JFK - Un caso ancora aperto

I have stated many times that Oliver Stone is an incredible film maker whose films sizzle with excellent cinematography, good acting, and original storyline. He makes controversial films that are sometimes unappreciated by the public and the critics. I said and believed all this even before I watched "JFK".

"JFK" is a film that stars many A-list actors in major and minor roles, but they give deep imprints nonetheless. Tommy Lee Jones, the Oscar nominated actor of the film, gives a performance that I almost missed due to my not recognizing him. Jones plays Clay Shaw, a powerful figure in New Orleans and a secret homosexual who knew about the plot to kill the president. Gary Oldman is fantastic as the widely publicized murderer, Lee Harvey Oswald. Joe Pesci, fresh from his Oscar in "Goodfellas", as Dave Ferrie, a man who is struggling to cope with the heavy accusations and mysteries of the JFK murder. Donald Sutherland in an Oscar-worthy performance, as an informant that talks to Jim Garrison, played wonderfully by Kevin Costner. Other great appearances include Kevin Bacon, Sissy Spacek, Michael Rooker, and even Walter Matthau in a bit appearance.

Many of these fine performances were worthy of Oscars, but if there is one man that deserved an Oscar more than anyone else, it would have to be Oliver Stone, who did not win Best Director OR Best Picture. Who did he lose to? "Silence of the Lambs". While I do consider the film to be an excellent thriller featuring one of Anthony Hopkins' greatest performances, I must say that in terms of scope and daring, "JFK" was a far superior film. The cinematography was far more varied and ambitious, as well as the subject matter itself. I can understand why "JFK" was passed over, but the reasons are not fair to the extraordinary film given to us.

The appearance of "JFK" is astounding. You are taken to a time of much distrust, horror, confusion, corruption, and cover-up. The murders of JFK, Martin Luther King, and RFK all influenced the time periods and the peoples. Many people tried not to think about it, or else they were scared into silence. Some, like Jim Garrison, tried to present the truth of "JFK", and their efforts are being felt even now.

Before I saw this film, I had seen Oliver comment that "JFK" was a movie in which he got all the crazy theories and presented them. He was not implying that everything was true, and some of it isn't true. But after seeing this film, I am convinced there was definitely more to the story than was originally told, as I believed even before I saw "JFK". This gave me a knowledge of the period, and awareness of the people participating in the drama of the time.

The point of the film is not entirely based on the story of the JFK assassination. It is an outcry from Oliver Stone to remind us that truth is never simple, nor is it always presented by the government. People must struggle to find the truth sometimes, and if it is covered up, it could be lost forever. The film is an attempt to show us that the murder of President Kennedy was a time of much confusion and mix-up. So what was true and what was not? Many eye-witnesses gave conflicted views, while other circumstances were strange in their origins and happening. And while he gave us this, Oliver Stone also presented us with the best film that he has yet made, and his resume is incredible as it is.

I have seen the films "Platoon" and "Born on the Fourth of July": films that Oliver Stone won Best Director for. Why did he not win for "JFK"? Why did it only win 2 Oscars? For me, it is another example of how disappointing the Oscar results can be. I urge all to see this epic film of mystery and deceit, of truth and lies, the work of a master film director known as Oliver Stone.

The first film in Oliver Stone's films about the American presidency, JFK is a historical drama exploring a popular conspiracy theory regarding John F. Kennedy's assassination, adapted from the books On the Trail of the Assassins by Jim Garrison and Crossfire: The Plot That Killed Kennedy by Jim Marrs. On November 22, 1963, President John F. Kennedy was shot and killed in Dallas, Texas, allegedly by Lee Harvey Oswald (Gary Oldman). The inciting incident occurs when New Orleans District Attorney Jim Garrison notices several inaccuracies in the Warren Report (the official investigation of the assassination) and decides to reexamine the case of Kennedy's death. Garrison and his team pursue the truth at all costs, and eventually take Kennedy's death to court to ask: who really is responsible for killing the President?

Clocking in at more than three hours, the film has a definite focus on its story, with every element of the film being used to further the plot. Garrison is a modern hero in the film, a city DA that rises to the enormous challenge of investigating the President's assassination. Kevin Costner seems to perfectly capture this type of character (also achieving a thick, charming southern accent) and connecting with the viewers. He is surrounded by an all-star supporting cast, all of which truly become the real life figures they portray. Stone writes believable and engaging dialogue, but since the film focuses so heavily on story, he spends little time developing the characters. Oliver Stone is a controversial director, and his style can be very polarizing, but personally, I enjoyed his strange method of storytelling. The costumes seemed appropriate for the setting, and the set designs were extraordinary, particularly the recreations of 1960s city streets such as Dallas and New Orleans.

John Williams was responsible for writing the film's score, and was nominated for an Oscar for his efforts. Williams was busy writing the score for Hook around the same time, so he actually wrote themes for the film before the film was shot. This resulted in Stone cutting and editing the film to the music, instead of the typical method of fitting the music to the film. Williams gives JFK a tragic, but heroic theme, but also incorporates pulsing synthesizers for the investigative scenes (an unusual tactic for the composer). This resulted in an effective score and a seamless integration with the film. The cinematography was unusual, but played a very important role in the story. The film opens with a montage of newsreel clips from JFK's presidency. It slowly intersperses Stone's own clips, but the lighting and coloring (black-and-white and grainy film) make the clips all seem genuine. Much of the film is shot in this manner, giving a very real sense to the story, very similar to a documentary. I can honestly say this film would not have been the same had it not been for this unique approach to cinematography.

JFK (rated R) contains strong language throughout, and the assassination scenes may be too graphic for young viewers. The 3-hour runtime will bore some; however, any lover of historical dramas or investigative thrillers will finish the film asking for more. The film is an emotional journey, and viewers will always find themselves rooting for Garrison and his seemingly impossible quest. I give this film a B+, finding it "guilty" of keeping me on the edge of my seat.

I feel like with Oliver Stone's JFK, whether or not it's actually convincing is less important than how passionate it is, and how it admirably presents a case over the course of 3+ hours, while never being boring. It's a paranoia-heavy movie, and can kind of make you feel overwhelmed and a little dizzy by the time it's over.

Like anything by Stone, I think parts are overblown and come a little close to feeling slightly silly, but when JFK hits, it hits real hard. There are some incredible performances within it, too (Kevin Costner has never been better, and Donald Sutherland's extended scene - just one - is a highlight), and I love the blending of archival footage with dramatizations.

It's surprisingly well-paced, well-acted, and technically quite the accomplishment, and earns its lengthy runtime well.

Oliver Stone's epic film which follows the real-life events of New Orleans District Attorney Jim Garrison is a monumental movie event. It should have been named the Best Picture of 1991 instead of The Silence of the Lambs.

Everything about this film is perfect and it shows that when an intriguing story comes together with all other elements of filmmaking that are executed brilliantly, the film works on so many levels.

First off, Stone's direction is as good as it gets. He has an incredible passion for the subject, knowledge of the art and relationship with the camera. All of his footage goes together seamlessly and makes the 3 h 08 min running time blow by. He gets a strong performance out of the entire ensemble cast especially Costner, Jones, Oldman, and Pesci.

Scalia and Hutsching's editing is a work of art and tells the complicated story with incredible precision. Richardson's cinematography lights up the screen in both colour and black and white. Both of these technical aspects of filmmaking are molded into sheer artistry by these three men who have all deserved their Oscars for this film.

John Williams' score is one of his best (right up there with his Indiana Jones and Star Wars). The script is intelligent, thought-provoking, mesmorizing and heart-wrenching. Costner's closing speech to the Jury is finer that Nicholson's in A Few Good Men, McConaughey's in A Time to Kill and Jackson's in Pulp Fiction. It is Stone and Sklar's best work.

The subject matter is incredibly controverial and subjective but Stone's delivers it with such emotion and raw power that his alternate myth to the Warren Report seems factual. The film is an investigation into the human spirit and how the vigour and dedication of one man and his team of associates can rise above the highest powers of the world and encode a message into the minds and hearts of millions. John F. Kennedy has countless achievements and qualities as a president which makes his life and term one of the most incredible and worthy of deep study.

Oliver Stone's JFK should go down in film history as one of the most important American films ever produced. Watch it with an open mind free of prejudice and predisposition and you will find yourself wanting to go to the library and learn more about this global tragedy.

Whether you agree with Jim Garrison's conspiracy theory or not, Stone's film is an effective mystery.

The pieces of the puzzle are put together with great skill so that the viewer is kept involved despite the length of the film. The John Williams score helps to build the atmosphere of intrigue and confusion. Costner is rather bland, as usual, but that works well here since he is surrounded by such an interesting group of colorful characters.

This is definitely a good mystery -- and a frightening one if even part of the conspiracy theory has validity.