Dogfight: una storia d'amore

Dogfight captures the feelings of the mid to late 1960's in San Francisco. It accurately shows the characteristics of young U.S. Marines destined for Vietnam. They are insensitive and cruel to the young women they invite to the 'Dogfight' because of their youth and the situation they find themselves in as G.I.'s. Being in the Air Force during this period I could relate to their crudeness as a posture taken by some young men as a defense against their environment. Being insensitive was a way to deal with their situation over which they had little control. The movie also accurately portrayed how young G.I.'s bond with other young guys who in civilian life they might not have bothered to befriend.

The love story involves a girl invited to the 'Dogfight' (a contest to see who could bring the ugliest girl) and the young Marine who brings her. She breaks through his shell of indifference and they become friends and lovers.

Lilly Taylor and River Phoenix are terrific. Their characters ring true and my wife and I cared very much about what happened to them.

Phoenix's return to S.F. after his tour in Vietnam was just as I experienced it. Although I was not returning from overseas when I returned the Bay Area in 1969, I discovered that the San Francisco of 1965 was totally gone and replaced with a foreign land.

'Dogfight' is accurately nostalgic for those of my generation and perhaps older. Younger viewers get to enjoy a truly good love story. They also get a glimpse of life as a young G.I. during that uniquely explosive period of change and social upheaval in America during the middle to late 1960's.

This movie contains fantastic performances by Lili Taylor and River Phoenix. The story is very slight and it takes awhile to get going, but for ninety minutes I was interested in these people, especially Taylor. The scene where she orders dinner for herself in an upscale restaurant is very funny. The whole thing makes me miss River very much also.

The most atypical River Phoenix role, the furthest from his own personality comes in this film. In Dogfight River plays a young Marine recruit who along with buddies Richard Panebianco, Anthony Clark, and Mitchell Whitfield who are on a last night's leave and are heading from their Treasure Island base for a night of fun and frolic in the San Francisco of November, 1963.

The guys are about to participate in a really mindless and sick ritual called a Dogfight. The guys seek out the ugliest woman they can find and bring her to a designated bar where they're judged. The 'winner' gets a prize of whatever monies the Marines have collected among themselves. Talk about objectifying the female body in a negative way.

Phoenix hooks up with sweet and shy Lilly Taylor who really moved me with her performance. She and her mother run a coffee shop and she's a quiet kid into folk music, her favorite being Joan Baez.

While the other three have the usual night on the town for the Armed Services, Phoenix and Taylor find they connect in ways that they never dreamed possible. As they get to know each other the audience sees a more typical River Phoenix.

I remember seeing this when it first came out. It had a limited release and was restricted to art houses. The theater I saw it in was memorable too, it was the only one I've ever been in without a concession stand, not even concession machines. I guess in this no frills theater I was lucky they had rest rooms.

Phoenix and Taylor make a very lovely couple. It's a good picture for River, but Taylor was the one who really blew me away.

DOGFIGHT is one of favorite films. The two leads actors share perfect a chemistry, making their interaction a pleasure to watch. Not to mention, Mr. Phoenix's screen presence is incredible. In fact, I could've followed him around the whole night. Furthermore, there is a great amount of foreshadowing on and off the screen. When Eddie (Phoenix) discusses Vietnam, he mentions its a small mess and that he'll be back in a few months. We, however, know that a different course lies ahead. In addition, this is one of Mr. Phoenix's final films, a glimpse of a magnificent only two years before his tragic demise. As a result, actor-character parallel almost each other, which I found to be truly sad. In addition, I give my credits to Bob and Nancy for executing a perfect ending. Yet, for me, this picture will always be a testament to one of the finest actors of our generation; may his spirit live on.

Ted's Grade: A-

I've seen it a million times, and it will always be one of my favorites. But what always struck me about this film is the silence - it opens very quietly, with no music and only muffled voices of the passengers on a bus. Our first views of the main character Eddie are of him sitting alone on a bus and at a truck stop. It is a perfect way to introduce a character that changes so much from beginning to end. In fact, the film starts at the end, and we are allowed to see the past when Eddie reminisces all that happened to him before he left for Okinawa. The movie has a quiet subtle way about it all the way through. There are tender, heartbreaking moments, but also moments that will have you laugh hysterically. Among the many issues the film addresses are honesty, friendship, forgiveness, war, and love. Someone said this is not a very romantic film, and I agree. It is not romantic in the way that most romances are. It is a decidely un-Hollywood approach to love, which is what makes it so memorable. The first kisses are not beautiful and elegant. They are awkward and uncertain in the most realistic way. They are not backed by melodramatic music, but rather the music that those characters would have really heard in their own ears. The poetry of it is that it ends the same way it began - in the quietest way possible, showing that for the two characters words are not needed.