VALUTAZIONE IMDb
5,7/10
6262
LA TUA VALUTAZIONE
Uno studente determinato riesce a carpire la fiducia di Dorothy, figlia di Carlsson, e fidanzatosi segretamente con lei, la uccide simulando un suicidio.Uno studente determinato riesce a carpire la fiducia di Dorothy, figlia di Carlsson, e fidanzatosi segretamente con lei, la uccide simulando un suicidio.Uno studente determinato riesce a carpire la fiducia di Dorothy, figlia di Carlsson, e fidanzatosi segretamente con lei, la uccide simulando un suicidio.
- Premi
- 2 vittorie totali
Frederick Koehler
- Mickey
- (as Freddy Koehler)
Recensioni in evidenza
With a few changes, and for reasons known only to themselves, the powers that be remade 1956's "A Kiss Before Dying" in 1991. Now the sisters are twins, and the plot is taken out further - rather than just getting engaged, Ellen now marries the killer. That's not a spoiler - we see him murder her sister in the first reel.
The original of this film, with Robert Wagner, Joanne Woodward, Jeffrey Hunter, Virginia Leith and Mary Astor was much more entertaining. This update is boring and acted in a lazy manner by its stars, Sean Young I, Sean Young II, and Matt Dillon. Isn't one Sean Young bad enough, we had to have two of them? Supporting players Diane Ladd and Max von Sydow have precious little to do. The only part I liked was the scene from "Vertigo" on TV - but I do hope the director wasn't trying to compare himself to Hitchcock.
I don't understand Hollywood's obsession with remakes, except that I suppose they're cheaper because the studio already owns the property. But a fresh story line here and there wouldn't hurt. On top of which, it is a rare occasion when the remake is actually better. This is not one of those cases.
The original of this film, with Robert Wagner, Joanne Woodward, Jeffrey Hunter, Virginia Leith and Mary Astor was much more entertaining. This update is boring and acted in a lazy manner by its stars, Sean Young I, Sean Young II, and Matt Dillon. Isn't one Sean Young bad enough, we had to have two of them? Supporting players Diane Ladd and Max von Sydow have precious little to do. The only part I liked was the scene from "Vertigo" on TV - but I do hope the director wasn't trying to compare himself to Hitchcock.
I don't understand Hollywood's obsession with remakes, except that I suppose they're cheaper because the studio already owns the property. But a fresh story line here and there wouldn't hurt. On top of which, it is a rare occasion when the remake is actually better. This is not one of those cases.
Inferior remake of the 1956 classic. Matt Dillion was still very handsome when this was made and the real reason to watch. He is effective as the sociopat, and would have been better with a talented and attractive leading lady. Sean Young is just really, really bad. If you dislike her, this plays as an unintentional comedy. A nice touch is Matt lighting a cigarette after he pushes her off the roof.
Now if Matt was teamed with Diane Lane again, this could have been an effective and sexy thriller. BTW, well to do women do not buy box hair color at the drugstore they have professionals color it. Hair as dark as Young's would have to be bleached first anyway. It is a two step process.
Now if Matt was teamed with Diane Lane again, this could have been an effective and sexy thriller. BTW, well to do women do not buy box hair color at the drugstore they have professionals color it. Hair as dark as Young's would have to be bleached first anyway. It is a two step process.
Why do they do it? Just because a film was made once in the fifties, someone thinks they need to remake it with today's hot stars. At least they could improve on the story.
The most glaring hole in this version is the fact that the father (Max von Sydow) hired a private detective to investigate the boyfriend of his daughter, and yet he declined to investigate the boyfriend of his other daughter, both played by Sean Young, which would have exposed the plot.
Matt Dillon plots to have it all and has to do some things that just stretch us beyond belief to get there. He just seems to be in the right place at the right time just once or twice too often for my tastes.
I fell in love with Sean Young when she did No Way Out back in 1987. I haven't seen much of her lately and understand that she has not been doing so well. I thought she was good in this role and think that she has been unfairly criticized.
Still, I believe film noir is best watched in films of the fifties and remakes just don't do it for me.
The most glaring hole in this version is the fact that the father (Max von Sydow) hired a private detective to investigate the boyfriend of his daughter, and yet he declined to investigate the boyfriend of his other daughter, both played by Sean Young, which would have exposed the plot.
Matt Dillon plots to have it all and has to do some things that just stretch us beyond belief to get there. He just seems to be in the right place at the right time just once or twice too often for my tastes.
I fell in love with Sean Young when she did No Way Out back in 1987. I haven't seen much of her lately and understand that she has not been doing so well. I thought she was good in this role and think that she has been unfairly criticized.
Still, I believe film noir is best watched in films of the fifties and remakes just don't do it for me.
For this type of thriller, this movie is entirely average. The plot and overall theme is decent enough, but the film loses any potential it might have by featuring such lousy acting. Even Max von Sydow, who is a veteran and is normally an excellent actor was disappointing in this. The only actor who did even a decent job was Matt Dillon. The film also has a bad pace, it's far too slow; in fact, it's incredibly slow and boring, for such a short film; it's just over 90 minutes, yet I can't bring myself to sit through the entire thing again(I did once, but ever since then I haven't been able to do so). The climax in the film is also below average, and flat-out boring. The supposed twist-in-the-end was lame, and not to mention far too easy to figure out. Also, the film introduces the villain far too early, in my opinion. Five minutes into the film, you knew who you were gonna root against. That's just too early. The film lacks any real surprises, as well as any great qualities. The few scenes detailing the psychopath's gruesome murders are decent, but lacks any real intensity or excitement, simply because you know exactly what will happen. As far as thrillers go, this is average and entirely forgettable. I recommend it only to the biggest of thriller fans. 5/10
"like a bad tv movie" Thanks to MCMucus, Kalamazoo. You summed it up in 5 words. I could only add that a pompous score tries to tell you that a wonderful drama is unfolding in front of you. It's not. It's hard to find anything of value in this film.
Lo sapevi?
- QuizMatt Dillon was actually James Dearden's third choice to play the lead role. Originally Dearden wanted River Phoenix to play Jonathan, but Phoenix didn't relate to the material saying he couldn't play someone so evil. Then Dearden approached Kiefer Sutherland who turned down the offer due to scheduling conflicts. Finally Dillon got the role and Dearden was so impressed with his performance that he later said Dillon should've been his first choice all along.
- BlooperWhen Ellen and Jonathan take the injured homeless woman to the hospital, Ellen talks to a nurse and offers to pay the bill. First, the nurse is wearing a stiff white cap and uniform. Most nurses, especially in the ER, had stopped wearing this type of uniform by the time the film was set. Also, she gives the nurse the money for the bill. Nurses do not handle billing and collection in hospitals. Plus, she didn't seem to know how much the bill was. And no receipt?
- Colonne sonoreDangerous Love
Written by Simon Stokes & Mark Hefferman
Performed by Simon Stokes
Courtesy of Kook Records
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Un beso antes de morir
- Luoghi delle riprese
- St. Thomas Church - 1 W 53rd St, New York, New York, Stati Uniti(Jonathan and Ellen's wedding)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 15.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 15.429.177 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.348.165 USD
- 28 apr 1991
- Lordo in tutto il mondo
- 15.429.177 USD
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What is the French language plot outline for Un bacio prima di morire (1991)?
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