Uomini d'onore

What starts out as a well rounded, believable cast of mafioso family and associates and what is a pretty decent revenge story with lots of twists is mucked up by spiritual fluff, and a desire to be AL Pacino scarface by the lead man. The spiritual junk that has nothing to do with anything is just totally out of place. The free-fall descent from cold, calculated killers to loony tunes of the main character and his girlfriend makes no sense. Turturros girlfriend starts "sleep-walking" through their garden and talking about what they did is supposed to be believable? Clip about 30 minutes of hoo-hah out and this is a much better movie.

There are not too many really good movie versions of Macbeth, in fact I would say that there are no really good movie versions. As an English teacher, I would really like to show my students something that correctly captures the mental deterioration of the characters and accurately illustrates the violence and cruelty of Macbeth. This film is able to do that, unfortunately, due to the language, I will not be able to show it in class. But, I was pleased with this version of Macbeth. The acting is pretty good and the characters are believable mobsters. I wouldn't say that it tries too hard to follow the play; rather, I would give it credit for sticking to the play and modernizing it in a believable way. Overall, well done.

Checked this film out because of a positive review in the New York Times. Really captures the spirit of the Bard's play in a modern gangster setting. Doesn't romanticize the gangster life like other contemporary films in the genre. Doesn't pull any punches. Goes for the jugular instead, literally. Easy to see how top of the line actors like Stieger, Turturro, Boyle, Farina and Tucci were attracted to this low budget project. A daring experiment which shows how the themes and narratives of Shakespeare transcend time and place, Dark. Stylish. Intense. Very original adaptation with real flair. Would love to see it projected wide screen in a revival but will settle for the DVD release for the time being.

The scene with the gypsies (witches) came as a complete surprise, very few viewers would appreciate a small detail that just blew my socks off. In that somewhat creepy scene, there was a song/music in the background. What made it especially haunting was that it was being sung in Romanian, and roughly translated into English the voice was saying, "Throw the dirt on top of me (implying he is in a grave) so that I no longer have to see the pain and sorrow..." Little details like this made the movie brilliant -- of course, you may have to be Romanian to appreciate it, but still....

Some may say that the movie isn't 'Shakespearian' enough. But this adaptation was done very creatively and captures Shakespeare's themes quite well. It's even more interesting when you consider that Shakespeare himself borrowed and got creative with themes, symbolism, story lines, and characterizations from a much older literary source, that of the Bible. Consider Ahab and Jezebel, washing the blood off one's hands, the witches of Endor, divine judgment, all were incorporated in the story of Macbeth, and carry over into this film as well. This is a movie you can watch over and over again, and catch interesting new details each time.

It's probably safe to say that the majority of moviegoers in America today cannot carefully outline the plot of Shakespeare's Macbeth (on which this film is based) and probably would wonder why the main characters start chattering on about guilt so often when murder is their business--and you know how agonized John Tuturrro can be when he wants to! The film can't decide whether to be a springboard from the play, a clever re-interpretation, or a mob film with some casual references. And in any case--who was their target audience?

For those who know their bard, the fun of watching this is in the anticipation of familiar scenes or dialogue--gleeful when director Reilly decides to drag the drunken porter in after the murder of the King (read "mob boss" here), or disappointed when Lady L. doesn't go into "Out Damn Spot!!" although she is shown scrubbing her bathtub a la Mommie Dearest.

If you know the plot well, its hard to get into this remake, which isn't quite ludicrous enough to be amusing (anybody remember Ruth Roman as Lady Macbeth in an earlier remake entitled Joe Macbeth?), but is impossible to look at objectively, and thus truly enjoy as a movie experience. I wouldn't say "fly, Fleance, fly! "but neither would I generally recommended this (in spite of a compelling cast and excellent pacing) except as a quirky and often stimulating comparison with the actual play.