Intuizioni mortali

RAW NERVE is an extremely cheap little B-movie combination of slasher movie and cop thriller, made in Alabama by the prolific David Prior, who churned out dozens of by-rote action flicks during his career. This one's notable for its cast and its bizarro storyline, which has an ordinary guy experiencing visions of a serial killer going about his work. The main guy (Prior's brother, I think) is hopeless, but the supporting cast includes Traci Lords as his little sister, Randall Tex Cobb as his uncle, Jan-Michael Vincent as the cop, Sandahl Bergman as a nosy reporter and Glenn Ford (!) in his final role as police chief. With all that talent, it's hard not to get some amusement from this one...

My review was written in May 1991 after watching the movie on AIP video cassette.

Unusual casting perks up this perfunctoiry murder mystery. Released at regional theaters on May 24, "Raw Nerve" is primarily a video title.

Eyebrows may be raised at a pic co-starring Glenn Ford and Traci Lords, but pic proves to be a significant transitional film for the ex-porn queen. She handles dramatic scenes well in the firt feature not to treat her as a caricature.

She plays the 18-year-old sister of Ted Prior, a young man troubled by nightmarish visions that prove to be accurate accounts of serial murders. He goes to the police with this info but is brushed aside as akook by the captain, Ford, and detective on the case, Jan-Michael Vincent.

Vincent's ex-wife, Sandahl Bergman, is an aggressive reporter who listens to Prior and writes up his story. Of course Prior becomes the No. 1 suspect, but after a revelation of incest (a la "Chinatown") the killer is identified. A final twist comes as an anticlimax.

Acting is good, with actio vet Prior showcased opposite Lords in a complicated central role. Name talent in support delivers pro turns.

Director David A. Prior makes good use of Mobile, Alabama locations but the film is too talky to qualify as an action pic, his prior specialty. A final reel stunt is well-done, however.

I only watched this because Glen Ford plays the sheriff character. However, I was pleasantly surprised by the simple yet stylish cinematography and flow of the story. There is a slight comic book element but somehow it doesn't follow the usual US made formulas. That's a good thing.

Time isn't wasted on building up complex characters except the necessary background of the suspects. The script is simple, the action is believable and the story is interesting.

On the negative side I didn't have any nail biting experiences or thrills. The outcome was predictable quite early on, so no surprises there.

Dear readers!

You can always trust my 100% honest reviews.

I do not understand IMDB 10-point rating scale. My rating is like this: -- 1 - WATCH & WATCH AGAIN! (Movie is watchable & can be watched again in the future.) -- 2 - WATCH! (Movie is watchable & entertaining.) -- 3 - DO NOT WATCH! (Movie is NOT watchable.) --

VERDICT : The movie RAW NERVE 1991 is rated : WATCH & WATCH AGAIN!

-------------------- Remarks: Girls wearing red shoes are murdered. The story keeps you watching and guessing and has good script and cinematography. The opening scene is a work of art. Moreover, you can enjoy really beautiful girls, great 1990's scenes, vivid colors, outdoor scenes. Excellent B-movie.

Thank you for your attention.

I'd read somewhere that David Prior was a bad director, but I find he falls somewhere in the middle. His films are made well enough, star people you've heard of, but it's the stories themselves that make you do a double take and think 'that doesn't make much sense'.

This one stars Glenndon Fordham, Sandy Bermanster, Traci Lordy Lordy, Micheal Vincent Van, and Tex 'Randall' Cobb. Them are all folks caught up when a crazy killer type person starts going around shooting women in the face with a shotgun. Don't expect gore here though, because there's none. No boobs either.

Ted Prior is Jimmy, a stock car driver who starts getting visions of the killings. His sister is Traci Lords, whom he's overly protective of (no wonder!). When Jimmy starts seeing the visions and goes to the police, they don't believe etc etc.

As this is a David A Prior film, there ain't much action but there are plenty of twists, so I never found myself bored throughout. Loads of interpersonal drama threaten to sink the film, but Prior knows when to speed things up a bit. Not too bad.