Scelta d'amore - La storia di Hilary e Victor

Julia Roberts shows once again how she can take an ordinary script and turn it into a worthwhile flick. This is a great movie for one of those rainy afternoons when you don't mind a little tear here and there.No one in Hollywood can cry and hit you right in the gut like Julia. Along with Campbell Scott,who is dying from Leukemia, they both give believable performances and the music score is quite good.

To put it simply, the opening third of this film is intense. Quite intense. Campbell Scott's Vincent is a tortured young man who only wants to live enough to prepare himself for death. Julia Roberts' Hillary is essentially her Vivian from Pretty Woman (I hope everyone who sees this film is as unimpressed as I was with the shameless allusion to Pretty Woman when Hillary steps off the bus in -- gasp -- a red suit), but it suits the film well. But the passionate acting from Roberts, yes, but mostly Scott absolutely rends one's heart. When Hillary declares that she thought "this guy was going to die," the audience is right there with her. Scott's performance is so rare and so special during these opening minutes because he is not self-pitying. He is aware of his disease, and he's trying to fight it. He's beyond emotional pain, and as he struggles through the physical pain, we start to feel it too. By the time Victor announces that his treatment is finished and he's ready for a vacation, the audience is ready for one too--it's really too much to watch a character we're instantly so attracted to come so close to death so many times.

However, with the change of scenery comes a change of momentum. This is not surprising considering how emotional the opening third of the movie is--I'm not sure any movie could sustain that degree of intensity for the length of a feature film. Sadly though, the couple's time in the beach house becomes, as one critic put it, a kind of music video which features long shots of "endearing" moments between the two main characters. I would have liked to see more *real* discussions, interactions, etc. between the two than the endless close-ups of their pretty faces. The townsfolk are superfluous--essentially they're stock characters, cut-outs of real people that serve no real purpose in the film. Vincent D'Onofrio's Gordon is the most confusing character of all. He seems to have some sort of flirtation with Hillary, but this is never developed, explained, or resolved. A shame, as it could have added more drama to a section of the film that was sorely lacking in any sort of dramatic effect.

The ending of the movie isn't bad, but it never quite recovers the momentum of the earlier section. However, I find that no matter how much I dislike the middle part of the film, I keep thinking about the film as a whole, and really really liking it. If you're prone to it, this film will probably make you cry. If you're not interested in tears, it's still worth watching because at the very least it will make you appreciate how lucky you are to not be going through what Vincent goes through--not having to make the decisions or sacrifices he makes each day.

I recommend watching it at least once and forming your own opinion.

I guess I'm just not in the main stream. How can IMDb readers give Love Story (1970) a composite grade of 6.7 and Dying Young only 5.4. Julie Roberts is much, much better than Ali MacGraw (proof of who is the better actress is that MacGraw went literally nowhere, as she deserved, after Love Story while Roberts is still a star, an Oscar winner and a respected actress). The story line of both is somewhat predictable, but Dying Young has an infinitely better script. In Dying Young the viewer truly empathizes with the characters, while in Love Story, neither character is worth knowing. Only the most sentimental will tear up in Love Story, while Dying Young bring most to tears. While this does not mean that it is a great movie, it does mean that the characters are believable and well acted and the story line is good enough to overcome its somewhat predictable premise. Curl up with a loved one and a box of tissues. If you are at all the least bit sensitive you will like Dying Young.

Every time this movie comes on television, I sit in my bedroom and watch it from start to finish as if it was the first time I've seen it. It is a film that focuses on a man, Victor (Campbell) dying of leukemia and his internal struggles of wanting to be carefree and wanting total companionship from the Hillary (Roberts), the woman he hires to take care of him. Eventually, Victor wishes that he could be well so that Hillary can look at him in a different light; however, Victor cannot see pass his disease to allow anyone to be in his life including his dad and Hillary. He abruptly stops his chemotherapy to go live life and die; however, he does not seem to be living it since he so competitive and wanting to be better than anyone else. You want Victor to be cured of the disease and you want him to be less envious of the well people and to stop worrying about death and just live, which is the whole message of the film. Don't be afraid of death since we all will eventually die and no one knows exact time when death will wrapped them in his arm, which is a very powerful message. Great acting from Campbell and Julia. Great cast. Please watch this film and formulate your own opions.

My first complaint was that Vincent D'Onofrio was totally wasted in this role, although he brought some much needed life to this role. If they had fully developed Vincent'Onofrio's character then this could have been a beautiful and powerful triangle, but they wasted most of the supporting characters.

Campbell Scott was great as the young man dying of leukemia and gave a riveting performance as a young man who had never been able to fully live his life and groping for what he considers his last chance of happiness before dying.

Campbell Scott also has the courage to be unlikeable and at times arrogant rather than a plaster saint. His inability to connect and understand the simple friendship offered by Gordon(Vincent D'Onofrio) is almost painful to watch. He envies Gordon's easy openness and zest, and is also jealous of the way that Gordon effortlessly connects to JUlia Roberts character,Hilary.

The most poignant scene is when this young man of wealth, privilege, and education tries to relate with Gordon and Hilary who are getting a kick out of answering the questions to Jeopardy. He scores big on the questions that he studied in college, but grows more and more frustrated as Hilary and Gordon bond over their ordinary knowledge of TV shows-- like their singing the theme to Gilligan's Island. They are having fun, but Vincent can only see it as a competition.

In that moment he sees a world that he has never known and probably will never really get, and he lashes out at both of them. Gordon is hurt and puzzled and Hilary is torn between anger and understanding.

I wish that they had had Julia telling Gordon about how the character of Vincent was struggling with cancer, and having all three of them interact with each other bringing more depth to their struggles-- Vincent's jealousy of watching Hilary and Gordon interacting, and Gordon reaching out in friendship to help his new friend. It also would have given Hilary more insight into her emotions, and, when she made a choice it would have had more meaning.