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Superb episode. Extremely difficult frame-up by brilliant defense lawyer picked apart step by step by Columbo, until he is stumped by a seemingly foolproof alibi. The way he cracks it, and the manner of proving it provides for one of the most shocking and fabulous Columbo finales of all. Dabney Coleman is really good as the murderer, who thinks he can arrogantly get away with anything because of his unbeaten record as a murder defense lawyer and his powerful connections in the system. It seems to give Columbo an extra desire to get him, and you can hear the joy in his voice when he finally gets the last laugh and nails him. However, I do wish Falk had not included his wife Shera Danese in six episodes. If ever there was a case of nepotism, this was it. As superb as he was as an actor, that is how bad she was as an actress. But if that was the price to pay for enjoying Falk's immense talents in 68 Columbo episodes, I'll gladly pay it. However, after reading the other reviews, I realize that many people missed the main clue (e.g., eralan_uk), which ruined the whole episode for them. Without including a spoiler here (as I have carefully avoided them in all my reviews, so viewers can have advance notice of the quality of the episode beforehand), allow me to add this critical info. If you miss one cryptic early allusion to it, you will not be able to figure out how a person can create a complex fake alibi for a murderer, yet not suspect him as the murderer until after the fact. The answer is that the person unwittingly created the alibi, thinking it was for some other purpose, and only put two and two together after the fact. So pay careful attention when that person first reveals their suspicions to the murderer, as she briefly explains what she had been asked to do earlier, and how that led to her current suspicions. The full meaning of her cryptic comments only become clear later on, when the fake alibi is revealed.

I caught the references to Sam Spade and Phillip Marlowe.

Good thing Shera Danese married Peter Falk, as she sure can't act.

John Finnegan has played janitors, waiters, bums on the street, and other characters. Now all of a sudden he is the chief of police. I don't buy it.

Dislike it when Columbo's legal "superiors" don't get what he is getting to. With his track record there should be much more believability.

I am one of the biggest Columbo fans. I just love Peter Falk and his most famous character, Lieutenant Columbo. In this one, Dabney Coleman plays a wealthy corrupt attorney who kills his rock star girlfriend and sets her male lover with the crime. We don't actually see the crime since it's not Columbo's style to show a victim in a degrading matter. We are only given hints of what he does to her. It's fine by me. Columbo episodes are always tastefully done rather than carelessly graphic. What makes Columbo episodes so entertaining is the empathy for the victims regardless of judgment. Dabney Coleman as a popular LA criminal defense attorney tries to outsmart Columbo but fails. No criminal is smart enough to beat Columbo.

This Columbo story has Peter Falk assigned to a double homicide of a former rock star who is the live-in mistress of wealthy defense attorney Dabney Coleman. Coleman has a reputation of never losing a criminal case. But mistress Cheryl Pais has enough information on Coleman and his methods that could ruin him. Still he wants her out of his life and he'll get her out one way or another.

Several years earlier a new word entered the English language courtesy of Michelle Triola Marvin and her attempts to collect alimony from Lee Marvin whom she lived with but never legally married. Her victory started a flood of those kind of suits and palimony became a word.

Coleman arranges the murder of both Pais and the guy she's been seeing on the side. Being a criminal lawyer he knows how to do it. He's even got a suspect suitable for framing.

One thing about this episode that had a different twist. Usually Columbo has to insinuate himself with the object of his suspicions to get close to him. Here Coleman uses whatever pull he has to get close to Columbo, the better to keep the eye on the investigation.

Coleman even has an alibi cooked up courtesy of his new law partner Shera Danese. You have to see what it is and how Peter Falk blows it apart at the climax.

Coleman who has taken a patent out on playing these smarmy characters is at his smarmy best in this Columbo story. Great to see him taken down.

When his ex-rock star partner threatens to expose him unless he pay her off, successful lawyer Hugh Creighton kills her but makes it look like her lover that did the crime. He is helped by the fact that her lover flees the scene – giving the police someone to chase while Creighton makes sure everyone gets to see his grief. However with Columbo on the case nothing is ever that simple and all it takes is a few out-of-place things and he immediately has doubts. With Creighton using his considerable experience in the court to help him, Columbo digs deeper.

As with many TV film series (such as Perry Mason), if you like one or two of them then you'll pretty much like them all. This entry in the Columbo series pretty much follows the usual formula – we know the killer and the "perfect" plan but then watch Columbo follow his hunch and gradually starts to pick holes in the story he is told before eventually finding enough to prove his suspicions. Knowing this ahead of time won't ruin anything for you; it is simply what happens in all the films. With this strict adherence to formula it is usually simple enough for the series to do the business although I have had my fingers burnt with some of the "new" Columbo's. This one is actually pretty good though despite having some side additions that are unnecessary and don't really work. The plot is reasonably good and is well delivered although at times it is a bit of a stretch – a problem to some viewers but most Columbo fans will just accept this as par for the course. The attempts at comedy are reasonably good but the scenes that place Columbo in, say, an interrogation room don't really fit with the formula.

The main winners for the film are the performance from the lead two. Falk is good even if the material isn't totally true to his character; but when given the chance he is really good – as shown in the hilarious but mocking conclusion. Coleman is hardly a classic foil but at least he is up for some cat'n'mouse and his abrasive performance fits the film pretty well. The support is not as good; not so much in the bigger roles (which are all fine) but in the small additions like "regular" character George (Gilborn) and the pointlessly feisty Currie; although Little Richard at least is a strange find.

Overall though this should please fans even if it is not up to the standards of the original Columbo episodes. The main two are good together and the plot moves along well apart from a few big leaps here and there (and one weirdly creepy moment with a Columbo "mask"). Good enough for fans then but probably not strong enough to win new ones.