Toto le héros - Un eroe di fine millennio

This movie is sheer visual poetry. Although it is in subtitles and I don't speak a lick of French, I found myself not needing to read the subtitles as the visuals told the entire story. This is rather impressive, as the story is very complicated. It tells the tale of one man's life by interweaving four different elements of his life: Childhood, Middle-Age, Old-Age, and a Film Noir Fantasy World. To give it even more of a chance of being confusing, these elements are not shown chronologically. However, "Toto..." is not confusing at all. It pulls off this complicated plot beautifully. This movie truly is a Modern Day Classic!! DVD? When? Criterion Edition!

Thomas is a bitter old man who feels he has been cheated out of the life that was rightly his because he and another boy were switched at birth during a fire at the hospital. Alfred, the other boy, lives a life of privilege and becomes rich. Thomas is jealous. But in another sense Thomas needs to believe that he was switched because he falls in love with his sister Alice. If he really was switched, they are not related.

This is just one of the ironic witticisms spun out by Jaco van Dormael, who wrote and directed this striking and totally original bit of life triumphant. Veteran French actor Michel Bouquet plays Thomas as an old man, sneaking cigarettes in the old folks home, reliving his memories, plotting his revenge. Jo De Backer plays Thomas as a slightly nerdish young man, consumed by the loss of his beloved sister in a fire when she was about eleven or twelve. One day by accident he spots a woman who reminds him of his sister. He follows her, they fall in love, and it turns out she is married to Alfred! Thomas Godet plays the little boy Thomas with charm and a touching vulnerability. He is picked on and bullied by Alfred and his friends who taunt him with, "van Chickensoup!" (I wonder if the French Academie approves of this vulgar Anglais.) Sandrine Blancke plays Thomas's cute and impish older sister. Mireille Perrier plays Evelyne, who is the woman who reminds Thomas of his sister.

In a sense this is a romantic comedy, but be warned that in the French cinema a hint of incest is seldom looked on as shocking, rather as something almost akin to nostalgia. And certainly every woman should have a lover and every man a mistress. In another sense this is an art film that plays with time, using both flashbacks and flash forwards to present a story filled with spooky coincidences, punctuated with fantasy and a kind of naturalistic glorification of life epitomized in the catchy tune, "Boom!" that weaves its way in and out of the story, a tune you might have trouble getting out of your head, so be forewarned. ("Boom! When your heart goes boom! It's love, love, love!" written and performed by Charles Trenet.) There is also as aspect of sentimentality, especially in the resolution, that provides a sweet contrast with the naturalistic pathos. When the words that Alice spoke as a child is reprised by Evelyne (although she could not have known what Alice had said) we are delighted, and Thomas is a little rattled.. ("Do you like my hands?" she asks, holding them up. "Which hand do you prefer?")

The bitter old man learns that he really had the better of it all along (and so he does somewhat the opposite of what he had intended) and indeed we in the audience realize that how we might feel about life, looking back on it, might really just depend on how we choose to feel about it. Dormael's message seems to be that love makes life worth living. We are left with the sense that there is a time for love, and that time passes, and we have to accept that and celebrate the memory.

Best scene: Ten-year-old Thomas sees his perhaps 11-year-old sister rising out of the bath tub. (We see only his widening eyes; this is a discreet movie.) He says, "I...didn't know you had breasts." She replies (deadpanning the pride of a pre-adolescence girl), "I thought you'd read about them in the newspapers."

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A hearty recommendation for this film, which deftly kaleidoscopes time. Three actors portray one life at various age stages, through them we see the innocence of childhood and the guilt of autumn years are two sides of the same coign of vantage.

The creative imagination of the protagonist (and the director) are well framed...and it was reassuring that some of the magic that our hero, Thomas, felt as a child stays with him throughout his life, and this film.

Minor caveats for people who

1) dislike non-linear time in a film

2) voice-over narration

But the distinct actors/times make #1 no problem here, better yet the dissolves between them are often lyrical...and I think more accurate to how we remember our time in this world.

Reaffirmed my belief of the power in charged details (shoes in a closet, a pop tune, candy wrappers) and my faith in the beautiful complexity of a simple life.

Although I'm from Belgium I don't consider myself as biased to review Toto Le Héros. Jaco Van Dormael is a great director and Toto Le Héros was his first movie that got international attention, and for a good reason. The story is about a man holding a lifetime grudge, his life is only focussed on his neighbors success which he can't get over it. It's a simple story that goes back an forth in the future, past and present, beautifully narrated by Michel Bouquet that has an enjoyable voice to listen to. The acting of the whole cast is on top, from the youngest to the eldest they all gave a very good performance. Jaco Van Dormael will later have another huge movie that was nominated for a Golden Globe, Le Huitième Jour, where he again gave the autistic actor Pascal Duquenne a chance to show he can act, only this time as the major character. Jaco Van Dormael doesn't make tons of movies, but he makes significant ones. Toto The Hero is one of the movies that put Belgium on the map for cinema. Good movie that will please most of his audience.

Jaco Van Dormael conjures up (he was a magician and a clown) one of those films that because of their formal beauty and intelligent content deserve to be seen more often but are not. The film is full of internal echoes, images that resurface under different contexts, and make you rethink them again and again (dare I say like in Citizen Kane?). As if that were not enough, there are many other resonances to genres and specific films that will make film buffs laugh with excitement: quotations to gangster films, to Hitchcock, to Bunuel, etc. are all there to be discovered and enjoyed. Alan Moore would be smiling at the construction of this beautiful crystal web that is the narrative of this film. See it and rejoice...