Il silenzio degli innocenti

Brilliant Best Picture of 1991 that never gets old. "The Silence of the Lambs" deals with a young FBI cadet (Oscar-winner Jodie Foster) who is sent to interview a captured madman (Oscar-winner Anthony Hopkins in one of the greatest performances ever on the screen) to find out about a serial killer (Ted Levine) who is stripping the skin from his female victims after they die. The FBI has had no luck with the case and agent Scott Glenn tries to throw a curve-ball to Hopkins by sending Foster. Hopkins is a former doctor of Levine and holds the clues to capturing the unknown criminal. Needless to say the film takes many twists and turns, creating a suspenseful thriller that has no equal. At the heart of "The Silence of the Lambs" are the confrontations between Hopkins and Foster. They play a complicated chess match of words which results in some of the greatest footage ever captured for the cinema. Hopkins dominates in spite of the fact he has approximately 17 minutes of time in the film. This is a film that will wrap itself around you and you will likely never be able to shake some of the key elements you have seen in this amazing masterpiece. 5 stars out of 5.

With Silence of the Lambs comes some much needed recognition for the horror genre. It is a first-rate production all around. It boasts a witty and suspenseful script based on the Thomas Harris novel, full of great lines. It has marvelous direction from Demme. Demme creates suspense very well throughout and uses some great directorial shots such as the twin frames of Clarice ringing a doorbell and the FBI men breaking into a home. The two lead actors won oscars for their performances...each deserved. Foster is very good in her role, but it is Anthony Hopkins that literally lights up the screen with his complex portrayal of a complex serial killer. Hopkins does the seemingly impossible. He frightens you with his outrageousness and yet illicts some pity/compassion(albeit not a lot) for his situation. He says his lines with reservedness when needed and brashness when needed. The rest of the cast is also quite good with Anthony Heald a standout as a unethical, petty doctor in charge of Hopkins. Of course the story of the other killer is very very chilling as well. A quality film in all aspects!

Admittedly, I am not the most well versed when it comes to cinema and more importantly well thought-out and thorough reviews of cinema however I wanted to attempt to talk about The Silence of the Lambs.

This is quite possibly one of my most revisited horror films, I find myself returning to it without boredom quite often. Re-watchablity is something I have noticed to be heavily lacking in the horror genre, something I personally equate to the overuse of the jumpscare, which isn't such a terrible thing but the intended effect wears thin by the third viewing.

Silence of the Lambs being a more psychological horror does an immensely interesting job in their depiction of "deranged" or mentally ill criminals. Obviously Hannibal himself can become quite alluring given his disturbed charisma alongside the dustings of his criminal, cannibal, activities. His interactions with Clarice are superb and I don't get tired of watching their bizarre chemistry. Plus Jodie Foster did an excellent job as an up and coming FBI student, evidently a small fish in a large, male dominated pond.

On that note I think the depictions of her relationships with men in the film are rather well executed. I would love to one day do a deeper more insightful reflection on this film and actually take into account story and cinematography, all factors really but I'll leave it here for now.

I'll never forget my first viewing of this movie at the theater and will always look back fondly on it for one reason: helping me quit smoking cigarettes.

I read the book first, was fascinated by it, and couldn't wait for the film to come out. That was the day I picked to quit smoking and I knew this movie would take my mind off that matter. I was expecting an intense movie and I got it. Little did I realize how well-received this film would be and how it propelled Anthony Hopkins to super-stardom.

Although entertaining, this is not always a fun movie to watch, especially with the scenes with Ted Levine who plays the killer, "Buffalo Bill." "Bill" and his kidnapped young woman are sick and profane people, respectively, and their scenes are very unpleasant. This movie is not for the squeamish with those and other scenes involving the infamous Dr. Hannibal Lecter (Hopkins). There also is some extreme crudeness in the jail/dungeon where Lecter and other inmates are held.

Jodie Foster is excellent as the FBI agent "Clarice Starling" and Scott Glenn is low-key and effective as "Jack Crawford." A major part of the film is psychological more than violent as Lecter constantly taunts "Clarice," while she tries her best to manipulate him to help with a case. The by-play between the two is a game in itself.

Hopkins, however, is the actor people remember best from this movie. His portrayal of the refined-yet-cannibalistic serial killer-doctor is one viewers will never forget. I've enjoyed watching him in the sequels, too. The looks on his face, his fascinating vocabulary with intelligent sarcasm and frankness, never ceases to entertain.

"Silence Of The Lambs" has turned into a modern-day "classic." If by some odd chance you have never seen this movie, be warned it is a dark, difficult story to watch at times....but it will get your mind off other things.

I just saw, for the second or third time, this cinematographic masterpiece, during an « UGC culte » evening, in Paris. The list of the Big Five Academy Award winners is short. There are currently three of them, in nine decades: Accadde una notte (1934), Qualcuno volò sul nido del cuculo (1975) and ... Il silenzio degli innocenti (1991). This is not really surprising, this film being excellent, endowed with a script skillfully elaborated by Thomas Harris, with an irreproachable casting including Anthony Hopkins, Jodie Foster and Scott Glenn. In addition, the director Jonathan Demme delivers a work obviously enjoying an admirable preparatory work.

Without unduly spoiling the script, if you have not seen it yet, by the greatest fluke: a psychopath known as the Buffalo Bill sows terror in the Middle West by kidnapping and murdering young pulpy women, after partially or completely skinning them. Clarice Starling, a young FBI agent, is in charge of interviewing Hannibal Lecter, a well-known former psychiatrist who has also the characteristic of a truly intelligent psychopath focused on cannibalism. Hannibal Lecter is able to provide Clarice Starling with providential information about Buffalo Bill . But he agrees to help her only in exchange for information about the young woman's private life. Between them is established a link of fascination and repulsion.

As a synthesis: a thrilling must see. 9/10 of 10