Urga: Territorio d'amore

I had to embrace my aunt after seeing this movie for having brought me to see it. The images are beautiful and the relationships are, at times, complex but always touching. Never have I experienced a filmmaker able to capture the beautiful humanity of each of his characters and their gestures. This film is a treasure and quite possibly my favorite film of all time.

One of the best films I know: beautiful, pensive, playful, realistic, poetic, humane, up-lifting. In the barrage of trash, one of the few films that makes me believe in humanity. I love this film so much that I arranged home projections for my friends several times. With all the up beat that I am mentioning, it is very open and truthful. Where in an American movie could you see an on-screen slaughter of a real lamb? And it was not ugly or gory at all! On the contrary, it was very decent and sensitive, teaching us respect for Nature.

And another little point. Has anybody noticed the inconspicuous little voice-over at the end which essentially makes "Urga" science fiction?!

Urga is an excellent example of the magic of film in allowing people of very different cultures to communicate their various realities and common humanity. To someone like myself coming from a "modern developed culture", I found this tale of a culture that has only recently experienced the impact of "western" society, an entrancing and wonderful experience. It is visually beautiful, frequently wildly funny and life-affirming. For an unusual and extremely accessible film experience - or as a primer for the intending visitor - Urga can be heartily recommended.

What Mikhalkov and his actors did here is unbelievable. I mean, let aside the immense value of this film, I keep wondering how did they do that? How the hack came such an idea to them, to make such a...how should I say, different, crazy, enormous movie ? How did they make those kids play such terrific performances?! Not one of them, but three...You will say that they weren't really uneducated kids from the steppes but educated kids with school that were just acting. Yeah, but how the hell can a kid from the city slip under the skin of a character that lives his entire life in the steppe?! And the performance of Vladimir Gostyukin is nothing less than BRILLIANT. Stands on the same level with the great performances of the great American and British actors, I mean Hanks, Hackman, Hopkins, etc. Oh, it was so easy to screw it up, this movie. A good straight old American movie with this theme would have been like this : the guys are living in the steppe, poetry, here comes the Russian, communication, friendship, then the balance is disturbed, violence come, outside forces that try to ruin the life of the characters, the characters fight, win, the Russian leaves, they say goodbye, they cry, last shot, the Russian appears at the horizon to see them again. Nothing like that in this movie. It is SOOO smart!!!!! Bravo for the Golden Lion, perfectly deserved!

"Close to Eden" (Russian, 1992): Living on the simple, harsh, flowing Steppes of China/Mongolia, we meet a traditional family. By the photography and music, it's clear from the start that we should to accept, if not admire, their difficult but very satisfying life. Yes, there are signs of contemporary urban society – the young son wears a baseball cap, the daughter plays the accordion, and the wife wants her husband to travel to the nearest city for condoms (they are already over the legal limit of children), and a television. Eventually in the position of helping a stranded Russian truck driver, the husband travels with him to an urban "center" and deals with "city" life. "Close to Eden" patiently mutates from a beautifully straight forward "document", to one full of symbols - not just the threat of encroaching urban blight, but reminders of their proud racial past. Eventually narrated by the fourth son (any more than two is illegal in rural China), and named after the great Genghis Khan, he completes the story long after his grandmother, parents, and original hut are gone.