Jaianto Robo: The Animation - Chikyuu ga Seishi Suru Hi

Giant Robo should have really sucked. It had a retro-futuristic style (think Astro-Boy), it has some really cliched characters and the story doesn't start out in any exceptional way. Except... as the story progresses, these things start to change. Characters lose their one dimensionality and start to have human motivations. Plot twists drive shake everything the narrative has led you to believe. There are times when it appears the story just can't get any bigger, but it does!

What makes this series great is giant cast of characters (each with unique abilities, some of which are very original), the twisting of convential anime plot lines and that it doesn't rely purely on shock value or huge explosions to keep you interested. Having seen a lot of the MD Geist-style anime (read: very very bad anime in regards to plot or characterisation), it is great to see a series that doesn't insult my intelligence.

There are some negatives to this series - the whiny boy who controls Giant Robo, the voice acting for some of the characters (I saw a dubbed version), there are some really cheesy moments and some anime conventions are still followed religiously (eg the girl (Ginrei sp?) is mostly useless... except when she isn't). A big let-down is the additional episode on the final tape - because there are 7 one-hour episodes, a filler episode called "Barefoot Ginrei" was after the final episode. It doesn't really add anything to the story, and the fact that Ginrei's feet aren't the only things that are bare may have been the reason it was included.

Despite this, Giant Robo deserves any accolades it gets. Go out and see it.

It may have escaped other reviewers but ALL the characters of this show are take from other series.

Giant Robo OF COURSE is JAIANTO ROBO, but also BIG FIRE himself is BABIL JUNIOR (residing in the ruins of the Babel Tower with his three guardians...the panther, Rokuros and Poseidon) and even Lord Alberto's psychic daughter...she's Sally the Witch from 'Maho Tsukai Sally' (a 'bewitched'-influenced jap cartoon show of the late 60s). Several of the Magnificen 10 were villains in a early animated show about an antediluvian teen awakening in the present and reactivating a giant mecha from the seabed (I just can't place the name of that series but I have seen it in my youth).

All the references and homages of course work just for the Japanese and for the few (lucky?) countries which were flooded by the barrage of ALL the early Japanese cartoon series (I live in Italy and during the late 70s-early 80s we imported almost ALL of the anime which existed to that day...as a result the regular 30-ish male Italian has a passing knowledge of anime to rival that of a non-Japanese 'otaku'...limited to that peculiar period).

Well that's it, search the web and find all of the in-jokes and special appearances that literally FILL the animated series.

Last hint...director naka-joe's original character appeared of course in a boxing series but you have to take 25-30 years off his current appearance to find out 'where does he come from'.

Giant Robo is like a casserole; some bits are incredibly tasty, and some bits you have to push to the side of the plate. I love most of the incidental characters, especially the bad guys. The scenes where members of the Experts of Justice are facing off against, members of the Magnificent Ten and Big Fire (even the names are cool) are well done. When Ivan the Terrible shoots across a room and his scar glows red, all you can say is "Wow!" Also, several of the non-fight scenes are very well directed, with a lot of atmosphere. There are multiple instances in each episode where one of the good or bad characters does something that just makes you exclaim with joy at its coolness.

The problem with this film is that it dwells far too much on big stuff: Giant Robo, cities blowing up, big black orbs trashing out Shanghai, etc. Some of you will say "What do you expect from a movie called Giant Robo?" I have no answer to that. I guess this is what many people want to see. For me, long drawn out animated devastation loses its appeal after about five minutes, especially when they show the same bit of demolition multiple times (i.e. Bashtaralle getting blown up over and over again). Also, the little boy who controls Giant Robo just put me to sleep.

This would have been much better if they called it the Experts of Justice, and left out all the big stuff, including Giant Robo. But judging from the other comments, there is apparently an audience for animated cities getting trashed, so who am I to blame the filmmakers.

Right in the beginning you can tell Giant Robo is different. Set in a retro-future where the heroes and villians fight it out in tailored suits, and the robots look like 50s atomic toys, this series is my all-time favorite Japanese animation - in the company of Akira, Evangelion, Mononuke and Ghost in the Shell - where each episode is better than the last, and for those of you who watch all 7, the end comes far too soon..

I fell in love with this series from the very first opening frames. After having seen countless animes with interchangeable characters, plots and visual styles, Giant Robo was an unexpected masterpiece. At first glance it looks retro, but nothing can be further from the truth. If anything, Giant Robo is ahead of its time (or perhaps one of the only ones on time). Highly stylized (to say the least), Giant Robo eeks every scrap of possibility out of its animated format. There is no attempt to recreate reality here. Characters have incredibly long, thin legs (and--in one case--nose), run faster than cars and have super powers way cooler than anything else I've ever seen. The soundtrack is outstanding in an original sort of way (opera!) and the pacing keeps viewers on the edge of their seats.

My biggest gripe with the anime is with the characters. While I found many of them to be interesting and likable a few of the main characters were a bit too typical for my tastes The protagonist boy, female lead and the master villain all seemed to be characters I had seen before. However, nearly all of the secondary characters make up for this single flaw.

What Giant Robo does have is great style and enough audacity to try something new. In each of the seven episodes there are numerous breaks from anime convention that set this anime apart from most others. Unfortunately, to go into details would spoil just about everything. Plot twists abound and Giant Robo does feature one of the most powerful endings I have ever seen.

I could go on and on about this anime, but that would be pointless. If I haven't convinced you by now to see it, I'm not going to. And if you've already seen it, you'd just agree with me.

Personally, it ranks as my second favorite anime (following the flawless Mononoke Hime).