VALUTAZIONE IMDb
5,1/10
3404
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA woman trying to recover from a sexual attack is locked in a posh apartment with a corpse of the very man she's been dreaming would murder her. She tries to hang on to reality when objects ... Leggi tuttoA woman trying to recover from a sexual attack is locked in a posh apartment with a corpse of the very man she's been dreaming would murder her. She tries to hang on to reality when objects around her seem to come to life.A woman trying to recover from a sexual attack is locked in a posh apartment with a corpse of the very man she's been dreaming would murder her. She tries to hang on to reality when objects around her seem to come to life.
- Regia
- Sceneggiatura
- Star
Laura Caulfield
- Actress on Soap Opera
- (as Laura Ann Caulfield)
Recensioni in evidenza
After a young woman (Sharon Stone) is attacked in the elevator she meets her neighbors for the first time. One of them has a secret, the other has a crush on her. Her analyst tries to help her over the attack, but when she is invited to a mysterious apartment things get worse and worse.
Not even Ronny Cox could save this film. While Cox is an incredible actor and an amazing presence, this film has a few too many annoying aspects and tends to run a bit long. Sure, there is some suspense, and you need time to build that suspense, but there is a line that divides suspense and boredom, and I think the director may have crossed that line.
There are things to like about the film (besides Cox). The quirky characters, the menacing music... much of the architecture even makes of a good background. I do not happen to be a big fan of Sharon Stone (although Netflix seems to think so, because it has suggested her films more than once now). Some say this is among her best roles. Maybe, I do not know. A good editor good fix this one up nicely.
Not even Ronny Cox could save this film. While Cox is an incredible actor and an amazing presence, this film has a few too many annoying aspects and tends to run a bit long. Sure, there is some suspense, and you need time to build that suspense, but there is a line that divides suspense and boredom, and I think the director may have crossed that line.
There are things to like about the film (besides Cox). The quirky characters, the menacing music... much of the architecture even makes of a good background. I do not happen to be a big fan of Sharon Stone (although Netflix seems to think so, because it has suggested her films more than once now). Some say this is among her best roles. Maybe, I do not know. A good editor good fix this one up nicely.
There are so many things that make no sense and plot points that are completely meaningless. The main supporting actor, Steve Railsback plays twins, but neither of those characters story arcs play a factor in the main storyline or the climax of the film. The acting is so over the top you'd think someone told Sharon Stone this was a comedy. Almost no situation put on screen in this film makes any logical sense. There's a bird in the film and you can see the string attached to its leg that the handler is using to control it. This is definitely a so bad it's good movie, but be warned the score may be the worst I've ever heard and it's bad in a bad way and the movie is at least 15 minutes too long, so even the "good" parts can drag and get tedious at times.
During the opening credits, creepy music plays. It sounds like a giant music box with an orchestra, giving the impression of a children's story, but with an evil twist.
Angie buys the scissors, a style used to cut fabric (but which can also be used for more sinister purposes). Then she visits Mr. Kramer's thrift shop to buy a doll that needs repairing. She doesn't make a living fixing up dolls, because she needs to get jobs through a temporary agency as well, and she says dolls are only a hobby. Quite a hobby--there are so many in her bedroom it looks eerie, and she says she doesn't have room to sleep there. It is never explained how she can afford an apartment in a nice building, though rich parents are mentioned--by someone who doubts they are real.
When she gets back to her building, Angie is greeted by the security guard. A lot of good he does: Angie gets on the elevator and is nearly raped. She stabs the attacker with her scissors, but he leaves with them--and her purse, which has her apartment keys.
Angie goes to her neighbors, who she has never really gotten to know. Alex Morgan is a soap opera actor and really nice. His identical twin brother Cole is a portrait artist and confined to a wheelchair. He seems weird, and so are his paintings, which border on pornography. At one point, Cole confesses that Angie leaves her blinds open.
Throughout the movie, Angie is having difficulty coping with her recent attack. She is already in therapy. Again, someone like her should not be able to afford this. Dr. Carter can do hypnosis and seems like he would be very expensive. Yet Angie sees him a lot and makes very little progress. She is frustrated that he believes she makes up a lot of things.
One day Angie gets a job interview in a building that is mostly under construction. A sign in the elevator directs her to the top floor apartment apparently belonging to the developer. Angie goes in and finds herself trapped inside with no way to communicate (she can't even be heard yelling through the windows, and the two dog walkers who can see her ignore her). That's not all. There's a dead man with what appears to be her scissors in his back, a creepy talking doll, and a bird who keeps saying, "You killed him!" Sharon Stone shows what she is capable of. Angie shows a wide range of emotions, though someone like her wouldn't be expected to experience pure joy or excitement. Not that she couldn't have, but the writers chose to make her mostly troubled.
Steve Railsback does a very good job as well. I didn't realize the brothers were twins, because to me they didn't even look alike. For one thing, Alex wears glasses. But it is Cole that really shows Railsback's talent.
Ronny Cox also does very well as the therapist. And you have to like the folksy Mr. Kramer, who is only in a couple of scenes. And Midnight, Angie's cat, is so sweet and playful!
This isn't really my kind of movie. But it has an interesting mystery and a very strange ending. It's not too violent but almost always slightly on the eerie side. At least the weird music gets replaced with pleasant music in the romantic scenes. I won't say who, but there are several couples and one slightly naughty bedroom scene. Having seen this on broadcast TV, I don't really know how explicit the movie gets.
It's a good thriller for those who like that sort of thing.
Angie buys the scissors, a style used to cut fabric (but which can also be used for more sinister purposes). Then she visits Mr. Kramer's thrift shop to buy a doll that needs repairing. She doesn't make a living fixing up dolls, because she needs to get jobs through a temporary agency as well, and she says dolls are only a hobby. Quite a hobby--there are so many in her bedroom it looks eerie, and she says she doesn't have room to sleep there. It is never explained how she can afford an apartment in a nice building, though rich parents are mentioned--by someone who doubts they are real.
When she gets back to her building, Angie is greeted by the security guard. A lot of good he does: Angie gets on the elevator and is nearly raped. She stabs the attacker with her scissors, but he leaves with them--and her purse, which has her apartment keys.
Angie goes to her neighbors, who she has never really gotten to know. Alex Morgan is a soap opera actor and really nice. His identical twin brother Cole is a portrait artist and confined to a wheelchair. He seems weird, and so are his paintings, which border on pornography. At one point, Cole confesses that Angie leaves her blinds open.
Throughout the movie, Angie is having difficulty coping with her recent attack. She is already in therapy. Again, someone like her should not be able to afford this. Dr. Carter can do hypnosis and seems like he would be very expensive. Yet Angie sees him a lot and makes very little progress. She is frustrated that he believes she makes up a lot of things.
One day Angie gets a job interview in a building that is mostly under construction. A sign in the elevator directs her to the top floor apartment apparently belonging to the developer. Angie goes in and finds herself trapped inside with no way to communicate (she can't even be heard yelling through the windows, and the two dog walkers who can see her ignore her). That's not all. There's a dead man with what appears to be her scissors in his back, a creepy talking doll, and a bird who keeps saying, "You killed him!" Sharon Stone shows what she is capable of. Angie shows a wide range of emotions, though someone like her wouldn't be expected to experience pure joy or excitement. Not that she couldn't have, but the writers chose to make her mostly troubled.
Steve Railsback does a very good job as well. I didn't realize the brothers were twins, because to me they didn't even look alike. For one thing, Alex wears glasses. But it is Cole that really shows Railsback's talent.
Ronny Cox also does very well as the therapist. And you have to like the folksy Mr. Kramer, who is only in a couple of scenes. And Midnight, Angie's cat, is so sweet and playful!
This isn't really my kind of movie. But it has an interesting mystery and a very strange ending. It's not too violent but almost always slightly on the eerie side. At least the weird music gets replaced with pleasant music in the romantic scenes. I won't say who, but there are several couples and one slightly naughty bedroom scene. Having seen this on broadcast TV, I don't really know how explicit the movie gets.
It's a good thriller for those who like that sort of thing.
Gorgeous blonde Angela Anderson (Sharon Stone) buys some scissors from a hardware store, despite already owning countless pairs; then she spends $20 on a revolting, knackered old doll fit for a dumpster. Is she crazy? Well, yes, she is, actually - a 26-year-old virgin with deep seated mental issues relating to childhood trauma, her condition only worsening when she is almost raped in a lift by a man with a red beard.
Angela is befriended by nice-guy neighbour Alex Morgan (Steve Railsback), and continues to seek professional help from psychiatrist Dr. Stephan Carter (Ronny Cox), but neither can prevent the young woman from spiralling into madness, especially after she goes to a temp appointment, and becomes trapped in an apartment with a dead body and an accusatory raven.
This film, directed by author Frank De Felitta, would dearly like to be Repulsion with a twist, but De Felitta is no Polanski and Stone is no Deneuve. Each successive scene is worse than the one that precedes it. Stone is so bad that it is no wonder that she had to flash her minge in order to achieve the fame she desired. Railsback is every bit as bad as Stone, doubly so if you take into account that he plays both Alex and his brother Cole (both with terrible hair!). Ronny Cox is far better than this nonsense, but with a script this bad, he cannot do much to make matters any better.
The final act, in which Angie totally loses her marbles, gives Stone ample opportunity to show that subtlety and range really aren't her thing, and De Felitta unveils his ridiculous twist, making an already terrible film even worse.
Scissors is an utterly awful psycho-thriller, but still kinda fun if you have a predilection for really bad movies; I do, hence my far higher-than-it-really-deserves rating of 5/10 (if you don't find z-grade flicks entertaining, take that score and subtract at least three points).
Angela is befriended by nice-guy neighbour Alex Morgan (Steve Railsback), and continues to seek professional help from psychiatrist Dr. Stephan Carter (Ronny Cox), but neither can prevent the young woman from spiralling into madness, especially after she goes to a temp appointment, and becomes trapped in an apartment with a dead body and an accusatory raven.
This film, directed by author Frank De Felitta, would dearly like to be Repulsion with a twist, but De Felitta is no Polanski and Stone is no Deneuve. Each successive scene is worse than the one that precedes it. Stone is so bad that it is no wonder that she had to flash her minge in order to achieve the fame she desired. Railsback is every bit as bad as Stone, doubly so if you take into account that he plays both Alex and his brother Cole (both with terrible hair!). Ronny Cox is far better than this nonsense, but with a script this bad, he cannot do much to make matters any better.
The final act, in which Angie totally loses her marbles, gives Stone ample opportunity to show that subtlety and range really aren't her thing, and De Felitta unveils his ridiculous twist, making an already terrible film even worse.
Scissors is an utterly awful psycho-thriller, but still kinda fun if you have a predilection for really bad movies; I do, hence my far higher-than-it-really-deserves rating of 5/10 (if you don't find z-grade flicks entertaining, take that score and subtract at least three points).
Angie Anderson (Sharon Stone) gets attacked by a masked man in her apartment elevator. She stabs him with her scissors but he promises to return. She is helped by her neighbors identical twins Alex and Cole Morgan (Steve Railsback). She collects dolls and makes clothes. Psychiatrist Dr. Stephan Carter (Ronny Cox) treats her. She's 26 and sexually frigid. She becomes beset by paranoia and fear. Ann (Michelle Phillips) is the doctor's wife.
The music, the acting and the story is all trying to make an old overwrought sexual-psycho thriller horror. Sharon Stone is playing against type especially considering her later roles. She never fit this shy scared girl even when she was younger. It's really problematic. She is forced to overact. There is no good acting in this by anyone. The music gets kind of annoying which makes the horror thriller not scary at all. There are some weird nightmarish turns. However it comes off laughable to me. It's like the movie takes a detour into the Twilight Zone.
The music, the acting and the story is all trying to make an old overwrought sexual-psycho thriller horror. Sharon Stone is playing against type especially considering her later roles. She never fit this shy scared girl even when she was younger. It's really problematic. She is forced to overact. There is no good acting in this by anyone. The music gets kind of annoying which makes the horror thriller not scary at all. There are some weird nightmarish turns. However it comes off laughable to me. It's like the movie takes a detour into the Twilight Zone.
Lo sapevi?
- QuizAfter the success of Sharon Stone's Basic Instinct (1992), this film was retitled in German as "Final Instinct".
- BlooperSupposedly taking place in Chicago (though there's no attempt to give even the barest hint of it being in Chicago -- the apartment building is very LA), but the sloppiness gets very evident when you see the (213) Los Angeles area code on the toy building across from the insane apartment she ends up in (Chicago's area code is 312).
- Versioni alternativeIn Britain 11 seconds were cut from the video version by the British censors to edit shots of Angie being punched and her clothes torn during the elevator assault scene. The 2002 Hollywood DVD is uncut.
- ConnessioniFeatured in Bad Movie Beatdown: Scissors (2012)
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Scissors
- Luoghi delle riprese
- Los Angeles, California, Stati Uniti(Filming city, as Chicago.)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 2368 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2368 USD
- 24 mar 1991
- Lordo in tutto il mondo
- 2368 USD
- Tempo di esecuzione1 ora 45 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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By what name was Scissors - Forbici (1991) officially released in India in English?
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