Mister Johnson

Every so often you come acrooss a movie that at first you have no intention of watching and at a glance it seems as though it couldn't possibly interest you but it just pulls you in, takes you to another time and your hooked, Mister Johnson is one such film. The story takes place in West Africa 1920 while the british empire is still in partial control of the land and it's survival of the fittest so to speak. Native men work all day virtually as slaves for pennies and a select few that were lucky enough to be educated and get a good start in life treat the rest worse than the white colonists in an attempt to gain favor with the British. Mister Johnson is a movie about a fluke of a man, educated, sly, cunningly crafty, sharp as a tack and a black man living in a hard time and place. Mister Johnson is a movie about a man who tries so hard to be British he forgets who his people really are, he breaks his back time and time again bending over backwards for the British but ultimately gets no real reward except his satisfaction in believing he's one step closer to being and englishman. This movie looks so real and the characters are so vivid and realistic you sometimes ahve to close your eyes for a second or so to remember your not there with them. In my view Mister Johnson is someone we can ALL relate to, a man obsessed with being a bigshot in a town of nobody's and he will do anything to achieve it.

Poignant exploration and depiction of a person with dreams and aspirations. Not your typical film. Based on novel by Joyce Cary (very good novel) and pretty much sticking to the book's plot etc., this story should touch your feelings fairly deeply and perhaps make you think about the illusions (delusions) and impossibilities that drench many people's lives. Beresford (Driving Miss daisy, Breaker Morant) directs tautly and beautifully. Watching this film should make you a wiser, deeper person--don't miss it. (will probably have to buy copy from Amazon or ebay or perhaps from netflix.) Set in Africa, colonial theme is important. Moreover, racial dimension (protagonist is black) makes the story edge towards the politically incorrect. The hero's skin color is significant, but he is not a victim of racism--at least not in liberal's knee-jerk way.

The cinematography was truly lovely, it's natural colors blended with the story telling so thoroughly, I sat in the dark fascinated by this syncopation. The film has a huge cast, and filming in the African sun, it had to be a difficult.

I loved the talent. Every character was real.

I loved the story --the collision of two cultures at the beginning.

Most of all I love the character of Mister Johnson as portrayed by Maynard Eziashi. His behavior seemed typical of the era. And African villagers seemed so gentle and accepting of foreign intrusion. Maybe it was that way in the beginning.

Joyce Cary wrote a very sweet, sort of tragic story. I wish all films contained this truth, warmth and humanity.

Mister Johnson tells the tale of a young Nigerian man whose dishonesty and desire to please others lead to his downfall. He's lost--thinking he must be British to be a real man, for that is what he hears the British imperialists say. He doesn't understand the intrinsic worth of his African identity, and in his attempt to become more and more British, he loses everything he loves. The plot itself is sad but not entirely original. The movie's charm is in its setting--central Nigeria--and its use of the Pidgin and Hausa from that region. As one who grew up there, I was thrilled with their correct usage of terms and expressions. The cinematography is excellent, and I appreciate the genuineness of the movie itself. Sad but worth watching.

"Mister Johnson" is, first and foremost, a comedy. I must say this, because it's far too light-headed to be a serious dramatic film. Although, whatever the case, I can't say it's the most compelling story. The title character (played by Maynard Eziashi) isn't as sympathetic as the script might intend him to be. He steals, he cheats, he tries his best to be an Englishman, all to much self-detriment.

From a artistic standpoint, as well, this is not an especially engaging tale. Bruce Beresford has displayed a lot of subtlety in other films, but there's something about "Mister Johnson" that falls quite flat for me. I wanted to like it, because I nearly always enjoy Beresford's films. In the end, it's the performances by Eziashi and Brosnan that make this worth watching. They create characters you can get into, even though lacking a script that deserves it.