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Parinda

  • 1989
  • Not Rated
  • 2h 34min
VALUTAZIONE IMDb
7,8/10
3991
LA TUA VALUTAZIONE
Parinda (1989)
ActionCrimeDramaRomance

L'amico di un uomo, un poliziotto, viene assassinato da gangster in pieno giorno. Scopre che suo fratello maggiore fa parte della stessa banda e decide di vendicare la morte del suo amico di... Leggi tuttoL'amico di un uomo, un poliziotto, viene assassinato da gangster in pieno giorno. Scopre che suo fratello maggiore fa parte della stessa banda e decide di vendicare la morte del suo amico diventando un infiltrato.L'amico di un uomo, un poliziotto, viene assassinato da gangster in pieno giorno. Scopre che suo fratello maggiore fa parte della stessa banda e decide di vendicare la morte del suo amico diventando un infiltrato.

  • Regia
    • Vidhu Vinod Chopra
  • Sceneggiatura
    • Shivkumar Subramaniam
    • Vidhu Vinod Chopra
    • Imtiaz Hussain
  • Star
    • Jackie Shroff
    • Anil Kapoor
    • Nana Patekar
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,8/10
    3991
    LA TUA VALUTAZIONE
    • Regia
      • Vidhu Vinod Chopra
    • Sceneggiatura
      • Shivkumar Subramaniam
      • Vidhu Vinod Chopra
      • Imtiaz Hussain
    • Star
      • Jackie Shroff
      • Anil Kapoor
      • Nana Patekar
    • 29Recensioni degli utenti
    • 3Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 7 vittorie e 1 candidatura in totale

    Foto12

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    Interpreti principali45

    Modifica
    Jackie Shroff
    Jackie Shroff
    • Kishen
    Anil Kapoor
    Anil Kapoor
    • Karan
    Nana Patekar
    Nana Patekar
    • Anna
    Madhuri Dixit
    Madhuri Dixit
    • Paro
    Anupam Kher
    Anupam Kher
    • Inspector Prakash
    Suresh Oberoi
    Suresh Oberoi
    • Abdul Khan
    Tom Alter
    Tom Alter
    • Musa
    Anang Desai
    Anang Desai
    • Inspector Meerani
    Kamal Chopra
    Kamal Chopra
    • Rama
    Sameer
    • Kid Kishen
    Hitesh
    • Kid Karan
    Mohan
    • Kid Anna
    Shweta
    • Kid Paro
    Jatin
    • Kid Prakash
    Vilas Shinde
    • Man with bug
    Imtiaz Hussain
    • Dara
    Gautam Siddharth
    • Godown Worker
    Atul Dabhuwala
    • Man on bike (song)
    • Regia
      • Vidhu Vinod Chopra
    • Sceneggiatura
      • Shivkumar Subramaniam
      • Vidhu Vinod Chopra
      • Imtiaz Hussain
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti29

    7,83.9K
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    Recensioni in evidenza

    9vamshi

    An underworld saga

    Of the hundreds of films made on the Indian underworld this film, along with Ram Gopal Varma's Satya, is one of the most gripping and powerful. Nana Patekar (who won a national award for this film) and Jackie Shroff are brilliant. Madhuri Dixit and Anil Kapoor excel in their small roles. The editing is also great...something that puts it in a league of its own. The film has none of the commen Hindi masala film aspects...I can only remember 2 songs!!!
    Dreviews16

    Un-Bollywood delivery from a Bollywood Movie

    Late 70s and 80s were a time when alternate or parallel cinema entered the Hindi film industry. Shyam Benegal, Saeed Akhtar Mirza, Govind Nihalani, Mahesh Bhatt gave soul to some heart-wrenching narrative and created a cinema which was a long-call from the rosy, sanitized feature bollywood movies. Instead what we saw was dirt within the society, issues like Labour rights, Dowry deaths, Prostitution, Communal violence were dealt with openly and our favorite protagonists had to wrestle not against the stereotypical Bollywood Evil Banker or Industrialist but against the 'system' itself.

    In this time period came along Vidhu Vinod Chopra with two feature movies, 'Sazaye Maut' (1981) and 'Khamosh'(1986). Made without a star-cast to speak of, the movies did not find many takers and despite being a brilliant start to his career they remained largely forgotten, till the internet era introduced them to a larger audience. The experience of making these movies perhaps led to some of the decisions which were reflected in Parinda. This movie which can be called as Realism's Gateway to Bollywood is a weird mix, feeling like a brilliant art-movie at times and a decent Bollywood feature at others. There are sequences of Anil Kapoor-Madhuri Dixit which are filled with rosy, romantic scenarios, while there are scenes between the two brothers or the ones featuring the impeccable Nana Patekar as Anna, which are filled with grim realism usually not present in the other features of the era. Take the plot for example, Prakash's death at the start to Brothers' fate towards the end are not your usual run-of-the mill scenarios in a Bollywood feature of the time. Besides having seen Jackie-Anil in Ram-Lakhan, Karma etc. I was expecting a movie where the heroes eventually trump all odds and win the day in the end.

    It all was too unexpected for me until it dawned that this movie could be called the first place where Vidhu Vinod Chopra started using his own formula of movie-making which show-cased so well in Munnabhai MBBS, 3 Idiots etc.

    We can only guess as to whether the failure of his brilliant Khamosh was the reason behind this approach, but this allowed him to tell his audience otherwise complicated stories in a crisp manner, where songs and some lighthearted sequences keep the story moving on forward, while he tells a tale dealing with issues in the Indian education system (Munnabhai 1, 3 Idiots) or the need for Gandhi's values in today's society. (Munnabhai 2) Here he does the same in a gangster saga of two brothers, where an otherwise decent tale is given both the formulaic Bollywood approach to keep the mainstream audience engrossed, while the gritty sequences dealing with Gang-violence, Anna's troubles and the rift between brothers provide a deeper understanding to the movie.

    Madhuri Dixit and Anil Kapoor were brilliant as usual while Jackie Shroff also provides a good support. But it is Nana Patekar's madness which lifts the movie to another level. His genius is scenes during a 'Shraad' scene, where he loses it after seeing fire being lighted. There are also other undercurrents visible within the movie, such as fate of turncoats, Musa's eventual victory over Anna due to his habit of making friends out of enemies. The music in the movie was done well with songs of the movie going on to become some of the popular songs of 90s.
    8A_FORTY_SEVEN

    'Parinda' is the gateway to realism in Hindi Cinema.

    My Rating : 8/10

    Shocking, violent, brutal and mercilessly evil. Vidhu Vinod Chopra weaves a masterpiece with 'Parinda'.

    Must-watch for any Hindi cinema lover.
    8padiyark

    One of the best indian gansta film

    This movie could have been bad. Really, really, bad. But thanks to a great director, a great actor (Patekar), and great performances by the usual bollywood actors, this movie is a groundbreaker in Indian Cinema. Has to be one of my favorite movies from india along with Masoom and Prahaar
    debasish3011

    A trendsetting film by today's standards

    Parinda has always been my favorite because it was one of the first movies to break the stereotypical formula-based film making trend in India that relied heavily on larger-than-life heroes (and villains) and impossible fight sequences that defied both gravity and logic. Parinda was a breath of fresh air amid all this chaos. It showed the Mumbai(Bombay) underworld as it had never been shown before. The movie begins with a superb background score reminiscent of The Terminator theme. As one listens to the sombre yet striking music with visuals/shots of Mumbai high rises under a grey evening sky, one realizes it's going to be a dark and no-nonsense film. And who can forget Kishen's (Jackie Shroff's) entry as he walks up that huge tank to meet rival gang-leader Moosa? I always wished the scene was a little longer. If Tom Alter did full justice to the role of Moosa, the role of Anna seemed to have been written for (and only for)the immensely talented Nana Patekar. The cinematography of the film leaves all other films of its time way behind (with the exception of 'Raakh', another dark and gritty film released around the same time). Jackie Shroff's acting is simply fabulous, whereas Anil Kapoor is, well, loud as usual! I wish he had shaved off his mustache to fit the role of the younger brother better. Suresh Oberoi as the goon gives a superlative performance - one of the best in his career. In short, Parinda marks the beginning of realistic mainstream cinema in India. Indian art-house cinema had always been realistic, but mainstream commercial cinema used to be just escapist fares until Parinda happened.

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    Trama

    Modifica

    Lo sapevi?

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    • Quiz
      The film broke many taboos at the time of its release. It was shot in a realistic style, only two songs were recorded and used in the film, and the ending was kept open purposefully. This influenced a whole generation of filmmakers - most notably Ram Gopal Varma and Mahesh Manjrekar, who made two acclaimed underworld films in their own right - Satya (1998) and Vaastav: The Reality (1999).
    • Blooper
      At 1 hour and 55 seconds, two crew members are visible at below right hand side corner when Anil Kapoor and Jackie Shroff are on the ship.
    • Connessioni
      Featured in Eklavya (2007)
    • Colonne sonore
      Kitni Hai Pyari Pyari
      Performed by Suresh Wadkar, Shailendra Singh

      Lyrics written by Khurshid Hallauri

      Music composed by Rahul Dev Burman

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    Domande frequenti17

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    Dettagli

    Modifica
    • Data di uscita
      • 3 novembre 1989 (India)
    • Paese di origine
      • India
    • Lingua
      • Hindi
    • Celebre anche come
      • Птицы
    • Luoghi delle riprese
      • Film City, Goregaon, Mumbai, Maharashtra, India(Studio)
    • Aziende produttrici
      • Natraj Productions
      • Vinod Chopra Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 34 minuti
    • Proporzioni
      • 2.35 : 1

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