Custer figlio della stella del mattino

I generally find Gary Cole rather uninteresting as an actor. But he does a good job in edgy roles, like Jeffrey MacDonald in "Fatal Vision" and George A. Custer in "Son of the Morningstar." The movie has its flaws. It takes too long to get going and I found the Indian narrative tiresome.

But it provides the most accurate Hollywood depiction of the events leading up to Custer's last battle and of the battle itself. Cole portrays Custer as a driven man, but not the madman of "Little Big Man" or the saint of "They died with Their Boots On." And it accurately captures the scenery of the Little Big Horn, not the bizarre desert setting of "Custer of the West." Most details, some not so well known, are handled accurately. Custer's men did not have sabers with them (little did Errol Flynn know). Custer refused gatling guns because they were too cumbersome to haul over the hilly areas the cavalry was expected to cover quickly. Custer couldn't see the Indian village from a distance when it was pointed out to him by his scouts. Custer hastily made his plan of battle after being informed Indians had taken some lost supplies and, thus, discovered his whereabouts. All of this comes out in the movie, so that we don't just get the standard Hollywood Custer-as-egotistical-glory-seeker story. The real story was far more involved than most people realize, and this film portrays most of those events. The film also shows that Custer's Last Stand was a combination of orderly resistance and chaos, as Indian witnesses contended.

The film also does a good job with some of the other characters; Crazy Horse, Tom Custer, Major Reno, Captain Benteen and Captain Weir. Where the film misses out, in my opinion, is its failure to adequately depict the events involving Reno and Benteen during the battle. The film does an excellent job with Reno's charge, dismount and retreat to the bluffs, and with Weir's attempt to rescue Custer. But it should have gone further. The film has Weir's company merely returning to the reinforced bluffs. What we don't see is that Reno and Benteen actually mounted a slow moving trek following Weir's path, and all were forced to retreat to their original position where they fought valiantly into the night, while some soldiers who were left behind in Reno's retreat rejoined them after some harrowing moments hiding from the Indians. This portion of the battle has never been accurately portrayed on film (although "The Glory Guys" does a reasonably good job of it). And Morningstar squanders a great deal of time on far less interesting scenes instead of devoting time to this portion of the fight.

So, while far from perfect, this is very much the best Custer movie ever made and highly recommended to anyone who wants to learn more about what really happened. I keep hoping that one more major Custer movie will get made and finally get it all right.

A very good bio-pic as it closely follows the facts. Based upon the Book "Son of the Morningstar" by Evan S. Connell (1984). Gary Cole does a good job in a drama role as opposed to the many comedy roles he's done more recently. The bleakness of the plains and the futility of the events leading up to the Little Bighorn drag the movie down in its tone at times, but then this is a Last Stand saga. It presents the Native American Point of View and presents Custer's demise as a combination of his own folly and bad decisions by the US government.

More time could have been spent on Custer's life up to and during the Civil War, he was at Appomattox, received Lee's flag of surrender and was present at the signing of the surrender (and rode away with the table General Lee signed the surrender on!). He remains the US Army's youngest general to date. The movie rather focuses on Custer's life as an Indian fighter.

Noted historian Stephen Ambrose (who wrote "Crazy Horse and Custer") supported the possibility that Custer may have fathered a child out of wedlock with an Indian woman, a point covered in the movie and a major plot element. Robert Utley, former superintendent of the Little Bighorn Battlefield, noted a letter in his book "Cavalier in Buckskin" by one of Custer's own officers that asserted such a relationship existed (Capt. Benteen, one of Custer's officers at the Little Bighorn). This is still a debatable point and Custer may have been sterile as a result of acquiring a STD during his West Point Days, according to some historians.

If somewhat long, this epic "western" tells the story of Custer´s last defeat and tries to show what kind of man he was. Cole gives a stunning performance and the film is made interesting when seen thru "2 pairs of eyes", the wife of Custer seeing it from a white point of view and the Indian girl telling the truth about a black chapter of America´s history

Definitely worth watching!

I have just finished a fairly comprehensive study of Gen. G.A.Custer and the Battle of the Little Big Horn, that included virtually ALL of the current historical literature on GAC & LBH, and a TOUR of the actual Little Bighorn Battlefield in Montana. I therefore must not merely amend my previous comments but retract them all together. Gary Cole gives us an EXCELLENT and more historically accurate picture of this still controversial military officer, than ANY other actor before. Mr. Cole's GAC is much more real, human, complex and therefore accurate picture than say Errol Flynn's famous but almost comic-book character. Over all the attention to detail and historical accuracy is quite apparent in this excellent movie. Gary, sorry about my previous comments.....and oh yes I'm the one who probably needs riding lesson's not you. My High School students REALLY enjoyed your version of "Autie" Custer. I continue to highly recommend (and LEND) this outstanding movie to other American History teachers at my High School. Gary Cole does the "Boy General" PROUD.

Thanks: Kevin John Simon Miami, Florida

"Son Of The Morning Star" is by all accounts and definitions an epic. With a period backdrop, compelling characters, a cast of thousands and a span of ten years, "Morning Star" fits the mold of almost every made-for-tv-mini series. Yet you can't help but feel it's being confined on the small screen like a belt that's too tight on you. It has the look and feel of a theatrical feature, and would seem so much bigger on the big screen. But Mike Robe's gigantic effort is no movie of the week basic network fodder. It's the post-Civil War story of General George Armstrong Custer, his lovely and loyal wife Libbie, and Custer's Indian equivalent Crazy Horse, and the interesting chain of events that lead the two warriors to the gentle slopes of the Little Big Horn, or, more popularly, Custer's Last Stand. But, as the Indian female narrator Kate Bighead tells us, "it was not [Custer's] last stand...it was ours". The first half of the film seems somewhat confused of its real direction, and it's pretty much the movies only flaw. We meet the characters, soak in the rich setting of the western plains of our country, and are led through such happenings as Custer's court martialing for his harsh treatment on deserters, the training of his 7th cavalry, the somewhat flawed presidency of Ulysses S. Grant, who, apparently, is quite the anti-Custer, and to a lesser extent to all of this, the early days of the Cheyenne warrior Crazy Horse, played by underrated Native American actor Rodney A. Grant (Wind In His Hair from "Dances With Wolves", which is what I believe ultimatly helped greenlight this production). But besides that jumbled storyline, which really isn't all that jumbled, there are first rate acting scenes displayed by Gary Cole as our arrogant blond hero, who seems to really know his stuff when it comes to first person impressions. Rosanna Arquette is just going through the motions, and so is Dean Stockwell as Custer's superior in Washington, General Sheridan. But the real reward for sticking through this movie is the heart-wrenching climax of all movie climaxes, the Battle of Little Big Horn. Custer's actual Last Stand isn't until the final half hour, but boy is it worth the wait. Mike Robe really deserves some, heck, A LOT of credit for this logistical nightmare of a production. He takes us through Custer's final moments with true skill and utter authority. Combined with the poetic and professional lens job done by director of photography Kees Van Oostrum, and a lush orchestral score by Craig Safan, "Son Of The Morning Star" is a real piece of work, and should be considered a genuine cinematic triumph in the annals of western and dramatic film. Kudos, guys.