VALUTAZIONE IMDb
6,5/10
9474
LA TUA VALUTAZIONE
La lussuria si trasforma in amore per una donna quarantenne della classe operaia e un pubblicitario yuppie ventenne con poco in comune.La lussuria si trasforma in amore per una donna quarantenne della classe operaia e un pubblicitario yuppie ventenne con poco in comune.La lussuria si trasforma in amore per una donna quarantenne della classe operaia e un pubblicitario yuppie ventenne con poco in comune.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 1 candidatura in totale
Rachel Chagall
- Rachel
- (as Rachel Levin)
Renée Taylor
- Edith Baron
- (as Renee Taylor)
Kim Myers
- Heidi Solomon
- (as Kim Meyers)
Recensioni in evidenza
Truth to tell I only watched this movie recently because I consider Susan Sarandon one of our finest actors. Also, I'm going add, one of our sexiest actors too. Ms. Sarandon gets the most from this role by underplaying the part with most of her interpretation deriving from her facial expressions. And, I have to admit, that if she can excite a 70 year-old man with her sexual magnetism as she did me, she has it all over some of the so-called younger sexy actresses. There was one scene that bothered me though, the Thanksgiving dinner scene where Spader's Jewish family is depicted as shallow and bigoted, something like Woody Allen's family in one of his films. Also, why the director ended the picture with that hokey table-top nonsense in a crowded restaurant is beyond understanding. It detracted from the reality of the film.
there are very few romance or romantic comedies, which strike a real note for the audience, or anyone who appreciates reality and decent acting.
This film does have that. Sarandon is very good; she is a "down-at-heel" waitress, almost twenty years older than the character portrayed by Spader. Some of the interactions are amusing and sad. Her drinking, her loss of a child. Spader's background is respectable, white-collar but bored, he meets Sarandon after missing his deceased wife.
Films like this are sometimes underrated. There was not a lot of hype about this film, which is one of the reasons I like it (We do not need Hollywood to tell us what's good, i.e. "The Break Up", which was actually not good).
While the scenes with Spader's relatives were a bit stereotyped, overall there are a few good messages here. Life doesn't always work out how we want, "perfect couples" aren't necessarily happy, and the Spader character was actually quite good, not being the negative insensitive character here. Definitely worth viewing. 8/10.
This film does have that. Sarandon is very good; she is a "down-at-heel" waitress, almost twenty years older than the character portrayed by Spader. Some of the interactions are amusing and sad. Her drinking, her loss of a child. Spader's background is respectable, white-collar but bored, he meets Sarandon after missing his deceased wife.
Films like this are sometimes underrated. There was not a lot of hype about this film, which is one of the reasons I like it (We do not need Hollywood to tell us what's good, i.e. "The Break Up", which was actually not good).
While the scenes with Spader's relatives were a bit stereotyped, overall there are a few good messages here. Life doesn't always work out how we want, "perfect couples" aren't necessarily happy, and the Spader character was actually quite good, not being the negative insensitive character here. Definitely worth viewing. 8/10.
White palace has a great sexual dynamic, clearly Susan Sarandon's character (Nora Baker) is a sexually charged self confident woman who is at least 10 years or so older than James Spader's character (Max Baron). This movie shows how deep attraction and passion can change people's lives (perhaps for the better) and overcome class/personality and age differences.
The first and perhaps most noticeable aspect is one of the hottest and more believable seduction scenes in a movie, where Nora shows a raw animal passion for Max rarely shown in movies (and when it is is shown in an unfavorable light, e.g. Single White Female). Susan Sarandon pulls off this challenging scene with great passion AND dignity.
The May/December romance with the older lady is shown in a healthy light (not like say The Graduate).
But more important than the age dynamic, is the deep attraction between Nora and Max, which goes strongly across traditional cultural differences. Max is a compulsively organized widower, neat and decidedly upper-middle/upper class. Nora is more impulsive, living a less ordered existence and is lower/lower middle class. Max has conditional love for Nora, trying to change her (unintentionally acting judgemental?) by trying to help her out (e.g. buying her cleaning supplies as a "gift"). Nora teaches Max about life, and passion. This movie has a much more interesting love story than say "Pretty Woman".
The first and perhaps most noticeable aspect is one of the hottest and more believable seduction scenes in a movie, where Nora shows a raw animal passion for Max rarely shown in movies (and when it is is shown in an unfavorable light, e.g. Single White Female). Susan Sarandon pulls off this challenging scene with great passion AND dignity.
The May/December romance with the older lady is shown in a healthy light (not like say The Graduate).
But more important than the age dynamic, is the deep attraction between Nora and Max, which goes strongly across traditional cultural differences. Max is a compulsively organized widower, neat and decidedly upper-middle/upper class. Nora is more impulsive, living a less ordered existence and is lower/lower middle class. Max has conditional love for Nora, trying to change her (unintentionally acting judgemental?) by trying to help her out (e.g. buying her cleaning supplies as a "gift"). Nora teaches Max about life, and passion. This movie has a much more interesting love story than say "Pretty Woman".
It was interesting to me that it was more of a problem that she was such a slob than that she was significantly older than him. If anyone can carry off a believable and appealing older woman/younger man romance to a mass audience, it's Susan Sarandon. No other actress combines her ripe, open sexuality with such an accessible and self-assured personality. She makes sexiness respectable. James Spader does less well, not so much because of a faulty performance, but because he seems unable to break through a preternatural reserve. It served him well in "Sex, Lies and Videotape" but a little more emotionality is called for here. The sex scene when he is writhing in the throes of passion and finds a half-eaten sandwich under the bed is hilarious, not to mention the pivotal scene when he gives her a dustbuster as a gift. The future for this couple might seem unlikely, but I don't think it's any less likely than that of most movie lovers.
Max Baron (James Spader) is a successful ad executive in St. Louis. His wife Janey (Maria Pitillo) was killed in a car accident two years ago. He buys 50 burgers from White Palace (White Castle refused to give permission) for his friend Neil (Jason Alexander)'s bachelor party and discovers six empty boxes. He berates Nora Baker (Susan Sarandon) and gets his refund. Later at a bar, Max finds common suffering with Nora who lost her son to leukemia. They start an affair based on their shared losses despite their differences.
These are two good performances from great actors of interesting damaged people. The bulk of the interest probably comes from the age difference. For me, more of the interest comes from these sad lives. I would have liked a bit more Sarandon. The hardness of their chemistry is terrific.
These are two good performances from great actors of interesting damaged people. The bulk of the interest probably comes from the age difference. For me, more of the interest comes from these sad lives. I would have liked a bit more Sarandon. The hardness of their chemistry is terrific.
Lo sapevi?
- QuizRobert Downey Jr. was considered for the role of Max Baron and even screen tested with Susan Sarandon.
- BlooperIn the final scene where Max and Nora are talking at the restaurant, their hairstyles change mid-conversation.
- Colonne sonoreLove Or Money
Performed by Slater Sealove Band
Courtesy of Reata
Written by James Slater & Carl Sealove
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Pasión otoñal
- Luoghi delle riprese
- Duff;s Reataurant, 392 North Euclid Avenue, Saint Louis, Missouri, Stati Uniti(The NYC restaurant where Sarandon and Spader reunite at end)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 17.487.531 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.078.697 USD
- 21 ott 1990
- Lordo in tutto il mondo
- 17.487.531 USD
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