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Aggiungi una trama nella tua linguaTalented USO entertainer Dixie Leonard and comedian Eddie Sparks deal with their relationship over the course of 5 decades from World War II to the Vietnam War era to their twilight era in t... Leggi tuttoTalented USO entertainer Dixie Leonard and comedian Eddie Sparks deal with their relationship over the course of 5 decades from World War II to the Vietnam War era to their twilight era in the 90's.Talented USO entertainer Dixie Leonard and comedian Eddie Sparks deal with their relationship over the course of 5 decades from World War II to the Vietnam War era to their twilight era in the 90's.
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- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 1 vittoria e 3 candidature totali
Recensioni in evidenza
Obviously given her background this is hardly a stretch for Bette. However rather than dial it in she gives a bombastic performance that makes this quite an entertaining film.
The story doesn't wow you, rather it just provides a vehicle for Bette to strut her stuff.
Worth a look :)
The story doesn't wow you, rather it just provides a vehicle for Bette to strut her stuff.
Worth a look :)
"For The Boys" is the story of two people - the irrepressible Dixie Leonard (Bette Midler) and the instantly dislikable but ever popular Eddie Sparks (James Caan). Set against the backdrop of wars in which the United States has been involved, the film moves from station to station as the pair entertain the boys while they bicker and fight amongst themselves.
The film starts with an aged Midler telling a studio assistant (Arye Gross) her tale, starting in the forties with World War II, moving through the was in Korea and climaxing in Vietnam. Along the way, she gets to sing a few classic tunes, including "Stuff Like That There" and "P.S. I Love You, as part of the stage act of comedian Eddie Sparks.
Bette Midler delivers a fine performance as the embittered Dixie Leonard who has seen it all in fifty odd years in the business. She layers her performance with emotion after emotion and has the gift of bringing out that quality in her fellow actors. The highlight of this film is her understated performance of "In My Life" at the small Vietnamese camp - truly a moment when the world stops turning and we are graced with a glimpse of heaven. James Caan, playing a quintessential son of a bitch, is less comfortable in his role but has some fine moments opposite his dynamic co-star.
The purpose of this film is not to document the wars which form such an integral backdrop to the plot. It succeeds primarily as a story of people - their suffering and their joy is real and it affects the audience in no uncertain terms. You will either love or hate this movie. Either way, take the time to decide - its worth the screening even if only for the divine Miss M.
The film starts with an aged Midler telling a studio assistant (Arye Gross) her tale, starting in the forties with World War II, moving through the was in Korea and climaxing in Vietnam. Along the way, she gets to sing a few classic tunes, including "Stuff Like That There" and "P.S. I Love You, as part of the stage act of comedian Eddie Sparks.
Bette Midler delivers a fine performance as the embittered Dixie Leonard who has seen it all in fifty odd years in the business. She layers her performance with emotion after emotion and has the gift of bringing out that quality in her fellow actors. The highlight of this film is her understated performance of "In My Life" at the small Vietnamese camp - truly a moment when the world stops turning and we are graced with a glimpse of heaven. James Caan, playing a quintessential son of a bitch, is less comfortable in his role but has some fine moments opposite his dynamic co-star.
The purpose of this film is not to document the wars which form such an integral backdrop to the plot. It succeeds primarily as a story of people - their suffering and their joy is real and it affects the audience in no uncertain terms. You will either love or hate this movie. Either way, take the time to decide - its worth the screening even if only for the divine Miss M.
Bette Midler proves that she can single-handedly make a film worth watching in FOR THE BOYS, an overlong but rewarding comedy-drama with music which chronicles the relationship between singer Dixie Leonard and comic Eddie Sparks (James Caan), a character clearly patterned after Bob Hope, which begins during a WWII USO tour and concludes in the present where the glamorously aging couple are being reunited for a television special. Bette received her second Best Actress Oscar nomination for her commanding performance here, She lights up the screen whether Dixie is upstaging Eddie in front of thousands of troops during WWII, cursing out sponsors during her and Eddie's television show, or tearing Eddie a new one when she thinks he is trying to steal her son away from her. As expected, she makes the most of her musical moments in the film with "Stuff Like that There" and "Come Rain or Come Shine" as standouts. Caan works hard in the role of Eddie Sparks, managing to make a pretty despicable character rather likable for the majority of the story. The only big mistake here was director Mark Rydell's casting of his real-life son, Christopher in the pivotal role of Dixie's adult son. Rydell's lifeless performance is a major detriment to an important part of the film, but for the most part, FOR THE BOYS is grand entertainment, thanks to the Divine Miss M.
Every so often a film comes along that is misunderstood by critics and ignored by the public, but is subsequently rediscovered and reappraised. I sincerely hope that "For the Boys" will join those ranks. It is an uncommonly sincere, insightful and touching film, and the only things to be held against it amount to quibbles. True, the old age make up is dreadful, and the last five minutes seriously weaken the impact of the film, but the sum total is moving and perceptive.
Bette Midler, giving the performance of her career to date, was robbed of the Oscar in my opinion. It is a brave and sincere effort on her part, and such a pity that it was not met with greater recognition. James Caan plays the shallow, slightly dim Eddie Sparks almost too well. There are times when he truly frightened me. The performances on the whole are restrained; when the occasion for histrionics comes, both stars rise to it.
Thoroughly recommended. I sincerely hope this film finds its audience one day.
Bette Midler, giving the performance of her career to date, was robbed of the Oscar in my opinion. It is a brave and sincere effort on her part, and such a pity that it was not met with greater recognition. James Caan plays the shallow, slightly dim Eddie Sparks almost too well. There are times when he truly frightened me. The performances on the whole are restrained; when the occasion for histrionics comes, both stars rise to it.
Thoroughly recommended. I sincerely hope this film finds its audience one day.
In full brassy form, Bette Midler plays Dixie Leonard, who does USO performances in WWII, the Korean War, and the Vietnam War. Throughout pleasant times and hard times (and even through tragedies), she and co-star Eddie Sparks (James Caan) always have to find a way to make sure that the show goes on.
I don't know whether I would call this a masterpiece, but it's some good nostalgia. Midler shows off her talents the same as she did in "The Rose". And moreover, "For the Boys" also looks at the sorts of things going on during those wars, including Cold War-era red-baiting. Worth seeing.
I don't know whether I would call this a masterpiece, but it's some good nostalgia. Midler shows off her talents the same as she did in "The Rose". And moreover, "For the Boys" also looks at the sorts of things going on during those wars, including Cold War-era red-baiting. Worth seeing.
Lo sapevi?
- QuizMany reviewers noted that James Caan seemed miscast in the role of comedian Eddie Sparks (a caricature of Bob Hope) and wondered why co-star George Segal, who, as an actor, had proved equally adept at comedy and drama, wasn't cast in the role instead. The truth is that Caan's career was hot again after the success of Misery non deve morire (1990), and Segal was not, so Caan got the lead, and Segal the supporting role.
- BlooperIn the film during a World War II sequence Bette Midler sings "Come Rain or Come Shine" which was not written until after the war and wasn't introduced until 1946.
- Colonne sonoreDreamland
Written by Dave Grusin and Alan Bergman (as Alan) & Marilyn Bergman
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Dettagli
Botteghino
- Budget
- 40.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 17.860.280 USD
- Fine settimana di apertura Stati Uniti e Canada
- 71.348 USD
- 24 nov 1991
- Lordo in tutto il mondo
- 23.202.444 USD
- Tempo di esecuzione2 ore 18 minuti
- Colore
- Proporzioni
- 1.85 : 1
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By what name was Giorni di gloria... giorni d'amore (1991) officially released in India in English?
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