VALUTAZIONE IMDb
6,6/10
18.484
LA TUA VALUTAZIONE
Un'ambiziosa attrice di soap opera in complicità con il suo produttore cercano di affondare la carriera della star di lunga data dello spettacolo, ma niente funziona come previsto.Un'ambiziosa attrice di soap opera in complicità con il suo produttore cercano di affondare la carriera della star di lunga data dello spettacolo, ma niente funziona come previsto.Un'ambiziosa attrice di soap opera in complicità con il suo produttore cercano di affondare la carriera della star di lunga data dello spettacolo, ma niente funziona come previsto.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 candidature totali
Rob Camilletti
- Actor
- (as Robert Camiletti)
Recensioni in evidenza
I don't watch soaps. My grandmother still watches that one with the hour glass. I made fun of them it when I was ten (it was so easy).
But this movie takes parody and spells it a new way. I found the story pretty damn funny. The fashions of the 80's - shoulder pads, sequins, and polyester - just top it off. The huge hair, the high heels, and the histrionics - what a combination.
And all the actors just go to town, chewing up their parts and spitting them out in a big well scripted pile. Sally, Kevin, Elisabeth - wonderful! Whoopi - great! Robert Downey - refreshing to see him back when he had such potential, before the tabloids. And Garry: why did we have to wait so long to see him on film? Leesa Gibbons - hadn't been missing her, but nice to include her as a real life entertainment reporter (and where do you apply for THAT job, anyway?).
Admittedly, I could have done without Sally climbing the drainpipe. Lucy Ricardo did it, how many times?, as has every comedienne from Carol Burnett to I don't know who and I'm so done with it now, I could spit peanuts if I had them. Apparently it's what you do when you're being funny in a tall building in New York. I'm just thankful they didn't pull out the flagpole bit.
But it was cute, it was funny, it had plot twists, it had an after credits ending before that was common, it had clothes worthy of a second glance, it had a great cast and it's got personal memories for me. Really, what more do you need?
But this movie takes parody and spells it a new way. I found the story pretty damn funny. The fashions of the 80's - shoulder pads, sequins, and polyester - just top it off. The huge hair, the high heels, and the histrionics - what a combination.
And all the actors just go to town, chewing up their parts and spitting them out in a big well scripted pile. Sally, Kevin, Elisabeth - wonderful! Whoopi - great! Robert Downey - refreshing to see him back when he had such potential, before the tabloids. And Garry: why did we have to wait so long to see him on film? Leesa Gibbons - hadn't been missing her, but nice to include her as a real life entertainment reporter (and where do you apply for THAT job, anyway?).
Admittedly, I could have done without Sally climbing the drainpipe. Lucy Ricardo did it, how many times?, as has every comedienne from Carol Burnett to I don't know who and I'm so done with it now, I could spit peanuts if I had them. Apparently it's what you do when you're being funny in a tall building in New York. I'm just thankful they didn't pull out the flagpole bit.
But it was cute, it was funny, it had plot twists, it had an after credits ending before that was common, it had clothes worthy of a second glance, it had a great cast and it's got personal memories for me. Really, what more do you need?
10FreyDogg
It really is a shame that films like this never snag Best Picture nominations, because this one is simply a winner. This is by far the most consistently hilarious comedy I have ever seen. Its screenplay and design are impeccable, not to mention the incredible cast. I can quote this movie for hours on end. Watch it.
Way back in 1955, the British made a comedy called Simon and Laura, with Peter Finch and the brilliant Kay Kendall. To this day, it stands as one of the finest examples of British comedy and, more particularly, about how television sitcoms become so popular. It was, and is, an excellent example also of self-referential cinema.
So also Soapdish, a film I'd never heard about until a few nights ago when I caught it on late TV. I was a bit dubious at first simply because comedy is so difficult to do well, as you know.
However, I was pleasantly surprised and delighted to watch a very clever satire about daytime American TV. In fact, it's been a while since I laughed so heartily. So, if you like satire, I'd recommend you see it.
The main actors Sally Field, Kevin Kline, Robert Downey and Cathy Moriarty quite simply do an excellent job, revealing just how bitchy and shallow the business of acting is. As I watched it, I kept thinking to myself: just how much of this bitchiness carries over into real life? That is, if actors ever do have a real life? As you probably know, Peter Sellers, for example, was notorious for hiding his true persona behind a multitude of characters, so that nobody really knew the real person. So, as I watched Sally Field playing Celeste Talbot playing Maggie, I thought again about that earlier British film with Kay Kendall playing Laura playing a character in a TV sitcom opposite Peter Finch...
Is it any wonder that some actors have nervous breakdowns? And that feeling was crystallized when Celeste finally confronts her daughter (Lori, played by Elizabeth Shue) and, in an emotional moment, repeats the fictional lines she'd used, on a prior episode of her daytime soap, when confronting her fictional daughter in that show! Are you confused? Well, it's not all like that, but the dialog is stunning for originality, comedy, bitchiness, anger, depravity, duplicity, and even...love.
The story? Well, there are many stories in this film, all interwoven, and which all come together at the end (of course but not like a Robert Altman film, okay!), and not all of them are resolved finally. Life's not like that anyway, right? The pace is almost frenetic, and you really do have to watch and listen carefully to catch all the sight gags and subtle jokes. Spend the 97 minutes from your life and watch it; you won't regret the time usage.
The rest of the cast all perform well, although I've never taken much to Whoopi Goldberg. Perhaps the funniest exchanges are between Robert Downey and Cathy Moriarty and, for my money, the latter steals so many scenes from others, she gets my vote as the outstanding player. I kid you not, she gives the term bitch an entirely new face...
So also Soapdish, a film I'd never heard about until a few nights ago when I caught it on late TV. I was a bit dubious at first simply because comedy is so difficult to do well, as you know.
However, I was pleasantly surprised and delighted to watch a very clever satire about daytime American TV. In fact, it's been a while since I laughed so heartily. So, if you like satire, I'd recommend you see it.
The main actors Sally Field, Kevin Kline, Robert Downey and Cathy Moriarty quite simply do an excellent job, revealing just how bitchy and shallow the business of acting is. As I watched it, I kept thinking to myself: just how much of this bitchiness carries over into real life? That is, if actors ever do have a real life? As you probably know, Peter Sellers, for example, was notorious for hiding his true persona behind a multitude of characters, so that nobody really knew the real person. So, as I watched Sally Field playing Celeste Talbot playing Maggie, I thought again about that earlier British film with Kay Kendall playing Laura playing a character in a TV sitcom opposite Peter Finch...
Is it any wonder that some actors have nervous breakdowns? And that feeling was crystallized when Celeste finally confronts her daughter (Lori, played by Elizabeth Shue) and, in an emotional moment, repeats the fictional lines she'd used, on a prior episode of her daytime soap, when confronting her fictional daughter in that show! Are you confused? Well, it's not all like that, but the dialog is stunning for originality, comedy, bitchiness, anger, depravity, duplicity, and even...love.
The story? Well, there are many stories in this film, all interwoven, and which all come together at the end (of course but not like a Robert Altman film, okay!), and not all of them are resolved finally. Life's not like that anyway, right? The pace is almost frenetic, and you really do have to watch and listen carefully to catch all the sight gags and subtle jokes. Spend the 97 minutes from your life and watch it; you won't regret the time usage.
The rest of the cast all perform well, although I've never taken much to Whoopi Goldberg. Perhaps the funniest exchanges are between Robert Downey and Cathy Moriarty and, for my money, the latter steals so many scenes from others, she gets my vote as the outstanding player. I kid you not, she gives the term bitch an entirely new face...
'Soapdish' is one of the best, yet least well remembered comedies of the 1990's. The film revolves around the various off-camera drama's that occur behind the scenes of a cheaply produced Daytime Soap Opera. The first of the film's various impressive strengths is it's fantastic A-List cast. 'Soapdish' features some of the greatest actors and actresses of it's era.
The film is superbly led by Sally Field, as the neurotic ageing actress Celeste Talbert (She famously throws a tantrum when put in a costume that makes her look like "Gloria F*CKING Swanson!"). Her supporting cast reads like a who's-who of 90's Movie Greats! Whoopi Goldberg, Robert Downey Jr, Teri Hatcher, Kevin Kline and Kathy Najimy all elevate the film greatly. Goldberg is predictably excellent, whilst Downey Jr.'s and Hatcher's performances hint at the comedic excellence they would later achieve.
In terms of writing, the film is outstanding. There is a really modern edge to the script, which strays into the wonderfully bizarre on several occasions. There also several visual gags that are quite ahead of their time. In some ways, the film is reminiscent of Mel Brooks at his best and frequently reminded this reviewer of 'High Anxiety' (1977). Much of the film's humour hinges on it's often scathing, but pretty accurate, representations of daytime television and of neurotic and pretentious actors. For example, The extras casting session featuring the exploitative executive played by Carrie Fisher, is both hilarious and honest.
'Soapdish' is, for my money, one of the very best comedies Hollywood produced during the 1990's. It's excellent script and A-Class cast make it a must-see. It's hard not to love this film after it's kept you laughing for 90 minutes.
The film is superbly led by Sally Field, as the neurotic ageing actress Celeste Talbert (She famously throws a tantrum when put in a costume that makes her look like "Gloria F*CKING Swanson!"). Her supporting cast reads like a who's-who of 90's Movie Greats! Whoopi Goldberg, Robert Downey Jr, Teri Hatcher, Kevin Kline and Kathy Najimy all elevate the film greatly. Goldberg is predictably excellent, whilst Downey Jr.'s and Hatcher's performances hint at the comedic excellence they would later achieve.
In terms of writing, the film is outstanding. There is a really modern edge to the script, which strays into the wonderfully bizarre on several occasions. There also several visual gags that are quite ahead of their time. In some ways, the film is reminiscent of Mel Brooks at his best and frequently reminded this reviewer of 'High Anxiety' (1977). Much of the film's humour hinges on it's often scathing, but pretty accurate, representations of daytime television and of neurotic and pretentious actors. For example, The extras casting session featuring the exploitative executive played by Carrie Fisher, is both hilarious and honest.
'Soapdish' is, for my money, one of the very best comedies Hollywood produced during the 1990's. It's excellent script and A-Class cast make it a must-see. It's hard not to love this film after it's kept you laughing for 90 minutes.
From the opening credits to and through the final credits ballroom cast celebration, this movie had me laughing and applauding the nonsense and hysterical plot. What a cast of stellar performers in certainly an ensemble approach to this flick. For they all seemed to have fun along the way and shared in the carrying out of a deliciously funny film. With Sally Field [who can do no wrong] Kevin Kline [a master of a line and expression] Robert Downey Jr. [brilliant and who can forget the other side of the coin and his performance as Charlie Chaplin] and Whoopi Goldberg [her one liners are a treasure "I'll say amen"] But let us not forget the supporting cast who stand out on their own, not to be overshadowed by the stars. Cathy Moriarty [very imposing and having a surprise for us all later in the plot working flawlessly along side of Downey] Elisabeth Shue [who can bring honesty along with humor in her performance] Paul Johansson [gorgeous hunk playing the soap hero bringing some very funny moments on his own] the delightful Kathy Najimy [who steals every scene she's in as the costumer who keeps dragging smokes throughout the film] Carrie Fisher [small role of casting agent on the lust for Rob Camilletti, an actor auditioning for a one liner as waiter] and the delectable Terri Hatcher as one of the stars of the soap who spends most of her time pushing up her breasts for the camera and for off camera. Put all of these terrific performers in one film and you have terrific comedy and a fast paced film. Hats off to you all. I have the VHS and never tire from watching this little treasure.
Lo sapevi?
- QuizExtensive re-shoots forced Kevin Kline to withdraw from Hook - Capitan Uncino (1991). He was replaced by Robin Williams.
- BlooperWhen Celeste goes to Jeffrey's apartment to "rescue" Lori, she tricks the doorman into telling her that Jeffrey's apartment is 2D. When she leaves, his door clearly says 2A.
- Citazioni
Rose Schwartz: Actors don't like to play coma. They feel it limits their range.
- Curiosità sui creditiEarly in the opening credits we see the words "a hamon cheimafflo film". The letters of the two middle words then rearrange themselves, one "o" slipping off the side of the screen, to form the name of director Michael Hoffman.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Escándalo en el Plató
- Luoghi delle riprese
- Ambassador Hotel - 3400 Wilshire Boulevard, Los Angeles, California, Stati Uniti(Opa-Locka Playhouse)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 25.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 36.489.888 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6.736.380 USD
- 2 giu 1991
- Lordo in tutto il mondo
- 36.489.888 USD
- Tempo di esecuzione
- 1h 37min(97 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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