Una giovane donna finge la propria morte nel tentativo di sfuggire al suo matrimonio da incubo, ma scopre che è impossibile eludere il controllo del marito.Una giovane donna finge la propria morte nel tentativo di sfuggire al suo matrimonio da incubo, ma scopre che è impossibile eludere il controllo del marito.Una giovane donna finge la propria morte nel tentativo di sfuggire al suo matrimonio da incubo, ma scopre che è impossibile eludere il controllo del marito.
- Premi
- 2 vittorie e 4 candidature totali
Bonnie Johnson
- Mrs. Nepper
- (as Bonnie Cook)
John Ward
- Theater Student
- (as John David Ward)
Patt Noday
- Amusement Park Guy #2
- (non citato nei titoli originali)
Recensioni in evidenza
What a great movie. One of Julia Robert's best performances.
The start of the movie seems fine Laura and Martin seem like a happily married couple, then you see a scene where Martin berates her about hanging the bathroom towels out of order and then, Laura desperately tries to arrange the tins in the cupboard exactly right. Everything is definitely not alright when you see Martin punch Laura in the head.
This is the story of how Laura fakes her own death and tries to make a new life for herself.
You really feel for Laura and Martin is a really evil guy, who is portrayed very scarily.
The music is beautiful and sad, one of the loveliest soundtracks I have ever heard.
I really recommend this film to other women, although it is not aimed entirely at the female audience, I feel we get more out of it
The start of the movie seems fine Laura and Martin seem like a happily married couple, then you see a scene where Martin berates her about hanging the bathroom towels out of order and then, Laura desperately tries to arrange the tins in the cupboard exactly right. Everything is definitely not alright when you see Martin punch Laura in the head.
This is the story of how Laura fakes her own death and tries to make a new life for herself.
You really feel for Laura and Martin is a really evil guy, who is portrayed very scarily.
The music is beautiful and sad, one of the loveliest soundtracks I have ever heard.
I really recommend this film to other women, although it is not aimed entirely at the female audience, I feel we get more out of it
Laura marries Martin Burney who appears to be the perfect man, he is handsome and successful, yet the dream of the perfect man becomes a nightmare as Martin is a control freak who abuses her both physically and mentally. Once she decides enough is enough she plots her escape by way of faking her own death by drowning, a new life beckons, but she will always be looking over her shoulder to see if Martin finds out the truth and tracks her down.
Thus the vehicle for Julia Roberts pans out as your just above average thriller. It has some decent moments that keep it from drifting into tedium, the set up perfectly portrays the double life that some people lead, on the social circuit it appears the couple are happy and at one with each other, yet behind their own walls there is violence and the crushing of the spirit. The final third of the film is also well worthy of the word thriller, for the tension is nigh on unbearable as we slowly come to the conclusion, whilst Julia Roberts as Laura does a very tidy job as this sort of modern day princess escaping the evil clutches of her keeper. Must mention the great use of Berlioz's Symphonie Fantastique, it's eerie and impacts hard for the scenes it is used for.
Patrick Bergin plays his role well enough, it's just that his villainy is never fully realised, we see enough to know that what he does is wrong, yet it feels a bit too polished. Whilst a sequence that sees Laura dress up as a man is clearly the low point of the film, it really does stretch the viewers patience, and sadly insults their respective intelligence. It's a mixed bag that isn't quite a waste of time, it just doesn't leave you with anything other than a feeling of being semi fulfilled, shame as it could have been brilliant with a bit more bravery and brains in the script, 6/10.
Thus the vehicle for Julia Roberts pans out as your just above average thriller. It has some decent moments that keep it from drifting into tedium, the set up perfectly portrays the double life that some people lead, on the social circuit it appears the couple are happy and at one with each other, yet behind their own walls there is violence and the crushing of the spirit. The final third of the film is also well worthy of the word thriller, for the tension is nigh on unbearable as we slowly come to the conclusion, whilst Julia Roberts as Laura does a very tidy job as this sort of modern day princess escaping the evil clutches of her keeper. Must mention the great use of Berlioz's Symphonie Fantastique, it's eerie and impacts hard for the scenes it is used for.
Patrick Bergin plays his role well enough, it's just that his villainy is never fully realised, we see enough to know that what he does is wrong, yet it feels a bit too polished. Whilst a sequence that sees Laura dress up as a man is clearly the low point of the film, it really does stretch the viewers patience, and sadly insults their respective intelligence. It's a mixed bag that isn't quite a waste of time, it just doesn't leave you with anything other than a feeling of being semi fulfilled, shame as it could have been brilliant with a bit more bravery and brains in the script, 6/10.
Sleeping with the Enemy is a 1991 American romantic psychological thriller film directed by Joseph Ruben and starring Julia Roberts, Patrick Bergin and Kevin Anderson. The film is based on Nancy Price's novel of the same name of 1987. Roberts plays a woman who escapes from her abusive husband, from Cape Cod to Cedar Falls, Iowa, where she captures the attention of a kindly college drama teacher.
I found this movie, if not terribly believable, very moving and emotional when I saw it some years back. Julia Roberts brings a real vulnerability to all her roles, and is perfect here as the affluent but both mentally and physically abused wife.
The sad tale revolves around an apparently perfect upper middle class couple who share a beach home...the beautiful young Laura (who has every material comfort) and her obsessive and abusive husband, Martin. Laura lives in terror of her abuser, finally seizing a chance to escape by faking her own death and and fleeing to another town, where she assumes an entirely new identity. Meanwhile, Martin becomes ballistic when he discovers that his wife is not really dead and goes after her...
I admit it, the plot is pretty far fetched, a lot of holes in the story, some events depicted not very believable. Leave your logic behind. Still, I was able to overlook all this and focus my attention on Laura's plight, hoping she could evade (or eliminate) this intellectual brute, and build a new life for herself with a new love.
The portrayal of Laura's terror is vivid as she tries to appease her obsessive husband, who becomes violent if she fails to keep the pantry shelf items in perfect alignment. The most chilling scene of all is the rape, with its accompaniment of Martin's favorite classical music, a piece which thereafter haunts his young wife. No sympathy here for the husband, whose unfolding actions simply go from unspeakable to unthinkable.
Not a particularly believable plot but engrossing, nevertheless, and a pair of vividly drawn characters who elicit strong emotions. However, the best part of this movie is definitely its message. Contrary to the typical image, spousal abuse is no respecter of social class. It would have been much more difficult for me before this film than it is now to picture an affluent, educated, sophisticated abuser.
The sad tale revolves around an apparently perfect upper middle class couple who share a beach home...the beautiful young Laura (who has every material comfort) and her obsessive and abusive husband, Martin. Laura lives in terror of her abuser, finally seizing a chance to escape by faking her own death and and fleeing to another town, where she assumes an entirely new identity. Meanwhile, Martin becomes ballistic when he discovers that his wife is not really dead and goes after her...
I admit it, the plot is pretty far fetched, a lot of holes in the story, some events depicted not very believable. Leave your logic behind. Still, I was able to overlook all this and focus my attention on Laura's plight, hoping she could evade (or eliminate) this intellectual brute, and build a new life for herself with a new love.
The portrayal of Laura's terror is vivid as she tries to appease her obsessive husband, who becomes violent if she fails to keep the pantry shelf items in perfect alignment. The most chilling scene of all is the rape, with its accompaniment of Martin's favorite classical music, a piece which thereafter haunts his young wife. No sympathy here for the husband, whose unfolding actions simply go from unspeakable to unthinkable.
Not a particularly believable plot but engrossing, nevertheless, and a pair of vividly drawn characters who elicit strong emotions. However, the best part of this movie is definitely its message. Contrary to the typical image, spousal abuse is no respecter of social class. It would have been much more difficult for me before this film than it is now to picture an affluent, educated, sophisticated abuser.
I have this movie on tape also. Come to think, I have a lot of Julia Roberts' movies. Anywho, I liked how she used her timidity to get the hell out of a crazy psyho relationship with a guy who thought he was entitled to beat his wife. She planned everything down to the T, and I liked that. However, you knew he was gonna find her again and wreak havoc on her new life. It grew a little wasteful at that point because the poor guy had only that abusive husband turned psycho side to play with. Not much to chew on really when you're in the movie about 5 times in 20 minutes. You understood she had to see him at least and the point was she had to move on and assert her independence. Sucks that psycho was rich with a nice pad. Plus, why didn't she just pawn the ring instead of attempting to flush hard gold down? Or take it with? Even a toilet isn't that stupid. Maybe she should have eaten it first and it would have been disguised better. I mean, that was the only thing that tipped him off for goodness sakes. She was smart to a point like most chicks in these types of movies. Guess there wouldn't be much of a movie otherwise.
Lo sapevi?
- QuizJulia Roberts, who was 22 when the film was shot in the spring of 1990, became the youngest actress to earn a seven-figure fee for a single performance.
- Blooper(at around 14 mins) When Laura throws a stone at the street light by the beach, the stone clearly misses the bulb, yet it breaks anyway.
- Curiosità sui creditiThe 20th Century Fox logo plays without the fanfare.
- Versioni alternativeWhen Laura first goes to Ben's house for dinner and the pot roast is on fire she knocks and says "Fire Department." In an alternate cut she knocks and asks "Is this what they mean by warm welcome?".
- Colonne sonoreRunaround Sue
Written by Dion DiMucci and Ernie Maresca
Performed by Dion DiMucci (as Dion)
Courtesy of Laurie Records
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Dettagli
Botteghino
- Budget
- 19.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 101.599.005 USD
- Fine settimana di apertura Stati Uniti e Canada
- 13.777.943 USD
- 10 feb 1991
- Lordo in tutto il mondo
- 174.999.005 USD
- Tempo di esecuzione1 ora 39 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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What is the streaming release date of A letto con il nemico (1991) in Canada?
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