Eroe per forza

This is the fourth Paré flick I catch, the others being Bad Moon(a crossbreed of Lassie and your typical sub-par werewolf story), Deadly Heroes(that reuses part of a so-so car-chase in this, and is pure camp) and Village of the Damned(where I must have been basically fine with him, as I don't recall him standing out as poor). Here, he's playing two(I think; it is difficult to determine, as the only thing that sets them apart... *at all*... is that one has a patch of blood over his left eye, as evidence that he's been tortured) identical cousins(they walk and talk alike)... no, wait, twins. Yeah, they feel each other's pain(well, once, when it's required for this thing's excuse for a plot)... has that *ever* been a compelling idea? Whether or not such a thing is just a little bit realistic, it is corny as all hell. Anyway, where Double Impact had split-screen shots, we don't even get *that* here. Chris Brandt wakes up one morning, certain that his brother(in Lebanon, engaged in the conflict) is alive(he dreamt it, you see; at this point, the producers remind the writers that they are, in fact, not currently doing a script for My Little Pony). There is relatively little action, and only near the end does it get to be at least decent. This is one of the stupidest protagonists I've encountered. For some reason, he sure can fight, in spite of being a mere basketball coach. This is not that exciting or entertaining. There is hardly any tension. It is definitely a B-movie, with the acting "talent" to match. The score is fine, nothing special. Same goes for the dialog, with the occasional exception that is concentrated pain in audio form. As another person already put it, this is put together by Americans and Isralies, and offensive to everyone but those groups. There is a little sexuality/eye-candy and moderate, bloody violence in this. Flat, one-sided, and will probably give you constipation... similar, I suppose, to a pizza, albeit without the appeasing scent and taste. Yeah, watch the JCVD film instead. I recommend this solely to those looking for a fix in the genre. 4/10

What a dog this one is! Poorly staged action sequences, lousy acting, terrible dialogue - and it's racist to boot. A ridiculous simplification of the political turmoil in Lebanon in the 1980s, this film would also have us believe that one American high-school basketball coach can defeat a whole army of Lebanese terrorists!!! And we are also meant to believe that the US Government would recruit this same basketball coach (and his friendly Lebanese taxi driver!!!) in an operation to rescue American hostages - a four man operation against hundreds of armed-to-the-teeth terrorists. The resulting rescue scene is almost as funny as the opening scene of "The Naked Gun". This sort of nonsense certainly does nothing to help US relations with the Middle East - and, as this was an Israeli-American co-production, it does little to help Arab-Israeli relations either.

On the plus side there is some excellent male eye-candy. Lorenzo Lamas, an even worse actor than his father (if such a thing is possible), is pretty easy on the eye. But even better we have no less than two Michael Pares - he plays twin brothers, and neither brother seems to be too fond of wearing shirts! It's a shame that Pare ended up in this sort of z-grade rubbish, particularly after such a promising start in "Eddie and the Cruisers".

With the hunk factor so high, maybe you could watch "Killing Streets" with the sound turned down, put something sexy on the stereo, and simply admire the view!

Typical propagandist plot of the "good USA" and the "middle eastern terrorists". The "honorable" US soldier, or civilian being kidnapped by the middle eastern "terrorists" and the hostage being rescued!

The true version of the story is that tyrant USA attacks or triggers war against countries which do not submit to US tyranny and control... a tradition of every presidential mandate. Except Trump. The middle east is so bad for not submitting to US control of their oil! So the true story is exactly the way around. The USA commits countless crimes around the world (see covid pandemics bioweapon). Some more originality in the story by shifting around the "good" and "bad" guys would have been nicer. I much prefer "Good Will Hunting". The answer of Will to why not to join the NSA was great! It´s the type of answer that makes me think: "this is what I call an educational movie"... which I cannot say about "Killing Streets" and all the other (USA) State propagandist movies.

It's better then most films I've seen and to be honest it is a good action film... Most of Parè's films have less then 700 votes and I don't undrstand why. He should of been a bigger star, he has more charisma then Tom Cruise. It's a decent action films with some good action sequences. The film does deserve better attention.

I was surprised that there was only one comment on this film. This is definitely another example of an American-Israeli co-production which is completely offensive to anybody other than Americans or Israelis! Stereotypes abound, historical inaccuracy, blatant racism, jingoism galore, this movie is painful to watch. Other than that, it's your typical low budget action film. Worth a watch on late night cable.