VALUTAZIONE IMDb
6,8/10
17.246
LA TUA VALUTAZIONE
I destini di diverse persone si intrecciano in modo casuale. Si supportano reciprocamente, pur affrontando le molteplici differenze nei loro stili di vita.I destini di diverse persone si intrecciano in modo casuale. Si supportano reciprocamente, pur affrontando le molteplici differenze nei loro stili di vita.I destini di diverse persone si intrecciano in modo casuale. Si supportano reciprocamente, pur affrontando le molteplici differenze nei loro stili di vita.
- Candidato a 1 Oscar
- 3 vittorie e 9 candidature totali
Patrick Y. Malone
- Otis
- (as Patrick Malone)
Lauren Mead
- Claire's Baby
- (as Loren Mead)
Recensioni in evidenza
This is and will stay Hollywood's most criminally underrated movie about life... and how to live with it. No smart answers. No solutions. But every worth-while question gets its honest reflection.
Sometimes sentimental. Sometimes giving up on the unsolved future. Sometimes kissing the brow of the undeserving. Always scary and beautiful.
I know, not really a logical assessment, but if you saved yourself a fraction of your... well... 'innocense'..., a fraction of your desire for a solid horizon to look at, you will love this movie without a second consideration, and you'll need a LOT more time to explain that to yourself.
A very personal confession: The soundtrack makes me cry over what I've lost and gambled away for the prize of cynical safety. Nothing will come back. I am the child of black jokes. But 'Grand Canyon' reminds me of the ever-lasting loophole into hope.
This is the movie I will never be able to praise sensibly.
'Grand Canyon' will stay my guilty pleasure.
This is a truly beautiful movie. I had almost forgotten in my hard-boiled pride what that word means..., until I watched 'Grand Canyon'..., and had to watch it again... and again...
Schogger13
Sometimes sentimental. Sometimes giving up on the unsolved future. Sometimes kissing the brow of the undeserving. Always scary and beautiful.
I know, not really a logical assessment, but if you saved yourself a fraction of your... well... 'innocense'..., a fraction of your desire for a solid horizon to look at, you will love this movie without a second consideration, and you'll need a LOT more time to explain that to yourself.
A very personal confession: The soundtrack makes me cry over what I've lost and gambled away for the prize of cynical safety. Nothing will come back. I am the child of black jokes. But 'Grand Canyon' reminds me of the ever-lasting loophole into hope.
This is the movie I will never be able to praise sensibly.
'Grand Canyon' will stay my guilty pleasure.
This is a truly beautiful movie. I had almost forgotten in my hard-boiled pride what that word means..., until I watched 'Grand Canyon'..., and had to watch it again... and again...
Schogger13
This highly underrated film is (to me) what good writing in a movie should be all about. Kasdan takes the search for meaning in our lives and lays it out for all to see and wonder at. The movie is about the divides people create to insulate themselves from the violence and hatred and bigotry of everyday life.
Along the way we are asked question after question about life. Davis (Steve Martin with a great beard) asks himself 'Is my making a violent movie (and by extension our enjoyment of it) causing the violence in society?' Claire asks "What kind of world throws away something as precious as a human life?' Mack is not immune as he asks 'Is it possible to pass beyond the bounds of race and (an even harder step) finance? These are of course not quoted from the film, but generalities. Others ask their questions too, and to be honest it raises more than it answers.
But that is the nature of life. We strive all our lives to find answers to questions we will never totally answer, and in certain cases have to make answers fit to our own needs and desires. As humans we thrive on questions we cannot answer. Some answers are real. Claire and Mack come to realize that even though they could take the easy road and let the state take the baby, their finding it placed the responsibility for her life in their hands. Some answers are not. Davis `Sees the Light' and decides not to make violent films, but the next day turns around and dismisses his epiphany as subordinate to his art.
We all seek answers. This movie does not answer them for; it simply reminds you to keep looking for the answers.
Along the way we are asked question after question about life. Davis (Steve Martin with a great beard) asks himself 'Is my making a violent movie (and by extension our enjoyment of it) causing the violence in society?' Claire asks "What kind of world throws away something as precious as a human life?' Mack is not immune as he asks 'Is it possible to pass beyond the bounds of race and (an even harder step) finance? These are of course not quoted from the film, but generalities. Others ask their questions too, and to be honest it raises more than it answers.
But that is the nature of life. We strive all our lives to find answers to questions we will never totally answer, and in certain cases have to make answers fit to our own needs and desires. As humans we thrive on questions we cannot answer. Some answers are real. Claire and Mack come to realize that even though they could take the easy road and let the state take the baby, their finding it placed the responsibility for her life in their hands. Some answers are not. Davis `Sees the Light' and decides not to make violent films, but the next day turns around and dismisses his epiphany as subordinate to his art.
We all seek answers. This movie does not answer them for; it simply reminds you to keep looking for the answers.
I'll keep this one quite short. I believe that this is an extraordinary movie. I see other reviewers who have commented to the effect that it's badly written, poorly shot, has a terrible soundtrack and, worse, that it's not real in its portrayal of life. OK, so it may not be quite believable for its whole length, but this movie carries a message of hope which some others seemed to have missed. Hope that it isn't too late to save people from the terrible things that go on in so many lives. Gangland violence is real, right? Is it right, no! This movie carries an important social message which the cynics may dislike but which nonetheless is to be praised, rather than denigrated. I have watched this movie with great enjoyment at least eight times, each time with equal enjoyment and each time with the feeling that maybe the world could be made better and is not beyond saving (well not until 2008 anyway). 9 out of 10 from me for this one. It's very nearly perfect in my view. JMV
On second viewing of this movie, I like it even more than the first time. It is full of nuances and a perception of life as being quite ordinary and often fearful but what lifts this movie to a height rarely realized is its focus on the little incidences in our lives to which we normally only offer the briefest of attention spans. Here the movie spins into the celebration of these incidences, the meeting of a tow truck driver and client, the jogger hearing a baby's cry from the bushes. The dialogue, acting, casting and direction are superb. No two by fours, no grand revelations. What I did observe was how true the characters were to their basic natures and how enhanced their lives became when these were celebrated. Kudos to all involved in this, we need more "Grand Canyons" in our lives. 9 out of 10.
I rarely review anything on the internet, but want to comment on this film. I think Grand Canyon is entirely under-rated, and is in fact one of the greatest American contemporary films. I have seen it many times, and am amazed at Kasden's directorial and writing skills. I think most reviewers don't understand it! I see very glib reviews about this film but seldom indepth comment.I believe this film is about synchronicity, life-purpose/meaning and the feeling of powerlessness and isolation of people in a fast-moving culture where youth passes rapidly,transition is constant, and big-brother is watching. Outstanding acting from all actors, indepth characterizations and real-life dilemnas. I love the way "Simon" who appears to be the "doubting Thomas" and only believes in "fate" without purpose begins to understand human interconnection towards the end of the film. Though I don't necessarily agree that "the problems of a few little people don't matter a hill of beans" in relation to the majesty of the Grand Canyon, I see Kasden's point that perspective on our lives is important!
I don't know much about Kasden but have tried to learn more. He seems to manage to insert his spiritual message in an entirely entertaining way in recent films: witness "French Kiss" and Mumford"...both of which deal cleverly with loss and reinventing ourselves. I suspect he wrote many of the Jedi and Yoda parts of the original Star Wars films --the Jedi philosophy seems consistent with his own. I am a student of Conscious Creation concepts and love films so am always happy to see how Mr. Kasden weaves his message into his latest films.
Thank you, Mr. Kasden and please keep creating!
I don't know much about Kasden but have tried to learn more. He seems to manage to insert his spiritual message in an entirely entertaining way in recent films: witness "French Kiss" and Mumford"...both of which deal cleverly with loss and reinventing ourselves. I suspect he wrote many of the Jedi and Yoda parts of the original Star Wars films --the Jedi philosophy seems consistent with his own. I am a student of Conscious Creation concepts and love films so am always happy to see how Mr. Kasden weaves his message into his latest films.
Thank you, Mr. Kasden and please keep creating!
Lo sapevi?
- QuizThe scene where Mack is nearly killed by a bus was taken from writer and director Lawrence Kasdan's own life.
- BlooperThe Lexus driven by Mack is a rear wheel drive automatic transmission model. It should be towed with its rear wheels off the ground. Simon tows it from the front.
- Curiosità sui creditiThe closing credits include the following unusual job title: "Babies by . . . Denise & Robert Mead"
- Colonne sonoreLawyers, Guns and Money
Written and Performed by Warren Zevon
Courtesy of Elektra Entertainment
By Arrangement with Warner Special Products
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Grand Canyon
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 33.243.020 USD
- Fine settimana di apertura Stati Uniti e Canada
- 67.546 USD
- 29 dic 1991
- Lordo in tutto il mondo
- 40.991.329 USD
- Tempo di esecuzione
- 2h 14min(134 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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