas. Being a patriot and a nostalgic, Hong Kong's legendary director Hark Tsui decided to resurrect the martial arts genre in the 90s, using one of the most respected Chinese national heroes: Wong Fei Hung. Hark's retelling of the life and times of the legendary healer and martial artist became one of the best epic stories ever filmed, the series of films known in America as "Once Upon a Time in China".

In this first chapter of the saga, we are introduced to Wong Fei Hung (Jet Li) and his China, a land who by the late 19th Century is discovering the Western civilizations and is forced to open to the world. Made leader of a team of militia warriors, Wong Fei Hung discovers that a group of Americans are kidnapping women to send to America as prostitutes. To make things worse, another Kung-Fu master, "Iron Robe" Yim (Yee Kwan Yan), arrives to town and is decided to defeat Wong Fei Hung to prove his martial arts are better. Soon the skilled warrior Wong Fei hung will experience first hand the pros and the cons of the clash of cultures his people and the newly arrived Westerners.

Written by Hark himself and his usual team of collaborators, the movie is at first sight an overtly nationalistic story of patriotism and Chinese pride, however, "Wong Fei Hung" is not only about China, as it's more about changes and adaptation than about traditionalism. Through the character of Wong Fei Hung, we see a man that is at the same time intrigued and repulsed by changes, but that has to make up his mind about if he wants to be the leader and the hero his people needs. Sure, at its core it is a tale of the adventures of China's most representative hero, but the way the story is written make the story a more complex and interesting one. Literally, a story that transcends its own film genre.

"Wong Fei Hung" showcases Hark at his best, with his defined style (influenced by comic books and the cinema of his youth) reaching its full potential and enough creative freedom to make whatever he desired. Hark delivers a film that can not only be seen as another martial arts film, but also as the epic journey of a hero facing his most difficult challenge: an inner battle with himself. With amazingly choreographed scenes and a great vision for cinematography (by a great team lead by Arthur Wong and David Chung), Hark creates an epic film on the level of Sergio Leone or John Ford. "Wong Fei Hung" is a film that surely proves that Hark Tsui is more than a mere director of action films, and that the films he did in the U.S. ("Double Team" and "Knock Off") are not really a display of his talent.

Jet Li excels at playing Wong Fei Hung (one of the most portrayed character in movie history), in a performance that captures the essence of the film without making it over the top. While not exactly faithful to the real Wong Fei Hung's fighting style, Jet Li's skills showcase his enormous talent and ability as a fighter and choreographer and every move of his is perfect. Rosamund Kwan plays Siu Qun, a young woman who falls in love with Wong Fei Hung, but only creates more confusion as while not blood-related, she is technically her Aunt (he calls her Aunt 13th). She adds good humor to the film, and makes a great supporting actress to Jet Li.

Humor is indeed an important characteristic of the movie, and Biao Yuen (who surprisingly, has little chance to show his fighting skills), Jacky Cheung and Kent Cheng make great comedic performances. While not exactly a perfect cast, it's safe to say that overall they give a good job, although the dubbing for the Westerners is remarkably bad. "Wong Fei Hung" is probably one of Hark's best films, and it's hard to find a flaw in it, as it's also one of the best martial arts films ever made. Sure, it may feel overlong at times, but the film takes advantage of its runtime as almost every detail is of importance and very few scenes feel unnecessary.

"Once Upon a Time in China", or "Wong Fei Hung", is a must-see for every fan of martial arts films, and a very recommended movie to those who dislike them. The way it transcends its own genre has proved to be influential now after the releases of "Wo Hun Cang Long" ("Crouching Tiger, Hidden Dragon") and "Ying Xiong" ("Hero"), two films that reinvigorated the old Wu Xia genre in the same way this movie did for the martial arts genre. After this, Hark found a difficult time in the U.S. (and the flops of his two films done there), but what he did in this film (and its first sequel) remains an accomplishment rarely equaled. 8/10

This movie, directed by Tsui Hark, embodied some of the best Kong-fu fight sequences to be found anywhere in the entire genre. Not only were the fights choreographed with amazing skill and dexterity, there was also supreme creativity and use of forces at work here. The angle placement of the camera was always effective and the fight scenes between the hero and his enemies are set up with admirable presence and dignity. Furthermore, the editing was bold and crisp; for the most part everything flowed very well from one scene to the next. Jet Li was unparalleled in his martial arts glamour. His stern demeanor accentuated his role as a leader and a man of principle.

Jet Li played Wong Feihong, a doctor who also happened to be renowned for his skill in martial arts. Against his will, he became involved in combating the local gang, whose rivalry and antagonism was set up by a flimsy pretext. (Apparently gang violence usually are created over the most trifle of instances) On the one hand, Feihong, had to deal with the local thugs, on the other, he had to deal with government officials and foreign mercenaries.

Along for the ride were some touching characters playing Wong Feihong's students, the stuttering Western-educated nerd and the formidably huge pork merchant. The addition of Aunt 13 to the cast added shy romance, providing a nice contrast to all the fighting and constant strife and chaos.

The movie featured a convincing historical backdrop and captured the national Chinese character well, at least, the 19th century, pre-Communist era. The music score was very nicely done and complemented the film well. At times, the movie evoked as much emotion as the characters themselves.

The only problem with this film may be its overly ambitious goals of trying to tackle everything at once. There was the sentiment of saving China from "foreign devils" as well as the sentiment that China was rotting and corrupt at its core, with the Chinese betraying the Chinese. There was also the strong sense of there being too few good men like Wong Feihong, with a strong desire to do right by his country. Over all, the movie's message was multi-layered and complex and can be confusing to the unschooled audience.

Still, this movie, made in 1991, showed off Jet Li's lyrical martial arts grace in full glory and in its best moments, takes fighting to a transcendent level.

Jet Li's done some exceptional work in China. I have not been impressed by anything he did in America. Tsui Hark's 'Wong Fei Hung' has already been stretched into several sequels of which I have only seen the first. 'Wong Fei Hung' has all the ingredients to make it an enjoyable epic movie. There is a story with a heart, some very well crafted choreography, good acting, and enough action and culture. It's set on a historical backdrop of a pre-Communist China. The characters are very well written (with the exception of the non-Chinese who act like caricature villains). Jet Li, Biao Yuen, Rosamund Kwan, Jacky Cheung and Kent Cheng all act well. It also presents some taboo elements such as Wong's affection for his 'aunt' (it was taboo during the time) but this is all skillfully underused which prevents the film from appearing too preachy. The film has several layers but it tries to tackle too many things at once and becomes unnecessarily complicated at some point. The film slightly drags in the first half and the choreography of the action scenes without the main cast looked a little shoddy. Yet, the characters are very likable and the story also offers a lot to enjoy that I am looking forward to its sequels. In my humble opinion, it's certainly one of the better martial arts films and has a lot more substance than pretentious films like 'Crouching Tiger Hidden Dragon'. the only other Tsui Hark film I've seen is the magnificent 'Chat gim' and I've liked what I've seen so far.