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6,0/10
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LA TUA VALUTAZIONE
La cittadina di Anarene, in Texas, si prepara per la sua celebrazione del centenario e Duane Jackson e Jacy Farrow si incontrano di nuovo dopo trentadue anni, sfidando l'equilibrio delle lor... Leggi tuttoLa cittadina di Anarene, in Texas, si prepara per la sua celebrazione del centenario e Duane Jackson e Jacy Farrow si incontrano di nuovo dopo trentadue anni, sfidando l'equilibrio delle loro vite nella mezza età.La cittadina di Anarene, in Texas, si prepara per la sua celebrazione del centenario e Duane Jackson e Jacy Farrow si incontrano di nuovo dopo trentadue anni, sfidando l'equilibrio delle loro vite nella mezza età.
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10J_Knox
Texasville is easily one of my favorite movies of all time because it doesn't go down the easy road, trying to please everyone, by being the same movie as Last Picture Show was. However, after having seen both Picture Show and Texasville back to back I noticed how surprisingly similar in context and theme they are. Both are about sad adults who look longingly onto the younger generation, all the while committing adultery as a way of recapturing their youth. I love both Picture Show and Texasville equally; but have a soft spot for Texasville because I was 11 during the timeframe shown in the movie, and 17 when it came out in 1990 so it is a bit more relevant to me. Also the dark humor helps make the film more enjoyable for those hot summer nights when the urge hits me to see it.
I've never thought of Texasville as fiction, more as cinematic fact. It's about as close to real life as you'll get without living it yourself. It was one of the first films I saw in a theatre as a cinema "connoisseur" and it'd be a shame to let it fade into obscurity. I highly recommend it to anyone reading this, a true minor masterpiece
I've never thought of Texasville as fiction, more as cinematic fact. It's about as close to real life as you'll get without living it yourself. It was one of the first films I saw in a theatre as a cinema "connoisseur" and it'd be a shame to let it fade into obscurity. I highly recommend it to anyone reading this, a true minor masterpiece
Good sequel to the superb The Last Picture Show, also directed by Peter Bogdanovich, 19 years earlier. Whereas The Last Picture Show dealt with the decline of small-town America, Texasville shows it still exists, but barely. Focuses on the lives of several middle- aged people, mostly the main characters from The Last Picture Show, and how their hopes and dreams have faded and reality is less pleasant.
The feeling of nostalgia, of tedium, of lives going nowhere, yet hope within that emptiness, is tangible. Among this drama, there is great humour, however.
Superb performances all round. This role was probably the one that turned Jeff Bridges into the downtrodden, bedraggled anti-hero, and launched countless roles for home. Cybill Shepherd is solid as Jacy. Next to Bridges, the star turn belongs to Annie Potts who is simultaneously beautiful, funny, sassy and intelligent as Karla.
Ultimately doesn't really make as big an impression as The Last Picture Show, and sort of fizzles out towards the end. The destination is quite tame, but the journey is worth taking.
The feeling of nostalgia, of tedium, of lives going nowhere, yet hope within that emptiness, is tangible. Among this drama, there is great humour, however.
Superb performances all round. This role was probably the one that turned Jeff Bridges into the downtrodden, bedraggled anti-hero, and launched countless roles for home. Cybill Shepherd is solid as Jacy. Next to Bridges, the star turn belongs to Annie Potts who is simultaneously beautiful, funny, sassy and intelligent as Karla.
Ultimately doesn't really make as big an impression as The Last Picture Show, and sort of fizzles out towards the end. The destination is quite tame, but the journey is worth taking.
With the exception of Timothy Bottoms and Cloris Leachman, and the addition of Annie Potts, the acting fell far short of its predecessor, The Last Picture Show. I felt as if fading legends returned for one last curtain call, leaning upon greying memories of better times rather than reaching in and dusting off their talents. Bottoms and Leachman were, again, superb. Quaid was immediately tiresome.
Another note: the sound (not soundtrack) left something to be desired - many scenes had background levels that over-rode the centerpiece of attention. I watched it twice and still was distracted by it. Reviewing the Soundman's credits (over 300 items), I was unable to discern if this film was a fluke or if it was his trademark - because none of the listed items had I ever had the inclination to watch.
So, overall, this is a 3 of 10, unless you catch it for Bottoms, Leachman and Potts.. then an 8.
Another note: the sound (not soundtrack) left something to be desired - many scenes had background levels that over-rode the centerpiece of attention. I watched it twice and still was distracted by it. Reviewing the Soundman's credits (over 300 items), I was unable to discern if this film was a fluke or if it was his trademark - because none of the listed items had I ever had the inclination to watch.
So, overall, this is a 3 of 10, unless you catch it for Bottoms, Leachman and Potts.. then an 8.
On first viewing I would have voted a 5. But something stuck with me and I've watched the movie - studied the movie - about 8 or 9 times now ... in three weeks. Texasville is brilliant. True to 80s American oil country livin', wonderfully shot to capture big-sky light, and so full of detail one or two or even three viewings are not enough. I'd say the density of nuance is easily twice the standard movie average. That many will dislike this movie is not surprising. Contrary to first impressions, Texasville is not popular culture. As a cut above, this movie will fly right on by most viewers - particularly those many who will not or cannot relate to anything in it. But for those of us who've lived some Texasville ... many thanks are owed Peter, Larry, Cybil, Jeff and the rest.
Having never had the patience or the time of sitting through The Last Picture Show, I picked this movie up on a whim. I had seen once several years ago with my family and remembered it as being OK. For some unknown reason, I came across it at Amazon.com and decided to order it to watch it again. The second time I watched it, I enjoyed it, but some of the nuances of the movie seemed to be lacking. I suppose if I had seen the original movie I might have had more of an idea of what some of the plot twists meant. Annie Potts is at her best here playing the wife of the main character. Cybill Shepherd's character (Jaycee) while having just suffered the loss of a child seemed even more emotionless than one would expect after sustaining such a loss. I did enjoy the location of the movie (Texas) and the craziness of small town living.
Overall the ensemble cast is decent, but the movie is somewhat long and tends to drag. There's also not much resolution at the end which disappointed me (I liked my movies to end with a nice wrap up or a decent "pull-together" at the end). If you enjoy any of the actors, it's worth watching.
6/10
Overall the ensemble cast is decent, but the movie is somewhat long and tends to drag. There's also not much resolution at the end which disappointed me (I liked my movies to end with a nice wrap up or a decent "pull-together" at the end). If you enjoy any of the actors, it's worth watching.
6/10
Lo sapevi?
- QuizEllen Burstyn didn't want to reprise her role as Lois Farrow from L'ultimo spettacolo (1971) in this movie.
- BlooperAt the beginning of the centennial parade, a half-built Ferris wheel with no cars attached can be seen in background; several minutes later, it's fully operational.
- Versioni alternativePioneer released a three disc special edition laser disc of the film that included Bogdanovich's director's cut, which runs about twenty-five minutes longer than the theatrical cut.
- Colonne sonoreOn the Sunny Side of the Street
Written by Jimmy McHugh and Dorothy Fields
Published by Ireneadale Publishing Co., Aldi Music Co., Shapiro Bernstein & Co. (ASCAP)
Performed by Willie Nelson
Courtesy of CBS Records Music Licensing Department
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 2.268.181 USD
- Fine settimana di apertura Stati Uniti e Canada
- 823.534 USD
- 30 set 1990
- Lordo in tutto il mondo
- 2.268.181 USD
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