Danzón

I just saw Danzon at Washington, D.C.'s National Gallery, which was selected as part of the theme for Milestones in Mexican Cinema. It was a wonderful, simple story about a woman who's love of dance forces her to realize her independence.

Danzon director María Rojo stars as Julia Solórzano, a timid working class woman (just to show you the cultural and economic differences between the states and Mexico, it was 1989 when this movie was released, and they were talking about the "modernization plan" and the development of 'long distance telephone'). At night, she and the girls from work go to the popular Mexican night spots and spend the night dancing the Danzón.

When her Danzón partner mysteriously disappears without word (although there are several rumors), she feels completely helpless. Dancing is what she loves to do, and with Carmelo (her dance partner) gone, she falls into a state of disrepair.

Julia takes a trip to Veracruz, where Carmelo was from (this being where the majority of the film takes place), and looks for him. There, she meets several interesting people, and her friendship forces her to rethink things about herself, namely her independence.

Danzón is a wonderful, funny, and simple story, qualities that I had appreciated more after having seen the pretentious Adaptation. There is something about Julia and the townspeople that are so interesting, and so engaging, even though the point is so simplistic. Among the best characters in the film were Carmen Salinas as Doña Tí and Tito Vasconcelos as Susy (Julia's cross dressing friend who is perhaps the funniest character in the whole movie). I recommend seeing it.

Maria Novaro has made a mini-specialty of what might be called the "women's road movie." (She has described her later "Without a Trace" as "Thelma and Louise" with a happy ending.) Danzon gives us Julia, a 40-ish telephone operator and single mother of a sulky teenager, who leaves her Mexico City routine when her dance partner--about whom she knows little more than his name--seems to disappear. The movie opens up into lush panoramas when Julia reaches Veracruz, a metaphor for her own blossoming self-discovery. The soundtrack alone--old-fashioned "danzons" (Mexican dance music imported from Cuba)--is worth the rental price.

The main character goes on a long journey to find Carmelo, her danzon partner, after he fails to show up for their weekly dancing date. She believes that dancing is the only bright spot in her life. On her journey, she makes new friends and has an affair with a younger man. She returns to find Carmelo at home, and realizes that she doesn't need him the way she thought she did. Julia's life has an excitement even without this man.

It was a good film. I watched a subtitled version which was helpful but as always you lose alittle of the content that way.

Julia is a middle aged phone operator in Mexico City who divides her time between her job, her daughter and the "Danzon": an elegant, romantic Cuban dance popular in Caribbean Latin America.

Julia wants to taste one great romance in her life before she feels she will have lost what's left of her beauty. Like a ritual, each Wednesday Julia dances the Danzon with the dashing, mysterious and still handsome Carmelo in the old "Salon Colonia". They've danced for years but barely know each other.

One night Carmelo disappears without a trace. Suddenly bereft, Julia abandons well-regulated obligations and responsibilities and sets off on a long distance odyssey, searching for her missing cavalier. These comic, touching and ultimately triumphant adventures lead Julia to a deeper comprehension of the meaning of life and true happiness.

DANZON (dir.María Novaro) Julia is a long distance telephone operator in Mexico City who has a passion for the official dance of Cuba, The Danzon. When her partner disappears, she travels to Veracruz to try and discover what happened to him. The film becomes a tender and affectionate journey of self-discovery which leads to a reaffirmation of her sexuality. The various colorful and quirky characters that she meets change her life in subtle, yet fundamental ways. This is not exactly a 'Chick Flic', but Maria Novaro has crafted a film in which femininity is celebrated and revered in an honest and creative manner. A color saturated 35mm print makes this a delight to see-the absolute antithesis of the stark and clinical look of digital photography. Winner of numerous awards.