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6,0/10
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LA TUA VALUTAZIONE
La cittadina di Anarene, in Texas, si prepara per la sua celebrazione del centenario e Duane Jackson e Jacy Farrow si incontrano di nuovo dopo trentadue anni, sfidando l'equilibrio delle lor... Leggi tuttoLa cittadina di Anarene, in Texas, si prepara per la sua celebrazione del centenario e Duane Jackson e Jacy Farrow si incontrano di nuovo dopo trentadue anni, sfidando l'equilibrio delle loro vite nella mezza età.La cittadina di Anarene, in Texas, si prepara per la sua celebrazione del centenario e Duane Jackson e Jacy Farrow si incontrano di nuovo dopo trentadue anni, sfidando l'equilibrio delle loro vite nella mezza età.
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10J_Knox
Texasville is easily one of my favorite movies of all time because it doesn't go down the easy road, trying to please everyone, by being the same movie as Last Picture Show was. However, after having seen both Picture Show and Texasville back to back I noticed how surprisingly similar in context and theme they are. Both are about sad adults who look longingly onto the younger generation, all the while committing adultery as a way of recapturing their youth. I love both Picture Show and Texasville equally; but have a soft spot for Texasville because I was 11 during the timeframe shown in the movie, and 17 when it came out in 1990 so it is a bit more relevant to me. Also the dark humor helps make the film more enjoyable for those hot summer nights when the urge hits me to see it.
I've never thought of Texasville as fiction, more as cinematic fact. It's about as close to real life as you'll get without living it yourself. It was one of the first films I saw in a theatre as a cinema "connoisseur" and it'd be a shame to let it fade into obscurity. I highly recommend it to anyone reading this, a true minor masterpiece
I've never thought of Texasville as fiction, more as cinematic fact. It's about as close to real life as you'll get without living it yourself. It was one of the first films I saw in a theatre as a cinema "connoisseur" and it'd be a shame to let it fade into obscurity. I highly recommend it to anyone reading this, a true minor masterpiece
Some worthwhile performances here. The film does suffer from comparisons to "The Last Picture Show". That film was astonishing in its originality and has become iconic. "Texasville" neither aims so high, nor lands so hard. Nonetheless, the whole atmosphere of sadness calls to mind TLPS, as does the lack of a musical score, the only background being radios or whatever that the characters also hear. The adult characters, who were teen-agers in TLPS never seem to have grown up. At all. As Ebert said, I wonder what Sam the Lion would think of all these people. I seem to have missed all the sex going on in the '50's (OK wasn't born yet) and missed it again in the 80's. Maybe I'll catch that train SOMEDAY.
Jeff Bridges put in a great performance here, just as he always does. He never seems to play a character you don't believe. This in films as disparate as this one, "The Fabulous Baker Boys", and, say, "The Big Lebowski". Cybill Shepherd was very good and very beautiful. It probably took some amount of courage for a former model/beauty queen to take this role, that explicitly compares her middle-aged looks to her youthful pulchritude. I thought she still looked great. (But then, I'm middle-aged) Cloris Leachman showed her dramatic talent to wonderful effect. But, saving the best for last, I thought Annie Potts basically stole the show. She was gorgeous, and she so totally nailed her character. Acting doesn't get much better than this.
Anyone who liked TLPS (and that's almost everyone) should see this sequel. But don't carry into it unrealistic expectations.
Jeff Bridges put in a great performance here, just as he always does. He never seems to play a character you don't believe. This in films as disparate as this one, "The Fabulous Baker Boys", and, say, "The Big Lebowski". Cybill Shepherd was very good and very beautiful. It probably took some amount of courage for a former model/beauty queen to take this role, that explicitly compares her middle-aged looks to her youthful pulchritude. I thought she still looked great. (But then, I'm middle-aged) Cloris Leachman showed her dramatic talent to wonderful effect. But, saving the best for last, I thought Annie Potts basically stole the show. She was gorgeous, and she so totally nailed her character. Acting doesn't get much better than this.
Anyone who liked TLPS (and that's almost everyone) should see this sequel. But don't carry into it unrealistic expectations.
On first viewing I would have voted a 5. But something stuck with me and I've watched the movie - studied the movie - about 8 or 9 times now ... in three weeks. Texasville is brilliant. True to 80s American oil country livin', wonderfully shot to capture big-sky light, and so full of detail one or two or even three viewings are not enough. I'd say the density of nuance is easily twice the standard movie average. That many will dislike this movie is not surprising. Contrary to first impressions, Texasville is not popular culture. As a cut above, this movie will fly right on by most viewers - particularly those many who will not or cannot relate to anything in it. But for those of us who've lived some Texasville ... many thanks are owed Peter, Larry, Cybil, Jeff and the rest.
Sometimes I actually think I like it better than THE LAST PICTURE SHOW but that's only now, after having seen TEXASVILLE, oh, fifteen, twenty times.
It's too easy to blow this movie off as being strange and not making sense -- I see that as its strength; it's *real*. It's oddly real, it's real in a way that most movies aren't; nothing ties up, there's no plot arc, people don't do what they're supposed to. But if you watch it as evidence of McMurtry's genius characterization, you'll see that the people in this film are tremendously human, and weird and flawed.
Annie Potts as Duane's wife Karla is really the standout performance in this sequel, though the rest of the principal cast from PICTURE SHOW are, IMHO, just as spectacular here. Potts adds something to the mix that allows a unique perspective on this weird little town, and, like Duane, you see her for all her flaws and you love her just for putting up with you.
And, really, is there *anything* sadder than Jacy wooing Duane's dog away?
See this film more than once before you judge it; that's all I've got to say.
It's too easy to blow this movie off as being strange and not making sense -- I see that as its strength; it's *real*. It's oddly real, it's real in a way that most movies aren't; nothing ties up, there's no plot arc, people don't do what they're supposed to. But if you watch it as evidence of McMurtry's genius characterization, you'll see that the people in this film are tremendously human, and weird and flawed.
Annie Potts as Duane's wife Karla is really the standout performance in this sequel, though the rest of the principal cast from PICTURE SHOW are, IMHO, just as spectacular here. Potts adds something to the mix that allows a unique perspective on this weird little town, and, like Duane, you see her for all her flaws and you love her just for putting up with you.
And, really, is there *anything* sadder than Jacy wooing Duane's dog away?
See this film more than once before you judge it; that's all I've got to say.
Well, I want to know what the hell happened how can this movie be the sequel to the wonderful "Last Picture Show". "Picture Show" gave us an excellent story and compassionate characters. "Texasville" is awful, Cybil Shepard is so annoying as Jacy and who cares about her pathetic life now...she was a spoiled brat in "picture Show" and in this she is the same but now she is a lead character, in the "Last Picture Show" she was a side character as is Jeff Bridges character Duane. Timothy Bottoms was the star and in "Texasville" he is nothing, his story line is awful. He just wonders around with a tired head and a sad lonely life. Maybe Timothy Bottoms does do a good job looking sad, lonely and depressed I wonder why??. Sonny was so great in "Picture Show" why didn't he get a decent story?? Why is there no story in Texasville at all. The big thing is Duane is in debt and him and Jacy are in a stupid play together. I don't think they even mention that Jacy and Sonny ran off and got married or if they did mention any thing from the past it was short and sweet like the love story between sonny and cloris leachman character, Ruth Popper what happened there. She says "He loved me once" so now he stays in my trailer and she exercises all the time in the movie maybe because she once was married to a gym teacher who knows maybe somewhere there is symbolism but unfortunately I never cared enough to look. The movie has a small climax where I think Sonny might have attempted suicide well then jeff bridges suggest that they all go and get breakfast at the local DQ and everything will work out. Of course the viewer never finds out because that would have been to hard to put substance into this movie. So La DI Da it's over. I mean I know Cybil Shepard and Jeff Bridges are the most popular actors in the movie but to move so far away from the original and really just make a depressing sad little movie. Everybody is having affairs and all the kids are brats no wonder this is the most dysfunctional town in the world. I wasted two hours on this film and now I have to go rent the original to get this bad taste out of my mouth from Texasville.
Lo sapevi?
- QuizEllen Burstyn didn't want to reprise her role as Lois Farrow from L'ultimo spettacolo (1971) in this movie.
- BlooperAt the beginning of the centennial parade, a half-built Ferris wheel with no cars attached can be seen in background; several minutes later, it's fully operational.
- Versioni alternativePioneer released a three disc special edition laser disc of the film that included Bogdanovich's director's cut, which runs about twenty-five minutes longer than the theatrical cut.
- Colonne sonoreOn the Sunny Side of the Street
Written by Jimmy McHugh and Dorothy Fields
Published by Ireneadale Publishing Co., Aldi Music Co., Shapiro Bernstein & Co. (ASCAP)
Performed by Willie Nelson
Courtesy of CBS Records Music Licensing Department
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 2.268.181 USD
- Fine settimana di apertura Stati Uniti e Canada
- 823.534 USD
- 30 set 1990
- Lordo in tutto il mondo
- 2.268.181 USD
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