Sotto massima sorveglianza

After a successful robbery nets approximately $25 million in diamonds, "Frank Warren" (Rutger Hauer) is then shot and left for dead by his fiancé, "Noelle" (Joan Chen) and best friend "Sam" (James Remar). Unfortunately for his accomplices, not only did they not kill him but he also managed to hide the loot before being double-crossed. Complicating matters even further, after Frank's recovery he is then sent to a special high-security prison which contains both male and female convicts and uses a state-of-the-art collar known as a "wedlock" which is electronically linked to another prisoner whose identity is unknown. As long as both prisoners remain within the perimeters of the prison they are safe. But if either of them venture beyond 100 yards from each other their collars emit a warning sound giving them just seconds to correct the situation before exploding and killing both of them. As is so happens, however, a female prisoner named "Tracy Riggs" (Mimi Rogers) has discovered that Frank is her wedlocked partner and after informing him they manage to escape the prison with several people-including Noelle and Sam-following closely behind. Now rather than reveal any more I will just say that this was a fun futuristic movie which benefitted from the brisk pace and fine chemistry between Rutger Hauer and Mimi Rogers. I especially liked the dry sense of humor exhibited by Frank throughout the film as well. That being said, I heartedly recommend this film to any viewers who might be interested and have rated it accordingly.

I have to admit that the pairing of Rutger Hauer (at 47, chubby, charming, and, unfortunately, locked into 'B' movies) and Mimi Rogers (at 35, gloriously sexy, and about to appear her most controversial film, THE RAPTURE) is the best aspect of this light but entertaining 'heist/chase' flick, set in the near future, which is aired as both WEDLOCK and DEADLOCK.

The premise is basic; a non-violent jewel thief, Frank Warren (Hauer) teams with his fiancé (a hyperactive Joan Chen) and best friend (sadistic James Remar) to break into several safety deposit boxes at a high-security bank, stealing, among other goodies, $25 million in diamonds. Despite Remar's tripping the bank's alarms, Hauer manages to escape and stash the diamonds...only to be betrayed, and shot, at the rendezvous point, by his partners (who must have been pretty remorseful when they discovered the diamonds weren't on him!)

Flashforward to Warren's arrival at Camp Holliday, a prison that utilizes explosive-filled 'wedlock collars' (a la THE RUNNING MAN) to maintain order. Each wearer has an unknown 'partner', and if they are separated by more than 100 yards, Ka-BOOM!, two headless prisoners. The genial Warden Holliday (Stephen Tobolowsky) brags of his 'perfect' record, but takes an immediate interest in the welfare of Warren (prison name, Magenta), and more importantly, his (as yet undiscovered) stash of diamonds.

When sexy convict 'Ivory' (Rogers) informs Warren that she is his wedlock 'partner', he is justifiably skeptical, but the pair manage to escape Camp Holliday, heads intact, and are soon on the run from Holliday, the police, and Warren's ex-partners...while still wearing the bombs around their necks.

Is Ivory actually Holliday's pawn? What is her purpose for escaping THIS weekend? Will Warren's ex-partners capture and torture them to recover the diamonds? And, most importantly, how long will we have to wait before Warren and Ivory admit their mutual attraction, and find a way to rid themselves of their collars?

With some genuinely funny moments, a tongue-in-cheek approach to the fairly standard plot elements, and, best of all, Hauer and Rogers' easy chemistry together, WEDLOCK is more enjoyable than you might expect.

While it isn't BLADE RUNNER, it isn't BATTLEFIELD EARTH, either!

Wedlock is one of those shamelessly trashy B-movie romps that the 80's proudly churned out in droves for our viewing pleasure. Some are shitty and enjoyable, some are just shitty, and some are solid gems, provided you've been schooled a bit in this particular, acquired taste of an arena. I spent a lot of my teenage years being a scholar in this sort of lovable junk, so I have plenty of ancient data in my mental hard drive to dust off for the old blog- ski. Rutger made quite a few ventures into this field (come to think of it most of my favourite actors have. Wonder what that says about my taste lol). He's got genre written all over his acting style, and loves to play broad characters in stylized fare. Here he plays Frank Warren, an amiable jewel thief who is betrayed in an opening sequence heist by his dodgy partner Sam (James Remar), and rowdy girlfriend Noelle (Josie Packard- I mean Joan Chen). He's sent to an amusingly 'futuristic' penitentiary where they implement prisoners with a unique system: each prisoner is fitted with a collar, each collar has a twin collar, and if the two get several miles apart, both detonate rigged explosives and messily decapitate the pair of unlucky inmates. They are not aware who has their twin collar, making escape a risky notion indeed. It's exactly the type of high concept buffoonery that trademarks these type of outings, and it's played for both suspense and laughs very nicely. Frank escapes, dragging along the woman who wears the twin collar (Mimi Rogers), pursued hotly by Sam and Noelle who want to find the diamonds that he hid shortly before his arrest. It's a prison flick, it's a chase flick, with its own kooky, offbeat sense of style. Hauer is usually so intense he looks like he's gonna implode in on himself, but here he gives a very laid back, slight and funny performance, which gives the film it's refreshingly upbeat feel. Remar and Chen are bouncing balls of energy as the dastardly couple out to ice Frank, riffing off each other and cheerfully chewing scenery. Watch out for an early career appearance from Danny Trejo, as well as work from Glenn Plummer and Stepehn Tobolowsky as a hard ass warden who gets the best line of the film: "You non-conformists are all the same". That alone encapsulates the irreverent, tongue in cheek tone that's a nice switch from the usually dank, oppressive atmosphere that second tier action flicks often get saddled with. Oh, and I want the number of Hauer's wardrobe outfitter; those fluffy, technicolor wool sweaters are a sideshow unto themselves.

DEADLOCK (1992 - MADE FOR CABLE TV) **1/2 Rutger Hauer, Mimi Rogers, Joan Chen, James Remar, Stephen Tobolosky.

Pretty good futuristic action/crime story with prisoners (Hauer and Rogers, make a fine couple) fitted with collars that can cause their heads to be blown off (a la Schwarzenegger's "The Running Man") as they pursue their double-partners in crime. Best scene : after days of solitude the greedy warden, wanting to know where Hauer has hidden some stolen loot, opens a door where Hauser - up to his neck in water - tells him: "North Pole...ask for Santa" and laughs maniacally.

Rutger Hauer's movies tend to be better than one would expect from genre pieces, often because of a special feel for atmosphere and quirk. Deadlock was one of the first movies to feature the newer, heavier Hauer, who uses his heft to the advantage of his characterization, creating a slightly ridiculous figure (who goes from a ludicrous pony-tail for his duel-to-the-death to a sort of swami outfit to something that looks like it ought to be upholstering a chair in a whorehouse) who is not quite up to the circumstances he finds himself in, but perseveres anyway. Smart, but hardly a criminal mastermind, his Frank is teamed with an especially charming Mimi Rogers. Hardly surprising that they go from insults to clinches, but it is appealing that the main thing keeping them apart (their abysmal track records in romance) is what, thanks to empathy, helps bridge the differences between them. The sci-fi gimmick here is really beside the point. What counts is the presence of several skillful actors and their deftly drawn characters. Stephen Tobolowsky is especially amusing, and he has the movie's best line: "You nonconformists are all alike."