Tutte le manie di Bob

I loved this movie. I am sure most people would disagree with me but I would probably put it in my list of the ten best comedies I have ever seen, all time.

This is Bill Murray's best work since Ghostbusters, at least as far as comedy goes. I also liked him in Broken Flowers and Lost in Translation but those were more dramatic roles.

I loved the way that Bill Murray and Richard Dreyfuss played off of each other. I don't want to say too much or I'll give away what happens between them through the movie but I thought they did a fantastic job at creating comedic moments. The scenes where Bob horned in on Leo's family moments and right into their home were incredible. I laughed out loud through the entire movie. And it's a good family movie anyone can enjoy.

Ten out of ten from me.

It might be a little simplistic to call this "Bill Murray's Movie",because in truth,this film works just as well because it has a fantastic support from Richard Dreyfuss,Julie Haggerty,Charlie Korsmo,KAthryn Erbe and director Frank Oz. Still,you cannot watch this film without feeling like Murray's complete abandon in this film is what gives this film its pep,spark and life. This might be one of the more energized performances of his long and well-padded career.

Dr.Leo Marvin(Dreyfuss,who has settled into being the 'Uptight fuddy-dudd' roles from here,as opposed to the more restive,youthful roles of past movies like "Jaws" and "Goodbye Girl")seems to have it all. Loving wife,healthy,normal kids and a career that is on the verge of taking off:a comfortable private practice in New York and a self-help book about to be published nationwide. At the last minute,he accepts another colleague's patient(for whom he does not wonder as to why his peer is so breathlessly trying to pass this patient off to him):one Bob Wiley(Murray). Bob doesn't have anything wrong with him;he has MANY things wrong with him. Multiphobic,clingy and more than a little under-developed in his sense of emotional attachment,Bob misreads the good doctor's brush off(As the doctor gets ready for a Labor Day getaway with his famille)as being a cure-all,and is immediately smitten with the doctor's methods,approach,diagnosis and treatment. He decides he's going to insinuate himself into Dr.Marvin's life(in somewhat of a mixture of gratitude and need),and follows him to the rural,New England lakeside vacation where the Marvins are staying.

Alvin Sargent and Laura Ziskin's story and script make the actors' moves and lines so easy you'd almost think there were elements of improvisation. But Murray and Dreyfuss are(and not to belabor a point here but...)the key here. Murray's socially oblivious and free sense of bonding clashes DRAMATICALLY with the button-down professionalism of Dreyfuss' doctor,and as Muray thinks himself "Better",Dreyfuss' shrink seems to be getting worse,confounded by his unwanted patient's persistence and loyalty. While the unabashed enthusiasm of Murray's character might drive away some viewers who might see this as "annoying" or "too much", Murray fans and,I think,fans of sort of odd,non-formula comedies will DEFINITELY appreciate the whole story and rhythm of this film. Perhaps it's a bit too early to state this(though this film,which I first caught in the theaters in first release sixteen years ago,has had more than a decade to simmer in the memories of moviegoers),I feel this is something of a modern comedy classic. I've seen this film no less than three times and,to chime in with an IMDb message board poster,this IS a truly re-watchable movie.

Bob Wiley (Bill Murray) is a wacky oddball. Doctor Leo Marvin (Richard Dreyfuss) is a confident NY psychotherapist who is looking forward to a "Good Morning America" appearance to push his book. A colleague pawns Bob off to Leo as a new patient. Bob is immediately attached to Leo and his book's advise of Baby Steps. When Leo tells Bob that he's going on vacation with his family, Bob can't take it and tracks him down. Leo thinks his life is great, but not everything is going as well as he supposes. His townie neighbors hate him. His son is afraid to dive. His daughter hates to be over-analyzed and has normal boy troubles. His wife could do with more consideration from Leo. And worst of all, everybody loves Bob.

Bill Murray and Richard Dreyfuss make for a great odd couple. They are both doing something within their skill sets. Bill Murray is especially wacky in this, and Dreyfuss plays annoyed very well without being completely unlikeable. One could certainly understand Leo's point of view, but it's also obvious how wrong he is.

l wasn't sure if I wanted to give this movie 7 or 8 points till seeing the last 20 minutes. There Richard Dreyfuss has been in full cry. I needed to laugh so hard, that I am forced to give this movie 8 points. As a movie itself, if I use all criteria I use on other films, this movie would not deserve 8 points. The story is predictable (I knew exactly how it was going to end from the very beginning), camera work, music and characters are not actually special. All has been there before, and was copied again and again afterward. But as a comedy, this movie totally did what it was supposed to do. It was absolutely hilarious!

Sometimes the humor was a bit too silly, and Bill Murray has been overdoing it from time to time - and I still needed to laugh my butt off. Watching the way smaller Dreyfuss beside the tall, dumb looking Bill, screaming and shouting like an angry dwarf, was a way too funny image.

What About Bob features very entertaining performances from both Bill Murray and Richard Dreyfuss, but I can't help but sympathize with Dr. Leo Marvin. After all, an unstable patient he barely met is entering his home, but everyone else acts as if it's totally fine. It stressed me out a bit. Nevertheless, I was still able to laugh at the absurdity of it all.