Aggiungi una trama nella tua linguaNora Rogers, who grew up to become journalist and writer Adela Rogers St. John, had a unique view of the law practice of her celebrated and notorious father Earl Rogers, who was st the top o... Leggi tuttoNora Rogers, who grew up to become journalist and writer Adela Rogers St. John, had a unique view of the law practice of her celebrated and notorious father Earl Rogers, who was st the top of his profession at the turn of the 20th century.. This film is adapted from her 1962 biog... Leggi tuttoNora Rogers, who grew up to become journalist and writer Adela Rogers St. John, had a unique view of the law practice of her celebrated and notorious father Earl Rogers, who was st the top of his profession at the turn of the 20th century.. This film is adapted from her 1962 biography of him, "Final Verdict."
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- 4 candidature totali
Foto
- The Louisville Sport
- (as Wayne DeHart)
Recensioni in evidenza
It just so happens that I am one of the people who worked on this film, so for anyone who happens to be curious enough, I can tell you all about it. During the filming, I was working as an Armed Security Officer for a small company named Central Park Patrol. There was another man named Hilario Gomez who worked with me and together, we provided 98% of all of the security for the crew and equipment. The locations were probably chosen by a man named Craig Busch (I would have to verify it in the credits on the print), who had worked as the location manager for a number of films shot in the Houston Metro area (Robocop, I Come In Peace, Etc.) Our Primary locations were in the Houston Heights and Galveston, because that is where most of the Victorian Architecture can be found in houses of this area. One of the locations that was not in these areas was 'The Isabella Courts' apartment complex located at the corner of Main Steet and Isabella Street.
If my memory is correct, we used an old building that was originally built as a print shop for bank documents, stocks, bonds, and checks for our sound stage. We also used this same building again for the HBO movie 'The James Brady Story' and the Motion Picture 'Rush'. In the late 1990s, this building was converted into 'lofts' and sold off to the tenants.
At any rate, I will always remember the first day I worked on this film, standing in full uniform and guarding the equipment trucks. Treat Williams came by (finished with his day's work) and spoke to me. He was carrying a can of Budweiser beer. He offered it to me and I politely refused it. I explained that I was still on duty. He laughed and said 'have it when you get home.' I put it in my car, and since I didn't drink beer...just the harder stuff...I put it in the fridge when I got home. I believe that my wife drank it a day or two later. It was great to meet Treat and find out what a really friendly guy he is. I have been a fan ever since. I especially loved the TV series Everwood while it was on the air.
It's a good thing that this was released (just 3 years) after Adela Rogers' (author) death so that she never had to see it.
A truly epic film could be made about this legal defense legend, who in his only role as prosecutor in the LA Times bombing, defeated the bomber's defense attorney Clarence Darrow, then defended Darrow against jury tampering charges and got him acquitted.
Adela's book 'Final Verdict' (1962), and 'Take the Witness' (1932), both outline Earl Rogers as a groundbreaking attorney who introduced modern forensics, ballistics, alcohol defense, and other modern concepts into American courts with a flair never before seen. Roger's precedent of allowing the defendant (Darrow) to summarize his own defense to the jury was cited in the Simpson trial in the 1990's.
His life would make an excellent TV miniseries centered around his most famous and groundbreaking cases - without the needless melodrama.
Someone please make it.
I hoped for the first 20 minutes that it would have a twist at the end, then realised it wouldn't. It's "To Kill a Mockingbird" lite.
I know I'm in England, but was US law in this period REALLY that shoddy? I didn't believe it for a minute.
Good performances all round, though: special mention to Fionnula Flanagan (Pearl, the Madame) - she really should, at least, have been Oscar nominated for Best Supporting for "The Others" this year.
Good cast,solid direction, good art direction. Pity about the story & script.
See "To Kill a Mockingbird" or "Inherit the Wind" instead.
Aspect ratio: 1.33:1
Sound format: Mono
Treat Williams plays Earl Rogers, a defense lawyer who specialised in sensational murder trials in turn of the century California, in the true-life TV movie FINAL VERDICT. Williams' performance is restrained and dignified, much like the film itself, which lacks passion. Instead of relating Rogers' entire life story, the film chooses to focus on the events surrounding two particular trials, and is narrated from the point of view of his inquisitive young daughter (Olivia Burnette), who's admiration for her father's legal skills was always tempered by his battle with alcoholism and by the dissolute nature of some of the people he defended. It's a sugar-coated reminiscence, glossy and nostalgic, but the pacing is just a little too laidback for its own good, and the film never really rises to the occasion. But Williams is excellent, as usual, and the production values are solid.
Lo sapevi?
- QuizGlenn Ford's final TV project.
- ConnessioniReferenced in Striptease (1996)