Un marito di troppo

I don't know why there are such bad reviews on this, personally I really enjoyed watching it. Sure it's not gonna be indicted in the Hall of Fame of international cinema, but that's not what it's trying to be. The actors deliver really good performances though, William Petersen especially is spot on and very charming. It's cute and fun and tbh i was kinda surprised at the ending. I recommend it if you're looking for a cute love story or just something easy and light hearted

The movie was about a woman's ex-husband coming to town the day before her second wedding to stop the wedding. Similar stories have been filmed many times but the acting made all the characters believable and likeable. Sissy Spacek and William Peterson were very effective in the lead roles and all the supporting players were right on the mark. People addicted to a lot of non-stop action, rather than talk, should look elsewhere.

William Petersen is excellent as a thirty-something good ol' boy and absentee husband who is about to grow up a bit as he's forced to face some uncomfortable facts about himself. Sissy Spacek is his newly divorced wife who is about to remarry when he comes barreling back into her life to prevent it....These two would have never gotten married if they had had a good astrologist do their charts in detail; he's very much a Sagittarius, probably with afflicted aspects in his sixth house, whereas she's a dyed in the wool Cancer. They obviously have great physical chemistry but severely conflicting emotional and psychological temperaments and needs. It took her 12 years of anguish to divorce him even though they still love each other. He's trying very hard to win her back and nearly does but ultimately she's more adult then he is and her resistance though nearly crumbling, persists. The film stands as a perceptive and sympathetic study of basically incompatible characters with a knowing and abiding understanding and fondness for each other who will never be able to weld into a viable union.

"Hard Promises" is a bit like a doing a rural remake of "A Tree Grows In Brooklyn" into which you incorporate the basic premise of "Sweet Home Alabama". While not in the same league as the former, it is considerably less offensive than the latter-which it may have inspired.

Billed as a romantic "comedy", the film contains little humor (unless you are still amused by small town stock characters) and nothing profound in the romance department. But like "A Tree Grows In Brooklyn" it is about the interplay of love, freedom, and caring among people who have allowed a considerable distance to grow up between each other.

It features a nice performance by Sissy Spacek (who looks unexpectedly sexy and beautiful) and a nice portrayal of a charismatic character by William Peterson. Yet they are both upstaged by Olivia Burnette who plays the film's Francie character (handled so well by Peggy Ann Garner in "A Tree Grows In Brooklyn").

Joey Coalter (Peterson) is an aimless free-spirit who neglects his wife and daughter while drifting around the country. Like Johnny in "A Tree Grows in Brooklyn" he is full of unfulfilled promises and pipe dreams. He returns on the eve of his wife Christine's (Spacek) wedding; having been alerted by his daughter that Christine has obtained a divorce during his latest absence. About all Joey has going for him with viewers is that he loves both his daughter and his wife. About all he still has going for him with Christine is the charisma of a free- spirit and a continuing physical attraction.

His daughter Beth (Burnette) is his ally in his attempts to salvage their family, as she is not particularly fond of her mother's fiancée (Brian Kerwin). Kerwin's stable but boring character is the polar opposite of Joey and she thinks her mother is overcompensating for Joey's historical unreliability.

"Hard Promises" is mostly dedicated to exploring Joey's inherent and impossible to change aimlessness. This gets a little oppressive if you are looking for a dynamic story but the film is a successful exercise in unity and style. The score and the editing reinforce this theme and provide a surprising number of really beautiful and moving film moments. The climax is unconventional and they go out on a nice scene between father and daughter.

It is an unexpectedly slick production, a triumph of style over substance-but in a good way.

Then again, what do I know? I'm only a child.

How do you let go of that "first love" when he's not the right one? A wonderful film with, finally, love and acceptance at the end. What do you do when the high school prom king you married turns out to be a clown, or Peter Pan who will never grow up?

"But you're my home; you can't leave." "You used our home like a motel"

as she finally marries someone else.

He then goes for the little girl, his daughter, who also finally sees through his "promises" and says "Daddy, you don't have to make promises you can't (or won't) keep... I love you anyway, just the way you are."

Love and acceptance: so easy to say, so hard to do... a heck of a wonderful film to promote the reality of relationships and the beauty of the "stable guy" who may not make your heart race, but is there for you thick and thin.

Something to think about, for a long long time. Who wrote the great title songs with screaming guitar? Where can I purchase a CD?